give in, give in, and relish every minute of it

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I’d like to take a moment to acknowledge how this week’s post was written in an unprecedentedly comfortable fashion, leisurely strolling over the finish line of the somewhat arbitrary weekly deadlines I laughably set up for myself initially as opposed to the frantic and self-flagellating and days-late content that we’ve all had to get used to, I have possibly lost all semblance of an actual work ethic but I’m really finding it quite delicious how much writing I’m getting done as a result.

When I was a kid there was not a whole lot to be found flourishing in the front yard if you were opportunistically in the market for free snacking: just a mean-spirited apple tree that was more of a body corporate apartment complex for wasps, and one feckless peach tree that bore floury green-tinged fruit. Since I’ve come back home to stay for a bit, however, the place has been since transformed into a veritable Hanging Garden of Babylon, a result of – let the record state – the concentrated efforts of my parents. Like Carlotta in Sondheim’s musical Follies, the apple tree is somehow obstinately still here spitting out weta-lodged apples like Carlotta spits memories – or is the apple tree more like the literal yet also metaphorical apple tree in the Bock/Harnick musical The Apple Tree with its overriding theme of getting what you want and then realising it’s not what you wanted, not a theme I like to be confronted with in life but an undeniably consistent one nevertheless? Nevertheless – let the record state – good god, those apples are sour.

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Nowadays the abundance is really something to behold, there’s onions and potatoes and pumpkins and zucchini and cucumbers and spinach and a whole mess of herbs, and more besides, including a flourishing thatch of tomatoes, 1.5 kilograms of which Mum and I turned into a batch of the most fantastically delicious relish. The recipe comes from a 1990 revised edition of the 1908 Edmonds cookbook, a book that is firmly lodged in New Zealand’s history like a weta in an apple. It conveys a sternly inarguable air of competency, illustrated by its overall lack of illustrations and explanations: just make the recipe, it will work.

As such, it would be very easy to flick past this very recipe on the page, because there’s nothing leaping out to exhort you to spend time making it – but I’m so glad that Mum found it, because the resulting relish tastes extraordinarily good. I enjoy a pickled or preserved confection as much as the next person: that power-play of sweet and salty and vinegary is exquisite when executed correctly, but I am honestly quite next-level rapturous, even by my own standards, about this particular one.

The relish just has this stunning potency of concentrated tomato flavour, so rich and savoury and juicy and almost meaty in its intensity. The curry powder and mustard add to the fulsomeness and depth of it all and the flour, weird though it feels as an ingredient in relish, gives it a wonderfully velvety pectin-like lusciousness. Obviously there’s no reason given for including the flour in the recipe so you just have to go with it and hope for the best, but of course: the book was right. The tomatoes from the garden are candy-sweet and taste like sunshine on their own, but I’m sure this recipe would have transformative effects on even the most unfriendly and unlikely of specimens.

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Edmonds Cookbook Tomato Relish

  • 1.5kg tomatoes (or cherry tomatoes, or a mix)
  • 4 large onions
  • 25g salt
  • 500g brown sugar
  • malt vinegar
  • 2 teaspoons mustard powder
  • 2 teaspoons curry powder
  • 2 tablespoons flour

Peel the onions and chop roughly into chunks. Cut the tomatoes, also roughly – either into quarters or chunks or honestly whatever. If you’re using cherry tomatoes give them a rough pressing with a fork or similar to crush them slightly. Place the tomatoes and onions into a non-metallic bowl, sprinkle with the salt, cover, and leave for 6-8 hours or overnight – just in the pantry or generally out of the way, they don’t need to be refrigerated.

Drain off the liquid- reserve it for stock if you like – and place the tomatoes and onions into a saucepan with the sugar. Pour over enough vinegar to just cover everything. Bring to the boil and then simmer for 1 and 1/2 hours. At this point, mix the flour, curry powder and mustard to a smooth paste with a little of the cooking liquid and then stir it into the tomatoes and onions in the pan. Boil for five minutes, then spoon or pour into sterilised jars, seal tightly, and allow to cool.

Makes around 4 standard jam jars of relish.

