Though we are as a society perhaps too hysterical about many things up to and including the internet, the influence of said internet can nevertheless have its undeniably shady side: maybe your toddler wants lip filler injections, maybe you lie awake fretting about how you’re not doing yoga in Prague like everyone else, maybe you read alt-right blogs. Or maybe you see a photo on Instagram that inspires you to try making ice cream out of canned beans. Which I did try. Three times.
For though I was thrice let down by these ice cream recipes like Peter denying he knew Jesus three times in the musical Jesus Christ Superstar, I am not going to pretend it didn’t happen, like Peter denying he knew Jesus three times in the musical Jesus Christ Superstar. Firstly, I put in so much effort and what’s the point of putting effort into anything if you don’t get to tell everyone about it, and secondly, you, the reader, may at least learn what to extremely not do when making ice cream. Thirdly, I’m fairly confident many of you don’t even read this blog for the recipes, and fourthly: let’s face it, failure is kind of funny. You know when you screw something up and you’re like “we’ll look back on this one day and laugh?” Well, I’m already laughing and it only just happened.
So what went wrong? The theory of Occam’s Razor would suggest that my first misstep was TRYING TO MAKE ICE CREAM OUT OF CANNED BEANS but like, there could be more to it than that. The first batch, as I recounted at length last week, was based on chickpeas and tasted somewhat affrontingly yet not surprisingly and ultimately overwhelmingly like chickpeas. Fine! I said, in the manner of Lisa in the movie Fame changing her major to acting and pretending she never wanted to dance: I’ll try a different bean! Butterbeans are mellower and creamier, their very name has a soothingly evocative sound, and I even tried adding melted dark chocolate to really mask the flavour. First, I blitzed the drained beans in a high-speed blender till they were velvety smooth, then I added oil and sugar and stirred them into the brine that I’d drained from the can and whisked into frothy peaks with sugar and cream of tarter, because – fun fact – the liquid from any canned beans will act like egg whites if you whisk them with enough intent. Stirring in the chocolate made the mixture thicken rapidly and resemble chocolate mousse but it seemed promising. I then made some cookie dough and stirred it in and bunged the lot into the freezer and waited six to eight hours.
It looked great, and so I scooped some into a dusky pink coffee cup and took photos of it in pleasing tableaux around the house and then finally tasted it. It was…strange? Really sweet and rich and definitely chocolatey but not at all like ice cream and while I didn’t think you could taste the beans it still somehow was a little stressfully granular, as though you could sense with your tastebuds that it was guiltily hiding something. I gave some to Kate, and I was all “it doesn’t even taste like beans!” and she quietly replied “yes…it does.”
Further taste tests solidified my opinion that it wasn’t bad, just a little troubling, which when it comes to food…is bad. I deduced scientifically that the thing making this frozen dessert taste rueful and self-deprecating was a lack of liquid – it seemed more like cold cake icing than icy, creamy, uh, ice cream.
So I resolutely ploughed ahead with a third batch: this time with no chocolate or cookie dough to distract from the matter at hand, just a simple vanilla ice cream, made using the same divide-and-conquer method of blending the beans with sugar and oil and folding them into their own whisked bean brine with plenty of vanilla essence and a full 250ml of oat milk. The mixture looked creamily promising and when I took it out of the freezer six to eight hours later and ran my spoon across its surface it looked winningly exactly like ice cream: thick and frosty and scoop-able and creamy and I tasted it and oh my god it tasted like beans the entire flavour profile was beans it was just beans it somehow tasted more like beans than the original untouched beans in the can, just BEANS BEANS BEANS and I was like…well, no one can say I didn’t try.
This is not to say that there aren’t successful recipes out there for bean-based ice cream. There undoubtedly are, and they probably involve large commercial kitchens and slightly more high-tech ingredients and knowledge than I have. There just definitely aren’t successful recipes for bean-based ice cream sitting in Kate and Jason’s freezer right now.
It’s my birthday on Wednesday 17th and I’ll be turning 33. As I noted, somewhat aghast, to my friend Charlotte who herself turned 33 last week, this means we’re no longer in the age bracket where Paul Giamatti would fall in love with us in an indie movie, we’re instead becoming the age of his unwhimsical pursed-lipped wife, probably played by Maggie Gyllenhaal or Kristin Wiig, that he cheats on in order to discover himself (next stop: you inevitably become Paul Giamatti’s mother, a role which will be played by like, Laura Linney, or Maggie Gyllenhaal in precisely two years time. If she’s lucky.) I’m having a small dinner party the day after my birthday where I’m going to be cooking for a select group of people that I really like, and I am pleased to note that neither Paul Giamatti’s opinion of me nor my failed attempts at this one particular varietal of ice cream are holding me back from feeling anything but excited and confident, I am delightedly devising a menu and can’t wait to feed everyone and nevertheless, absolutely none of it will involve ice cream. I think it’s just for the best.
(PS: I’M FINE about all this obviously but if you need reassuring that I can make ice cream, I recommend reading my recent-ish posts for Rosé Raspberry Ripple Ice Cream or Black Salted Caramel Ripple Ice Cream.)
PS should you be all like Laura! How can I mark the occasion of your birthday? I would say hey! You don’t have to do that at all! And now that I’ve got that fake demurring out of the way, I would say you can become a Patreon patron and directly support my writing! And in return you can receive treats in the form of content written exclusively for you! So it’s like a birthday present for yourself in the long run. But mostly for me.
title from: Heaven Or Las Vegas by Cocteau Twins. Elizabeth Fraser’s voice! It’s the sound of moonlight, the sound of water hitting the point of freezing, it’s undoubtedly what Handel was listening to when he wrote the Hallelujah Chorus.
I watched the fourth and final season of musical comedy Crazy Ex-Girlfriend and like, I’ve watched a LOT of TV shows about people with mental health issues and I’ve never seen depictions as accurate as this, let alone with regular Stephen Sondheim references. Parody music can be like someone telling you about their dream, like, I get why you’re excited, but it’s not REAL, but these songs are REAL skilful in their execution and the fact that co-creator and star Rachel Bloom wrote like 150 of them over the show’s series is genuinely incredible. I particularly loved Don’t Be A Lawyer from this season which cleverly jacks New Jack Swing and the earlier, surprisingly incisive Love Kernels (“how do I know he really loves me? I guess the only way to prove it…is with abstract symbolism”) and its spiritual successor, Without Love You Can Save The World which matches its faux-hippie-folk sensibility with choreography right out of Twyla Tharp’s playbook. This show is kind of gruelling even if you’re into musical stuff but it’s so rewarding.