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Relish can be put to good use in any number of ways but I especially recommend this stuff spread on crackers with equal quantities of almond butter.

Mum and I both set to getting the tomatoes and onions prepared early in the morning and then completely forgot about them until about midnight of the same day, by the time we got the stuff into the jars it was closer to 2am but it felt very relaxed, in that we were not trying to go against the grain of our inherently synced levels of disorganisation and night owl tendencies. The entire lack of urgency, The Crown playing in the background, pottering about with my writing on my laptop while the pan of tomatoes simmers away full of promise: I could get used to this.

title from: The Walk, by Imogen Heap. I love the strange gravel-scraping sound effect at the start of this song, very ASMR.

music lately:

Out Of Space, by The Prodigy. Man, I was sad as hell at the news of Keith Flint’s death, this is one of my favourite songs of theirs.

Juice, by Lizzo. This is sunshine-saturated perfect upbeat 80s funk, I love her.

Getting Married Today, from the 1970 Sondheim musical Company, as interpreted and annihilated by Julie Andrews somehow singing ALL THREE PARTS, from the opening soprano to the almost unbearably anxious patter of the verses themselves to the man’s part, which she goes over and sings TO A MAN who is sitting RIGHT THERE as if to say “look how extraneous you are when I, Julie Andrews, am around”, it’s honestly the most incredible thing I’ve ever seen. The verses are so rakishly crammed with words (something like 6.5 words per second) and it’s one of the most difficult songs on Broadway to perform accurately and yet she looks so relaxed and her enunciation is so crisp and she manages to act on top of all of that and perform the words in this oddly personable tone so full of character and inflection despite it being entirely unclear whether she breathes once in the duration. And then she finishes on this high note? That’s not even required? Does she care about any of my nerves?

Next time: undoubtedly the garden will continue to inspire.

PS: if you like what I do and (a) want more of it and (b) will enjoy knowing that you were astute enough to support this from the very start and (c) wish to receive treats, then may I direct you with all the quiet authority of opening a velvet-roped VIP area, to my Patreon.

bonfires burning bright, pumpkin faces in the night

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I’ve read seventeen books in the last two months which is more than I read in the last year, in fact I could say with neither hesitation nor exaggeration that it’s than I read in the past four years combined. One of these books was The Idiot by Elif Batuman, I call upon it because partway through this novel there was a passage that absolutely kneecapped me:

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Though I tempered the immediate butter knife that this drove through me by reminding myself that I’d been writing this very blog for eleven years now and have in fact had a cookbook published before; the precision is nevertheless really something, isn’t it, and probably applicable to any vocation that you hold out of your own reach while insisting it’s really external forces standing in the way?

And though this quote dangles in my head like a spider’s legs I’ve done a robust quantity of writing this week to helpfully back up my claim of wanting to write, including the following:

  • I updated my Frasier food blog, covering Episode 18 of Season 1 and a recipe for the Pink Lady Cocktail
  • I updated my Frasier food blog AGAIN, covering Episode 19 and a recipe for homemade Butterfingers
  • At the behest of no-one, I wrote an intense analysis of a performance of The Ladies Who Lunch, Elaine Stritch’s big number from Stephen Sondheim’s 1970 musical Company, likely to the interest of myself only, but I think it’s a fairly brilliant piece of writing.

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And I’m writing this, aren’t I! The recipe I made this week – Sticky Roast Balsamic Sumac Butternut Pumpkin and Cashews – came about simply because I was craving those precise qualities – sticky and caramelised and crisp and roasted and a little sour and salty and rich, you know what I mean? To be perfectly honest with you the sumac component came in at the last minute – after having taken the photos of this recipe I finally got to consume a bowlful, and while it was delicious it was lacking a certain top note, sort of like if you listen to a stereo and you’ve accidentally turned down the treble dial, so it’s recognisable but a little lifeless? That was when I thought to add the sumac: it dovetails with the balsamic vinegar, it imparts a kind of lemony ebullience, and lightens up the rich, oily heft of the roasted butternut pumpkin and all those cashews.

This combination is just smashingly delicious: the butternut gets all crunchy and almost adhesive to itself in the hot olive oil, the cashews with their brief blast of heat get their mild creamy flavour and crunch deepened, and the drizzle of golden syrup and balsamic vinegar intensifies everything else and ramps up the caramelisation. And the sumac demonstrably saves the day. If you don’t have any of the sour red powder that is sumac, and this is entirely reasonable, I would just squeeze over the juice of a lemon or a lime and furthermore sprinkle over its zest for good measure. Pomegranate molasses or tamarind would have a similar energy but I feel like if you have those you probably also have sumac already and therefore do not require my dupes. On that note; I chose the butternut pumpkin on purpose: it’s buttery and rich, and not only cooks quicker than regular pumpkin it’s also much easier to slice. But consider them fairly interchangeable if you only have the latter.

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Sticky Roast Balsamic Sumac Butternut Pumpkin and Cashews

a recipe by myself

  • 1/2 a large butternut pumpkin
  • (optional) 2 tablespoons plain flour
  • 1/2 teaspoon ground cumin
  • 4 tablespoons or so olive oil
  • 1 cup raw cashews
  • 1/4 cup raw peanuts (or just more cashews if you like) 
  • 1 tablespoon balsamic vinegar, plus extra for drizzling
  • 2 teaspoons golden syrup or similar
  • 2 teaspoons sumac
  • coriander leaves to serve, optional
  • lots of salt and pepper

Set your oven to 220C/450F. Pour the oil into a large roasting tray and put the tray into the oven to heat up while you get everything else sorted.

Carefully slice the skin off the pumpkin and dice the flesh into pieces of roughly one inch. Sprinkle the flour over the cubes of pumpkin if you want, this will make it all the more crispy when it roasts but you can leave it out if you want for gluten-avoidance reasons.

Tip the cubes of pumpkin into the roasting dish that’s been heating up and spread them out so they’re all on one layer. Sprinkle over the cumin and drizzle over more oil if it looks like it needs it. Roast for roughly twenty minutes, stirring halfway through – the amount of time will depend on your oven, but don’t be afraid to leave it in there for a while so the pumpkin gets really crispy and browned.

While the butternut pumpkin is in the oven, pile the cashews and peanuts onto your chopping board and roughly chop them into rubble. In a small cup or bowl mix together the golden syrup and balsamic vinegar.

When you’re quite satisfied with the crisp and brown-ness of the cubes of butternut, remove the tray from the oven and drizzle over the balsamic/syrup mixture – it doesn’t have to coat everything evenly – and sprinkle over the chopped nuts. Return the tray to the oven for literally one minute, then turn the oven off. Leave the tray in there for about ten minutes (although check occasionally to make sure the cashews haven’t burnt). Remove the tray from the oven, sprinkle over the sumac and plenty of salt and pepper, and then serve with the coriander leaves sprinkled on top and an extra drizzle of balsamic vinegar for good measure.

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This recipe is one of those neither-here-nor-there ones, but in a really good way – you can serve it as a side during a larger hearty meal; you could stir it through couscous or bulghur wheat (perhaps with some capers and sultanas); or pile it on rice with some other components; you could fold it through some robust salad leaves, I’m thinking a mixture of rocket and cos lettuce; or you could mix it into spaghetti or other long pasta; or you can do what I did and just eat a bowlful of it on its own. The dish shone at any temperature as well: straight from the oven dish before I’d even decamped it to a serving bowl to photograph; at room temperature once it had finished modelling for me; even fridge-cold, the next-day leftovers were spectacularly good, the balsamic sweetness really coming through the wonderfully oily cubes of butternut pumpkin.

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(A Ghost sighting in the wild) (Ghost is the name of the dog by the way)

I’m currently staying with my parents for a bit, and have spent the last two days on the road in a car with my mother and her best friend getting from Wellington to Waiuku (including a three hour and one minute journey between the capital and Otaki due to post-Eminem concert-goer traffic – it should normally take around an hour at the most, but it’s all part of the road trip adventure as we optimistically surmised: if there’s one thing Mum and her best friend know how to do, it’s executing a cunning plan and being optimistic about it at every step of the way.) If you remember when I mentioned in my first blog post of the year that Mum suggested I could come home for a bit and frame it as a writer’s retreat, well, like foreshadowing in a prestige television show, that chicken has come home to roost.