One Beat, Sleater-Kinney. The drumbeat and the overlapping voices in the chorus are so satisfying.
Another World, Richard Hell and the Voidoids. The verses are all slumping and shambling and then the chorus is so simple and sweet and then it ends sliding all over the place again, I just love him so much!
Next time: As I said I’m going to be cooking a birthday feast this week, so my next post will likely feature recipes from that night. Actual recipes!
I started this week making some ice cream out of canned chickpeas based on a photo I’d seen on Instagram, and the whole process was kind of disastrous in that way where you start to wonder if your food is trying to tell you something, like, at first I tried pulverising the chickpeas in the food processor but they were still too chunky and granular so then I was like okay no worries I’ll spatula it into another bowl and use the stick blender, you know, the kind of thing you use to liquidise soups, and all that did was fling chickpea puree everywhere, and then I was like wait! There’s a smoothie blender in the house somewhere, one of those ones that will turn any quantity of vegetables into a silky-smooth and more or less potable liquid; at which point I accidentally misread the thrust of the fulcrum on the stick blender resting on the edge of the bowl by which I mean I flung chickpea puree across the kitchen floor, undeterred I spatula’d what was left into the smoothie maker, which finally did produce the absolutely smooth mixture I’d been seeking, uninterrupted by bits, then I made some cookie dough to stir in and added what I thought the rest of the ingredients should be (some oat milk, some golden syrup, some oil) and then put it in the freezer and realised I’d dirtied every single appliance in the kitchen, including the floor, including myself, and I did the responsible thing and burnt the house to the ground, no, I joke, I just cleaned it all up, and then when I went to taste the now-solidified ice cream six hours later I was like My God…it tastes like cold sugary hummus.
Luckily I had another recipe to blog about.
But like, back to the ice cream for a second, the curious thing is that I couldn’t stop thinking about it and even though I was pretty convinced it was not the one, I nevertheless ended up eating the entire thing (in two sittings, don’t be aghast) in the hopes of working out if it actually tasted good or not, and honestly I’m still not sure? Like it really tasted like cold chickpeas? But then somehow it tasted almost amazing? And I simply could not stop eating it? If anything I admire the ice cream for not handing itself to me on a plate, for making me chase it, but obviously “deliciousness is a subtext that you have to really work to find” is not what most people are looking for in a recipe so I have returned to the drawing board, I just love ice cream SO much and while I’m perfectly content being vegan, I really do miss the absolute ease with which I could make or access ice cream previously.
Anyway, this week’s recipe for Chinese Five-Spice panko fried eggplant really does hand it to you on a plate, the subtext is text, it’s straightforwardly delicious and deliciously straightforward. I saw a recipe on Food 52 for something they called Breaded Eggplant Cutlets and decided to make my own version. The main thing that I took from the recipe was the process of leaving the salted eggplant slices to sit for an hour, which is not the sort of time-consuming behaviour I’d normally indulge but it really does have a significant effect, meaning that when you come around to frying the eggplant, the flesh within gets quickly melting and tender while the panko crumb gets golden and crisp. Without the salting, there’s a good chance that the eggplant wouldn’t cook through and you’d end up with cotton-wool polystyrene.
The recipe on Food 52 suggests any number of ways that you can use these slices of eggplant but I chose to have them stuffed into a mustard-smeared supermarket roll with lots of rocket leaves: the sinus-clawing mustard and peppery greens counteract the fabulous oily richness of the eggplant and it’s a perfect lunch, where you’ve put in enough effort for it to feel like you actually care about yourself but it’s not so much effort that you end up crying from exhaustion once it’s done. Chinese Five-Spice powder is one of my favourite ingredients, it’s – usually – comprised of cinnamon, cloves, star anise, fennel, and Szechuan peppercorns, and has this warm, aromatic intensity to it that goes so well with the mildness of the eggplant. The aquafaba, which is literally just brine from a can of chickpeas, works perfectly as glue for the flour and panko crumbs but obviously if you’re not vegan or whatever you could just use a couple of beaten eggs. Panko crumbs are these really light, crunchy Japanese breadcrumbs, they really add to the crisp texture of the finished product and are pretty easy to find in most supermarkets, but if you can only find regular breadcrumbs it’ll undoubtedly still taste good because, well, everything fried tastes good.
Chinese Five-Spice Panko Fried Eggplant
Inspired by this recipe from Food52.com
- 1 eggplant, sliced into circles about 1cm thick
- 2 teaspoons sea salt or other non-iodised salt
- brine (aquafaba) from one drained can of chickpeas
- 1 cup panko breadcrumbs
- 2 tablespoons nutritional yeast
- 3/4 cup plain flour
- 2 teaspoons Chinese Five-Spice powder
- 1/3 cup rice brain oil or similar, for frying
- soft bread rolls, mustard, rocket or similar green leaves, to serve
Firstly, get two pieces of paper towel, and sit the eggplant slices on one of them on a plate. Sprinkle over the salt, lay over the second piece of paper towel, and then place a second plate on top to weigh it down. Leave the eggplant sitting for an hour, then remove the top plate and get rid of the paper towels.
Place the aquafaba in a bowl. Either in two separate bowls, or, as I did, in two piles on the plate that had previously been resting on top of the eggplants, mix the flour and Chinese Five-Spice powder together, and then mix the panko breadcrumbs and nutritional yeast together.
Dunk each piece of eggplant first into the flour, then the aquafaba, then the breadcrumbs, then repeat this process so each piece of eggplant has been twice-dunked in everything. It will be kind of messy and your fingers will get covered in gunk and I’m telling you now: don’t eat it, you’ll be tempted, but just don’t, it’s…not good.
Heat the oil in a good-sized saucepan and fry the coated eggplant slices for a couple of minutes on each side, carefully turning once they’re a deep golden brown colour. Remove to a plate lined with another piece of paper towel, then eat however you like: I chose to spread mustard on some soft white supermarket bread rolls and then stuffed them with the eggplant slices and a handful of rocket leaves.
The amount that this serves depends on how you serve it and how hungry you are, I had two bread rolls with four pieces of eggplant in it for lunch and was pretty content so I guess what I’m saying is definitely scale up if you’re cooking for other people.
As for the chickpeas that are left from when you drain the can for its brine…just make hummus.
title from: I Surrender, Dear by Bing Crosby. This was one of his very first hits in 1931 and it’s just, you know, some really good rainy day crooner music.
The Infinity Room, an album by 36. This is immensely dreamy and swoony, much like the person who recommended it to me. Like, it makes me want to lie down and also get up and dance at the same time.
Old Town Road, by Lil Nas X with Billy Ray Cyrus. Look, this song is everywhere right now and it’s so catchy but in this way where I want to hear all the catchy segments of it at the same time all on top of each other, kind of like when I tried curly fries for the first time and I was suddenly panicky like, I need to cram all the curly fries into my mouth at once in order to truly understand their deliciousness, if I eat them only one at a time it’s too fleeting. It’s hard to imagine now, but curly fries were quite the game-changer. Anyway this song is good as hell and I hope it tops the country charts for a very long time. Yee, and I cannot stress this enough: haw.
Shallow Tears, Light Asylum. It sounds atmospheric yet thrilling, it sounds old yet new, I love those big drums and the singer’s big Depeche Mode-y voice.
Next time: I am actually not done with my canned bean ice cream scheme yet, this heedlessness possibly spurred on by watching a lot of Crazy Ex-Girlfriend (“face your fears! run with scissors!”)
PS: a special and heartfelt thank you to my Patreon patrons! I LOVE YOU! If you are not a patron, but you enjoy my writing and want me to be able to do it more, then indeed please consider signing up. A couple of dollars per month from you directly influences my ability to write more and gets you exclusive content in return, like book and film reviews or what star sign I believe each character from Gavin and Stacey is or a recipe for the best vegan scones.
This week’s blog post got completely sucked into the vortex that was, well, this week, on account of my working on Saturday and Sunday at Laundry bar in a cameo role (since I no longer work there for real) during the CubaDupa festival. I couldn’t tell you with any real certainty what CubaDupa actually is but I do know for sure that it means Laundry becomes about as crowded as a mid-level Balkan EDM festival except in a small licensed Wellington premises and as such my brief return was both required and, I hope, welcomed. I was also cat-sitting for a friend at the time and am now cat-and-dog-sitting for another friend, it’s all just been comings and goings and that’s why I completely missed writing a blog post, although to be fair it’s somehow already halfway through Friday and yet! I still have traces of a heat rash on my neck from dancing for many hours after my shift finished on Sunday while wearing a $2 shop choker? So I’m really no clearer on how linear time works at all.
I made this curry for Jason and I – Jason, who also has a dog and cat but who is simply allowing me to stay at his house between other pet-sittings and heat-rash-gatherings, just to be clear – on Tuesday night. I’ve been finding myself drawn, of all things, to idle scrolling across the ebbing and flowing tides of Pinterest, I’ve also been oddly transfixed by sped-up faceless cake decorating videos on Facebook, even though the results all look inedibly dry and packed with fondant, there’s something strangely soothing in their anonymous competence. I think it’s a bit simplistic to surmise that in difficult times we seek the reassuring – true though it may be – I think it’s really just that I’m a bit weird and get obsessively hyper-focussed upon the most pointless things, and it’s the intense focus itself that’s calming, the subject doesn’t matter. But it just so happens that I found a recipe for a butter chicken-esque vegan curry while I was in one such state of tunnel vision, and while what I ended up making was different, I appreciate the jump-off point that it provided. Much as I feel like Stacey in that scene from Gavin and Stacey where she’s like “Gav, will you laugh at me if I get a korma”, I freely admit that butter chicken sauce is like…completely delicious. It just is. And I was genuinely delighted at how much this recipe evoked it.
Jackfruit and Chickpea Curry
Inspired by this recipe from earthchick.com.au.
- 1 can young jackfruit in brine
- 1 can chickpeas
- 1 can coconut cream
- 1 can tomato puree (or tomato passatta)
- 1 large onion, peeled and sliced thinly
- 2 tablespoons rice bran oil (or similar)
- 3 cloves garlic, crushed
- 1cm thick slice of fresh ginger, peeled and finely diced
- 2 teaspoons ground fenugreek
- 1 teaspoon ground cumin
- 1 teaspoon ground coriander
- 1 teaspoon ground turmeric
- 2 teaspoons mustard (wholegrain or dijon or American or whatever)
- 1 tablespoon brown sugar
- 3 tablespoons ground almonds
- 1 tablespoon red wine vinegar (or lemon juice)
- salt, to taste, but like, plenty
- cooked long grain rice, fresh coriander, and cashews to serve
Heat the oil in a large saucepan and gently fry the onion till lightly browned, then add the garlic, ginger, and all the spices. Drain the can of jackfruit and – cutting up any larger pieces if need be – tip the entire thing into the pan. Follow this with the drained chickpeas and the tomato puree. Let it simmer away for fifteen minutes, stirring occasionally. Finally, stir in the vinegar, mustard, and sugar, followed by the coconut cream and ground almonds. Allow it to come to a simmer, taste to see if it needs anything more – salt? sugar? cumin? fenugreek? – then serve over bowls of rice, sprinkled with cashews and coriander leaves.
I think the most important things in this recipe are as follows: firstly, if you don’t have fenugreek then go out and buy some, because it has this beautifully sweet-savoury flavour that is difficult to replace. Secondly, don’t leave out the sugar. If anything, add more. The sweetness gives balance and depth and ties all the spices together. Thirdly, try to let the tomato puree really caramelise in the saucepan, this will give you intensity and richness of flavour. Next, just keep tasting. Maybe it needs more salt, maybe more sugar, maybe more cumin, maybe just rakishly empty some more fenugreek into it. Finally, if you can’t find canned jackfruit then I would add an extra can of chickpeas but I love their textures together – the gentle fibrousness of the jackfruit with the grainy nuttiness of the chickpeas. Jackfruit is often incorporated into vegan recipes as a meat substitute because of that texture but here I’m not too fussed about whether or not you think it’s chicken, it just tastes really good smothered in sauce. Finally-finally, you may notice that there’s not a lick of chilli in this – I was pleased by the notion of an aggressively mellow curry with warmth from the spices but that otherwise did not put up a fight: feel free to add chilli of your choosing at any and all stages of cooking it. As it is, it’s so creamy and full-bodied and richly sweetly flavoured and comforting and I think I’m going to be making this a lot over the coming winter. And leftovers are, I assure you, fantastic cold, from the fridge, eaten standing up, out of whatever container you stored them in.