The next thing I’m going to be working on is my actual writing projects that I’ve set out for myself (which you can read about here), an article I pitched to The Spinoff, and this month’s exclusive content for my Patreon supporters (a piece about what I believe each character from Gavin and Stacey’s star signs are, and why, and if this admittedly narrow field of appeal appeals to you then you can sign up here.)

title from: Halloween, by Misfits. I love the anxious guitar riff and the abrupt energy and the way lead singer Glenn Danzig slides over his consonants in a muffled, careless manner, much like a young Patti LuPone in, for example, the 1988 Broadway revival of Anything Goes. Let the bodies hit the floor!

music lately:

Survive It, by Ghostpoet. Really beautiful and poetic.

(I Want To See) The Bright Lights, by Julie Covington. She was the first person to record the breakout song Don’t Cry For Me Argentina in the concept album that preceded the musical Evita (when the concept materialised into a musical on the West End the role went to the unsinkable Elaine Paige, and upon its transfer to Broadway the following year, it was none other than the aforementioned Patti LuPone who sang the famous number.) This is from one of her solo albums and is a cover of a Richard and Linda Thompson song, she sounds just gorgeous and the jingle-jangle production is somehow not too dated, and it captures that very British oil-and-water quality of being plaintively melancholy and resiliently upbeat simultaneously.

Sound of Rain, by Solange. She dropped a new album all at once and everything about it, the musicality and her voice and the writing and the production is stunning and she just seems to be in top form. At 39 minutes, When I Get Home is easy to listen to in its entirety but I love this track in particular at the moment.

Next time: Mum has become an abundant and flourishing gardener and the property is positively creaking with home-grown produce, I imagine this will play a part in whatever I cook next.

i set out to disappear and out there i found a new home

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Since we last talked a lot has happened, so let’s recap! I loved many things about my job as a bartender but I was also like, I could accidentally carry on working round the clock for another year and a half and not actually confront myself with any real life decisions, and so my final shift was last Sunday; as for the moving house bit, well my lease was coming up for renewal and the rent was hiked upwards to a height so dizzying even in this current economic climate that it would give you a nosebleed just to countenance it, and I was like honestly I can’t condone this behaviour from the landlords so I bowed out and am now temporarily but delightedly mucking in at the house of my lovely friends Kate and Jason.

I spent roughly five days in the lead up to moving house entirely consumed by fretting about packing, and doing packing (in that order), aided considerably by my stalwart pal Charlotte who managed to briskly pare my enormous wardrobe down to the point where the pile of clothes I was getting rid of was bigger than that which I kept (and to her credit sat gamely through such dialogue from me as “it’s, you know, just an everyday classic practical see through top, a real wardrobe staple” and “this coat-hanger has been in my family for generations.”) This is the first time I’ve moved house since acquiring an ADHD diagnosis, by which I really mean, this is the first time I’ve moved house with the aid of Ritalin and months of hard work on being slightly less of a liability, and I must say while it was a novelty being so relatively organised in advance I was also hit like a fleet of bicycles by anxiety about how disorganised I’d been in every single moving-of-house hitherto. But – I managed to send the movers that I’d booked to the wrong address in case you were concerned that I’d made too much progress.

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So now I live in Newtown! I made dinner for Kate and Jason and also our friend Jen on Wednesday night – cooking dinner is something I can easily do in order to be a good houseguest, but also something I haven’t done with any great sense of routine in absolute years; on top of which I’ve been feeling a bit detached and weird and nonplussed and whiplashed since leaving my job and moving house and getting rid of 2/3 of my precious, practical, see-through clothes which is of course totally normal for such circumstances but I’m trying to get a grip on myself and on my sleep cycle and on my use of time and on, well, everything really, and just when I was feeling like none of this was going to happen, I was flicking through one of Kate and Jason’s Ottolenghi cookbooks and saw this recipe and felt filled with inspiration to make it and I was like, well, this is a start.