(Since Ghost the dog has had such a presence in the last few blog posts, I thought it was Ariel the cat’s time to shine.)
(Come back, Ariel!)
title from: JC, by Sonic Youth. I love its crunchy chewy droning guitars and the sullen urgency in the delivery of its poetic lyrics.
Secondo Coro Delle Lavandaie by Roberto De Simone, I heard this during TV Disko’s set at CubaDupa and I have been obsessed ever since, it’s so pulsating and makes me feel like I’m running through a jungle, like, you can feel the pupils of your eyes expanding as you listen to it.
Everything Old Is New Again, by Peter Allen but specifically as it’s used in the film All That Jazz. I read an extraordinary article about Bob Fosse today which got me onto watching this, I’d always known – of course! – how influential he was, but I really wasn’t across how he was a real piece of work. In his film extremely thinly fictionalising his own life, Ann Reinking, his real life partner at the time, plays the thinly-veiled-Fosse character’s girlfriend and performs with his character’s daughter in this sweetly touching yet expansively leggy piece of classic Fosse choreography. It’s so meta it almost leaves a bad taste in the mouth but nevertheless Reinking was just born to dance, wasn’t she? (Also this film is amazing! Jessica Lange as an angel of death? Leland Palmer? A young John Lithgow? Wallace Shawn? Cliff Gorman playing a thinly-veiled version of Lenny Bruce in a film-within-a-film based on a film that Bob Fosse really did work on starring Dustin Hoffman based on the Broadway play that starred Cliff Gorman? Ben Vereen?!)
30 Century Man, Scott Walker. I already talked about this extensively last week but I’ve nevertheless listened to this song specifically so many times. His Sinatra via, I want to say, Dean Jones voice just slides right into my amygdala like a missing jigsaw piece.
Next time: I’ve already got another recipe up my sleeve so no matter how much pet-sitting or dancing or working I do this weekend I won’t end up losing half a week again, or at least that’s how I presume it will pan out.
PS: Thank you to those who have been supporting me via Patreon! If you like what I do and want me to be able to do it more, then indeed please consider signing up. A couple of dollars per month from you not only stokes the fires of my ability to write but also gets you exclusive content in return, such as a review of every book and movie that I consumed in January or an essay about what star sign I believe each character from Gavin and Stacey is.
Bad things are always happening and we absorb them into our perception of reality without even realising it. Yesterday you were X, today you are X+N(N=new bad thing) and next week you might be X+N+N+N or you might get away with not being this at all, for now. On Friday March 15 a white supremacist terrorist attack happened in Christchurch, where 50 Muslim people who were praying at mosques were murdered by a man with a gun, and now this is the new reality and I can’t remember what it was like to not know this.
This blog post is not going to be about this or about how it’s affected me – that’s not what anyone needs! – but I need to acknowledge that it happened and that it’s added an extra layer on top of us all, like a coating of poison-laced buttercream on an old, stale cake. I will say: everything feels kind of urgent and pointless at the same time, however I am focussing on direct, concrete actions that I can take, because I want to be contributing positively in whatever ways possible. I believe strongly that this is the most important thing that those of us who aren’t part of the Muslim community can do: actual, concrete things. If you don’t have money, it could be time, energy and mental effort. Volunteering, supporting, writing letters to politicians to endorse new gun control measures and to the media to condemn those they employ who contribute to white supremacist ideology. Have uncomfortable conversations, challenge your racist uncle, don’t pretend you can’t see weird posts from your long-ignored acquaintances or workmates on Facebook. Read Muslim writers’ articles and stories. Acknowledge your rising anxiety and be kind to yourself, but examine where you stand in proximity to this tragedy. There’s a good article on The Spinoff that links to where you can contribute money for the victims and their families and places you can volunteer. I want New Zealand as a whole to scrutinise itself, to do better and do more for the Muslim community and in turn for all those who need it. That’s what I have to say.
This week’s recipe is full of elements that I find comforting but I would like to establish real quick that I’m not equating it with what’s happened in a greater context, this is just what I happened to cook for Kate and Jason for dinner the other night. It’s not like, self-care pasta or anything! Let’s not do that.
I’m kind of obsessed with roasted butternut squash (indeed, see my recent recipe for sticky roast balsamic sumac butternut and cashews), I love its mellow sweetness and how when you roast it the edges are all crisp and crunchy and the insides are all soft and oily and I really love how it’s about a thousand times easier to slice up than regular pumpkin and cooks quicker too. Parsnips have a similar vibe, only even more mellow and creamy, and together they taste like a welcome payoff for the fast-retreating summer. (Summer actually ended like a month ago but global warming has blurred the edges of that framework and anyway I live in a city with a climate that seems to consider itself cavalierly above the concept of seasons.)
Nutmeg has this soft woodsy scent that merges beautifully with the fresh-cedar-cabinet vibes of the toasted walnuts and then when you add the warmth of black pepper and the smoky sweetness of maple syrup it’s that feeling of winding a long scarf around your neck and over your chin several times and then pulling a beanie low down over your forehead so basically only your nose is visible to the biting cold; but in food form. The garlicky crumbs are a cheap way of adding opulence and richness and the sage – as woody as nutmeg and almost eucalyptus-y – adds to the overall depth of flavour.
Autumn Spaghetti (Spaghetti with roasted butternut, parsnip and broccoli, maple nutmeg black pepper walnuts and pumpkin seeds, garlicky crumbs, and fried sage.)
A recipe by myself
- olive oil, plenty, and just regular, not extra virgin
- 400g dried spaghetti
- 1/2 a large butternut squash
- 2 medium parsnips
- 1/2 a head of broccoli
- 1/3 cup pumpkin seeds
- 1/2 cup walnuts
- 1 1/2 teaspoons maple syrup
- a good pinch of freshly grated nutmeg (or a pinch of dried, ground nutmeg from a package)
- 2 soft white bread rolls (or similar)
- 1/2 teaspoon garlic powder (or one finely chopped garlic clove or a teaspoon of garlic from a jar)
- 2 tablespoons tomato relish
- 2 teaspoons mustard – Dijon, English, or wholegrain
- 6 fresh sage leaves
- lots of salt and freshly ground black pepper
- 2 tablespoons or so freshly chopped chives, to serve
Set your oven to 200C/400F. Pour a couple of tablespoons of olive oil into a good-sized roasting dish and put it in the oven to heat up while you prepare the vegetables.
Carefully slice the skin from the butternut and cut the flesh into cubes of roughly 1-2cm, then do the same with the parsnips. No need to peel them though. Carefully tip both of these into the hot roasting dish, spread them out into one single layer, and roast for around twenty minutes. Chop the broccoli up into small pieces – stem and all – and add it to the roasting dish, then return it to the oven for another ten minutes. Pour over more olive oil if it looks like it needs it.
Bring a large pan of water to the boil (I always boil the kettle first and then pour that in, it’s a lot faster), add plenty of salt, and then cook the spaghetti for as long as the package instructions require (around ten to twelve minutes usually does it.) Drain, and stir through the tomato relish and mustard.
While the pasta is cooking, toast the pumpkin seeds and walnuts over a low heat in a frying pan, keeping a close eye on them to make sure they don’t scorch. Transfer them to a bowl and stir in the maple syrup, the nutmeg, and plenty of salt and black pepper. Set aside.
Tear the bread rolls into small pieces and crumbs. Heat three tablespoons of olive oil in the same pan, and tip in the breadcrumbs. Stir over a medium heat till they’re golden brown and crisp. Stir in the garlic powder, then tip the crumbs into a bowl and set aside.
Heat another tablespoon of olive oil in the same pan and fry the sage leaves till they’re very dark, then remove them from the pan and set aside on a chopping board or something. This will only take a few seconds per leaf, I recommend using a pair of tongs to get the leaves out.
Pile the spaghetti onto three plates, then spoon over the roasted vegetables, followed by the garlic crumbs, then the toasted maple walnuts and pumpkin seeds, then crumble over the sage leaves, then finally sprinkle over the chives. Drizzle a little extra olive oil over it if you like, then serve. If the garlic crumbs have got too cold they can quickly be reheated in the pan before you tip them over.
Serves 3 although could maybe stretch to four, just up the quantities a little.
I’m back in Wellington for a couple of weeks which means I’m back staying with the eternally kind and generous Kate and Jason; I cooked this for us for dinner and then – having not taken any photos of it but being quite pleased with myself – made it again the next day for lunch just for me, and made some adjustments to improve it, and that’s the recipe that I’ve written up today. (“oh” – Kate and Jason reading this, probably. Sorry, Kate and Jason, that you got the first draft.) As with all my recipes I encourage you to work with what you have to hand. If you don’t have sage or chives, plenty of freshly chopped (not fried) parsley would be good, fresh thyme leaves also are delicious and evocative of autumn. You could try hazelnuts or almonds instead of walnuts, cauliflower instead of broccoli, and use penne or some other short pasta instead of spaghetti. If you’re using short pasta, you could also let it get to room temperature and serve it as a salad – in which case perhaps consider stirring through some rocket and slices of crisp pear. And honestly, if you’re not avoiding dairy for whatever reason, I freely and slightly gloomily concede that any iteration of this recipe would probably be amazing with some parmesan shaved over.
I’ve been out of work for about a month now and even though I’m still kind of buffeting about on the wind like a balloon, with no fixed abode and no real deadlines to tie myself to; I nevertheless feel like the amount of space in my brain available to being creative has grown tangibly and as a result so has the creative work that I’ve done. Every day that passes seems to make things ever more sharper-focussed which is honestly an amazing feeling. I spent a lot of last year with the low-level hum of panic in my ears about my lack of direction, now I have SO much direction and it’s such a relief. I don’t have any advice on how to make that direction appear any faster than it has, if I did, I wouldn’t have spent so much time panicking, but I suspect…panicking does not help? Do I advise you to stop panicking? I mean sure, and while you’re at it why not turn back the incoming tide by like, kicking it lightly.
title from: Park Song, by Laura Nyro. Her voice is so beautifully melancholic, it’s the sound of grey clouds making it dark at 4pm but not so dark that you can turn a light on so you just sit there in the semi-gloom getting increasingly existential.
30 Century Man, by the recently-late Scott Walker, it opens with those guitar chords that I can’t describe in a technical sense but where you just immediately know this song’s going to be sad but uplifting and feel like you’ve heard it before and like you’ve never heard it before all at the same time and like it should play over the one happy scene in an unhappy arthouse film where people stare out of windows a whole lot (for example, So Long Marianne by Leonard Cohen and Alone Again Or by Love also have these guitar chords, you know what I mean?)
Poe, by The Shirts. I like that it’s kind of punky and proggy at the same time, by which I guess I mean that it’s punky but goes for over five minutes. Notable for the presence of a young Annie Golden!
Zadok the Priest, by Handel. I’ll be honest with you, this is a good song and all but I’m really here for the first minute and fifty seconds of it which goes SO HARD, with the teetering anticipatory climb of its building chords which, when it finally drops, gives us the choir singing with this incredible anxious urgency of sound. After that it starts to sound more straightforwardly celebratory, all “rejoice, rejoice” but for that first stretch it’s brilliantly tense and exciting.
Next time: I will aim to cook Kate and Jason dinner that’s not a first draft.
PS: If you would like to support what I do and receive exclusive content (such as a review of every book and movie that I consumed in January or what star sign I believe each character from Gavin and Stacey is) then I encourage you to sign up to my Patreon.
I’d like to take a moment to acknowledge how this week’s post was written in an unprecedentedly comfortable fashion, leisurely strolling over the finish line of the somewhat arbitrary weekly deadlines I laughably set up for myself initially as opposed to the frantic and self-flagellating and days-late content that we’ve all had to get used to, I have possibly lost all semblance of an actual work ethic but I’m really finding it quite delicious how much writing I’m getting done as a result.
When I was a kid there was not a whole lot to be found flourishing in the front yard if you were opportunistically in the market for free snacking: just a mean-spirited apple tree that was more of a body corporate apartment complex for wasps, and one feckless peach tree that bore floury green-tinged fruit. Since I’ve come back home to stay for a bit, however, the place has been since transformed into a veritable Hanging Garden of Babylon, a result of – let the record state – the concentrated efforts of my parents. Like Carlotta in Sondheim’s musical Follies, the apple tree is somehow obstinately still here spitting out weta-lodged apples like Carlotta spits memories – or is the apple tree more like the literal yet also metaphorical apple tree in the Bock/Harnick musical The Apple Tree with its overriding theme of getting what you want and then realising it’s not what you wanted, not a theme I like to be confronted with in life but an undeniably consistent one nevertheless? Nevertheless – let the record state – good god, those apples are sour.
Nowadays the abundance is really something to behold, there’s onions and potatoes and pumpkins and zucchini and cucumbers and spinach and a whole mess of herbs, and more besides, including a flourishing thatch of tomatoes, 1.5 kilograms of which Mum and I turned into a batch of the most fantastically delicious relish. The recipe comes from a 1990 revised edition of the 1908 Edmonds cookbook, a book that is firmly lodged in New Zealand’s history like a weta in an apple. It conveys a sternly inarguable air of competency, illustrated by its overall lack of illustrations and explanations: just make the recipe, it will work.
As such, it would be very easy to flick past this very recipe on the page, because there’s nothing leaping out to exhort you to spend time making it – but I’m so glad that Mum found it, because the resulting relish tastes extraordinarily good. I enjoy a pickled or preserved confection as much as the next person: that power-play of sweet and salty and vinegary is exquisite when executed correctly, but I am honestly quite next-level rapturous, even by my own standards, about this particular one.
The relish just has this stunning potency of concentrated tomato flavour, so rich and savoury and juicy and almost meaty in its intensity. The curry powder and mustard add to the fulsomeness and depth of it all and the flour, weird though it feels as an ingredient in relish, gives it a wonderfully velvety pectin-like lusciousness. Obviously there’s no reason given for including the flour in the recipe so you just have to go with it and hope for the best, but of course: the book was right. The tomatoes from the garden are candy-sweet and taste like sunshine on their own, but I’m sure this recipe would have transformative effects on even the most unfriendly and unlikely of specimens.
Edmonds Cookbook Tomato Relish
- 1.5kg tomatoes (or cherry tomatoes, or a mix)
- 4 large onions
- 25g salt
- 500g brown sugar
- malt vinegar
- 2 teaspoons mustard powder
- 2 teaspoons curry powder
- 2 tablespoons flour
Peel the onions and chop roughly into chunks. Cut the tomatoes, also roughly – either into quarters or chunks or honestly whatever. If you’re using cherry tomatoes give them a rough pressing with a fork or similar to crush them slightly. Place the tomatoes and onions into a non-metallic bowl, sprinkle with the salt, cover, and leave for 6-8 hours or overnight – just in the pantry or generally out of the way, they don’t need to be refrigerated.
Drain off the liquid- reserve it for stock if you like – and place the tomatoes and onions into a saucepan with the sugar. Pour over enough vinegar to just cover everything. Bring to the boil and then simmer for 1 and 1/2 hours. At this point, mix the flour, curry powder and mustard to a smooth paste with a little of the cooking liquid and then stir it into the tomatoes and onions in the pan. Boil for five minutes, then spoon or pour into sterilised jars, seal tightly, and allow to cool.
Makes around 4 standard jam jars of relish.
Relish can be put to good use in any number of ways but I especially recommend this stuff spread on crackers with equal quantities of almond butter.
Mum and I both set to getting the tomatoes and onions prepared early in the morning and then completely forgot about them until about midnight of the same day, by the time we got the stuff into the jars it was closer to 2am but it felt very relaxed, in that we were not trying to go against the grain of our inherently synced levels of disorganisation and night owl tendencies. The entire lack of urgency, The Crown playing in the background, pottering about with my writing on my laptop while the pan of tomatoes simmers away full of promise: I could get used to this.
title from: The Walk, by Imogen Heap. I love the strange gravel-scraping sound effect at the start of this song, very ASMR.
Out Of Space, by The Prodigy. Man, I was sad as hell at the news of Keith Flint’s death, this is one of my favourite songs of theirs.
Juice, by Lizzo. This is sunshine-saturated perfect upbeat 80s funk, I love her.
Getting Married Today, from the 1970 Sondheim musical Company, as interpreted and annihilated by Julie Andrews somehow singing ALL THREE PARTS, from the opening soprano to the almost unbearably anxious patter of the verses themselves to the man’s part, which she goes over and sings TO A MAN who is sitting RIGHT THERE as if to say “look how extraneous you are when I, Julie Andrews, am around”, it’s honestly the most incredible thing I’ve ever seen. The verses are so rakishly crammed with words (something like 6.5 words per second) and it’s one of the most difficult songs on Broadway to perform accurately and yet she looks so relaxed and her enunciation is so crisp and she manages to act on top of all of that and perform the words in this oddly personable tone so full of character and inflection despite it being entirely unclear whether she breathes once in the duration. And then she finishes on this high note? That’s not even required? Does she care about any of my nerves?
Next time: undoubtedly the garden will continue to inspire.
PS: if you like what I do and (a) want more of it and (b) will enjoy knowing that you were astute enough to support this from the very start and (c) wish to receive treats, then may I direct you with all the quiet authority of opening a velvet-roped VIP area, to my Patreon.
I’ve read seventeen books in the last two months which is more than I read in the last year, in fact I could say with neither hesitation nor exaggeration that it’s than I read in the past four years combined. One of these books was The Idiot by Elif Batuman, I call upon it because partway through this novel there was a passage that absolutely kneecapped me:
Though I tempered the immediate butter knife that this drove through me by reminding myself that I’d been writing this very blog for eleven years now and have in fact had a cookbook published before; the precision is nevertheless really something, isn’t it, and probably applicable to any vocation that you hold out of your own reach while insisting it’s really external forces standing in the way?
And though this quote dangles in my head like a spider’s legs I’ve done a robust quantity of writing this week to helpfully back up my claim of wanting to write, including the following:
- I updated my Frasier food blog, covering Episode 18 of Season 1 and a recipe for the Pink Lady Cocktail
- I updated my Frasier food blog AGAIN, covering Episode 19 and a recipe for homemade Butterfingers
- At the behest of no-one, I wrote an intense analysis of a performance of The Ladies Who Lunch, Elaine Stritch’s big number from Stephen Sondheim’s 1970 musical Company, likely to the interest of myself only, but I think it’s a fairly brilliant piece of writing.
And I’m writing this, aren’t I! The recipe I made this week – Sticky Roast Balsamic Sumac Butternut Pumpkin and Cashews – came about simply because I was craving those precise qualities – sticky and caramelised and crisp and roasted and a little sour and salty and rich, you know what I mean? To be perfectly honest with you the sumac component came in at the last minute – after having taken the photos of this recipe I finally got to consume a bowlful, and while it was delicious it was lacking a certain top note, sort of like if you listen to a stereo and you’ve accidentally turned down the treble dial, so it’s recognisable but a little lifeless? That was when I thought to add the sumac: it dovetails with the balsamic vinegar, it imparts a kind of lemony ebullience, and lightens up the rich, oily heft of the roasted butternut pumpkin and all those cashews.
This combination is just smashingly delicious: the butternut gets all crunchy and almost adhesive to itself in the hot olive oil, the cashews with their brief blast of heat get their mild creamy flavour and crunch deepened, and the drizzle of golden syrup and balsamic vinegar intensifies everything else and ramps up the caramelisation. And the sumac demonstrably saves the day. If you don’t have any of the sour red powder that is sumac, and this is entirely reasonable, I would just squeeze over the juice of a lemon or a lime and furthermore sprinkle over its zest for good measure. Pomegranate molasses or tamarind would have a similar energy but I feel like if you have those you probably also have sumac already and therefore do not require my dupes. On that note; I chose the butternut pumpkin on purpose: it’s buttery and rich, and not only cooks quicker than regular pumpkin it’s also much easier to slice. But consider them fairly interchangeable if you only have the latter.
Sticky Roast Balsamic Sumac Butternut Pumpkin and Cashews
a recipe by myself
- 1/2 a large butternut pumpkin
- (optional) 2 tablespoons plain flour
- 1/2 teaspoon ground cumin
- 4 tablespoons or so olive oil
- 1 cup raw cashews
- 1/4 cup raw peanuts (or just more cashews if you like)
- 1 tablespoon balsamic vinegar, plus extra for drizzling
- 2 teaspoons golden syrup or similar
- 2 teaspoons sumac
- coriander leaves to serve, optional
- lots of salt and pepper
Set your oven to 220C/450F. Pour the oil into a large roasting tray and put the tray into the oven to heat up while you get everything else sorted.
Carefully slice the skin off the pumpkin and dice the flesh into pieces of roughly one inch. Sprinkle the flour over the cubes of pumpkin if you want, this will make it all the more crispy when it roasts but you can leave it out if you want for gluten-avoidance reasons.
Tip the cubes of pumpkin into the roasting dish that’s been heating up and spread them out so they’re all on one layer. Sprinkle over the cumin and drizzle over more oil if it looks like it needs it. Roast for roughly twenty minutes, stirring halfway through – the amount of time will depend on your oven, but don’t be afraid to leave it in there for a while so the pumpkin gets really crispy and browned.
While the butternut pumpkin is in the oven, pile the cashews and peanuts onto your chopping board and roughly chop them into rubble. In a small cup or bowl mix together the golden syrup and balsamic vinegar.
When you’re quite satisfied with the crisp and brown-ness of the cubes of butternut, remove the tray from the oven and drizzle over the balsamic/syrup mixture – it doesn’t have to coat everything evenly – and sprinkle over the chopped nuts. Return the tray to the oven for literally one minute, then turn the oven off. Leave the tray in there for about ten minutes (although check occasionally to make sure the cashews haven’t burnt). Remove the tray from the oven, sprinkle over the sumac and plenty of salt and pepper, and then serve with the coriander leaves sprinkled on top and an extra drizzle of balsamic vinegar for good measure.
This recipe is one of those neither-here-nor-there ones, but in a really good way – you can serve it as a side during a larger hearty meal; you could stir it through couscous or bulghur wheat (perhaps with some capers and sultanas); or pile it on rice with some other components; you could fold it through some robust salad leaves, I’m thinking a mixture of rocket and cos lettuce; or you could mix it into spaghetti or other long pasta; or you can do what I did and just eat a bowlful of it on its own. The dish shone at any temperature as well: straight from the oven dish before I’d even decamped it to a serving bowl to photograph; at room temperature once it had finished modelling for me; even fridge-cold, the next-day leftovers were spectacularly good, the balsamic sweetness really coming through the wonderfully oily cubes of butternut pumpkin.
I’m currently staying with my parents for a bit, and have spent the last two days on the road in a car with my mother and her best friend getting from Wellington to Waiuku (including a three hour and one minute journey between the capital and Otaki due to post-Eminem concert-goer traffic – it should normally take around an hour at the most, but it’s all part of the road trip adventure as we optimistically surmised: if there’s one thing Mum and her best friend know how to do, it’s executing a cunning plan and being optimistic about it at every step of the way.) If you remember when I mentioned in my first blog post of the year that Mum suggested I could come home for a bit and frame it as a writer’s retreat, well, like foreshadowing in a prestige television show, that chicken has come home to roost.
The next thing I’m going to be working on is my actual writing projects that I’ve set out for myself (which you can read about here), an article I pitched to The Spinoff, and this month’s exclusive content for my Patreon supporters (a piece about what I believe each character from Gavin and Stacey’s star signs are, and why, and if this admittedly narrow field of appeal appeals to you then you can sign up here.)
title from: Halloween, by Misfits. I love the anxious guitar riff and the abrupt energy and the way lead singer Glenn Danzig slides over his consonants in a muffled, careless manner, much like a young Patti LuPone in, for example, the 1988 Broadway revival of Anything Goes. Let the bodies hit the floor!
Survive It, by Ghostpoet. Really beautiful and poetic.
(I Want To See) The Bright Lights, by Julie Covington. She was the first person to record the breakout song Don’t Cry For Me Argentina in the concept album that preceded the musical Evita (when the concept materialised into a musical on the West End the role went to the unsinkable Elaine Paige, and upon its transfer to Broadway the following year, it was none other than the aforementioned Patti LuPone who sang the famous number.) This is from one of her solo albums and is a cover of a Richard and Linda Thompson song, she sounds just gorgeous and the jingle-jangle production is somehow not too dated, and it captures that very British oil-and-water quality of being plaintively melancholy and resiliently upbeat simultaneously.
Sound of Rain, by Solange. She dropped a new album all at once and everything about it, the musicality and her voice and the writing and the production is stunning and she just seems to be in top form. At 39 minutes, When I Get Home is easy to listen to in its entirety but I love this track in particular at the moment.
Next time: Mum has become an abundant and flourishing gardener and the property is positively creaking with home-grown produce, I imagine this will play a part in whatever I cook next.
Since we last talked a lot has happened, so let’s recap! I loved many things about my job as a bartender but I was also like, I could accidentally carry on working round the clock for another year and a half and not actually confront myself with any real life decisions, and so my final shift was last Sunday; as for the moving house bit, well my lease was coming up for renewal and the rent was hiked upwards to a height so dizzying even in this current economic climate that it would give you a nosebleed just to countenance it, and I was like honestly I can’t condone this behaviour from the landlords so I bowed out and am now temporarily but delightedly mucking in at the house of my lovely friends Kate and Jason.
I spent roughly five days in the lead up to moving house entirely consumed by fretting about packing, and doing packing (in that order), aided considerably by my stalwart pal Charlotte who managed to briskly pare my enormous wardrobe down to the point where the pile of clothes I was getting rid of was bigger than that which I kept (and to her credit sat gamely through such dialogue from me as “it’s, you know, just an everyday classic practical see through top, a real wardrobe staple” and “this coat-hanger has been in my family for generations.”) This is the first time I’ve moved house since acquiring an ADHD diagnosis, by which I really mean, this is the first time I’ve moved house with the aid of Ritalin and months of hard work on being slightly less of a liability, and I must say while it was a novelty being so relatively organised in advance I was also hit like a fleet of bicycles by anxiety about how disorganised I’d been in every single moving-of-house hitherto. But – I managed to send the movers that I’d booked to the wrong address in case you were concerned that I’d made too much progress.
So now I live in Newtown! I made dinner for Kate and Jason and also our friend Jen on Wednesday night – cooking dinner is something I can easily do in order to be a good houseguest, but also something I haven’t done with any great sense of routine in absolute years; on top of which I’ve been feeling a bit detached and weird and nonplussed and whiplashed since leaving my job and moving house and getting rid of 2/3 of my precious, practical, see-through clothes which is of course totally normal for such circumstances but I’m trying to get a grip on myself and on my sleep cycle and on my use of time and on, well, everything really, and just when I was feeling like none of this was going to happen, I was flicking through one of Kate and Jason’s Ottolenghi cookbooks and saw this recipe and felt filled with inspiration to make it and I was like, well, this is a start.
Ottolenghi is so talented at making any old pile of vegetables feel exciting and exuberant, this is because his recipes are really good as opposed to any deeper level of witchcraft than that; but I mean he’s just such a great read if you’re feeling a bit culinarily blank and it’s also the middle of summer and you want the kind of meal that holds at least two components that are in danger of getting stuck in between your two front teeth, by which I mean, greens.
The salad recipe I present to you is a lazy version of the original one in his book, Plenty More. The key components all have their place: the dense granular mildness of the chickpeas, the oily and caramelised fried cauliflower, the sweet summer brightness of the mango, and it’s all just very delicious and simple and straightforward. The curry powder has such a nostalgic quality to it, and its sweet earthiness against both the vibrant and the calmer ingredients is so good, don’t overlook it. Mangoes just sing of summertime, don’t they? I urge you to seek out a pertly bulging specimen, ripe but not fermentingly soft, you want it to be al dente for want of a better word. (Also? I love mangoes but their flavour is so elusive, like trying to move towards a rainbow, that I feel as though I need to eat twelve mangoes in order to experience the power of one actual mango’s flavour? But also matching them with all these savoury elements really makes them come to life?)
Ottolenghi’s Chickpea, Mango, and Fried Cauliflower Salad
adapted slightly from a recipe in Plenty More
- 2 cans of chickpeas in brine
- 2 teaspoons ground cumin
- 2 teaspoons curry powder
- 1 teaspoon mustard seeds
- 1 teaspoon sugar
- 1 large onion, peeled and thinly sliced
- indiscriminate quantities of olive oil (not extra virgin) or other neutral oil for frying
- 1 small cauliflower, broken and sliced into small(er) florets
- 2 large, firm, ripe mangoes
- sea salt and pepper
- 2 tablespoons lime juice
- 50g baby spinach leaves
- a handful coriander leaves, roughly chopped
Drain the chickpeas and place them in a large serving bowl with the cumin, curry powder, mustard seeds, and sugar, and stir well.
Heat up a tablespoon of oil in a saucepan and fry the onion till softened and golden, then stir into the chickpeas.
Meanwhile, bring a pot of water to the boil and cook the cauliflower in it for one minute, then drain thoroughly.
Heat more oil in the same saucepan that the onion was fried in – a couple of tablespoons will do – and once it’s really hot, fry the cauliflower in it in small batches. Don’t overcrowd the pan, and let the cauliflower sit for a few minutes before turning it over, to allow it to get golden and brown. Transfer the browned cauliflower to the bowl of chickpeas and continue till all the cauliflower is done.
Chop the mango into chunks and stir into the chickpeas along with the lime juice, the spinach, the coriander, a good drizzle of olive oil and plenty of salt and pepper to taste. Serve.
I liked this even better the next day when the spices and lime juice had soaked into everything, it didn’t look as good but it tasted more intense.
In case you didn’t see my last blog post, my reason for making all these drastic life changes at the expense of all involved is that I am going to write, just like, so much stuff, with this in mind and also my unemployedness – not that it’s anyone else’s responsibility but my own, but it could be yours if you wanted! – I direct you confidently towards my Patreon where you could get in at the ground floor on supporting what I do and receive exclusive content in return. And that really is my plan, to recover from the whiplash of this all-change and to write, well, that and to be as good a house guest as I can possibly be. (I just realised as I type that there’s a double meaning to “write, well” – wow I’m doing great already.)
title from: Baltimore Blues No. 1, Deer Tick. Moody.
Walk Away, Sisters of Mercy, they sound, as I described to the long-suffering Charlotte, as though someone is trying to convey jauntiness while trapped underwater (by which I mean, obviously, I love it)
Morning Terrors and Nights of Dread, Shilpa Ray, it starts off surfy (good) and ends up surfy and howl-y (very good!)
Blue by Rico Nasty, she is incredible!
Next time: I tried making some macarons with the leftover aquafaba from the canned chickpeas in this salad and they were delicious but super fragile, but I presumably have the energy now to nail the recipe properly.