Ottolenghi is so talented at making any old pile of vegetables feel exciting and exuberant, this is because his recipes are really good as opposed to any deeper level of witchcraft than that; but I mean he’s just such a great read if you’re feeling a bit culinarily blank and it’s also the middle of summer and you want the kind of meal that holds at least two components that are in danger of getting stuck in between your two front teeth, by which I mean, greens.

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The salad recipe I present to you is a lazy version of the original one in his book, Plenty More. The key components all have their place: the dense granular mildness of the chickpeas, the oily and caramelised fried cauliflower, the sweet summer brightness of the mango, and it’s all just very delicious and simple and straightforward. The curry powder has such a nostalgic quality to it, and its sweet earthiness against both the vibrant and the calmer ingredients is so good, don’t overlook it. Mangoes just sing of summertime, don’t they? I urge you to seek out a pertly bulging specimen, ripe but not fermentingly soft, you want it to be al dente for want of a better word. (Also? I love mangoes but their flavour is so elusive, like trying to move towards a rainbow, that I feel as though I need to eat twelve mangoes in order to experience the power of one actual mango’s flavour? But also matching them with all these savoury elements really makes them come to life?)

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Ottolenghi’s Chickpea, Mango, and Fried Cauliflower Salad

adapted slightly from a recipe in Plenty More

  • 2 cans of chickpeas in brine
  • 2 teaspoons ground cumin
  • 2 teaspoons curry powder
  • 1 teaspoon mustard seeds
  • 1 teaspoon sugar
  • 1 large onion, peeled and thinly sliced
  • indiscriminate quantities of olive oil (not extra virgin) or other neutral oil for frying
  • 1 small cauliflower, broken and sliced into small(er) florets
  • 2 large, firm, ripe mangoes
  • sea salt and pepper
  • 2 tablespoons lime juice
  • 50g baby spinach leaves
  • a handful coriander leaves, roughly chopped 

Drain the chickpeas and place them in a large serving bowl with the cumin, curry powder, mustard seeds, and sugar, and stir well.

Heat up a tablespoon of oil in a saucepan and fry the onion till softened and golden, then stir into the chickpeas.

Meanwhile, bring a pot of water to the boil and cook the cauliflower in it for one minute, then drain thoroughly.

Heat more oil in the same saucepan that the onion was fried in – a couple of tablespoons will do – and once it’s really hot, fry the cauliflower in it in small batches. Don’t overcrowd the pan, and let the cauliflower sit for a few minutes before turning it over, to allow it to get golden and brown. Transfer the browned cauliflower to the bowl of chickpeas and continue till all the cauliflower is done.

Chop the mango into chunks and stir into the chickpeas along with the lime juice, the spinach, the coriander, a good drizzle of olive oil and plenty of salt and pepper to taste. Serve.

I liked this even better the next day when the spices and lime juice had soaked into everything, it didn’t look as good but it tasted more intense.

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In case you didn’t see my last blog post, my reason for making all these drastic life changes at the expense of all involved is that I am going to write, just like, so much stuff, with this in mind and also my unemployedness – not that it’s anyone else’s responsibility but my own, but it could be yours if you wanted! – I direct you confidently towards my Patreon where you could get in at the ground floor on supporting what I do and receive exclusive content in return. And that really is my plan, to recover from the whiplash of this all-change and to write, well, that and to be as good a house guest as I can possibly be. (I just realised as I type that there’s a double meaning to “write, well” – wow I’m doing great already.)

title from: Baltimore Blues No. 1, Deer Tick. Moody.

music lately:

Walk Away, Sisters of Mercy, they sound, as I described to the long-suffering Charlotte, as though someone is trying to convey jauntiness while trapped underwater (by which I mean, obviously, I love it)

Morning Terrors and Nights of Dread, Shilpa Ray, it starts off surfy (good) and ends up surfy and howl-y (very good!)

Blue by Rico Nasty, she is incredible!

Next time: I tried making some macarons with the leftover aquafaba from the canned chickpeas in this salad and they were delicious but super fragile, but I presumably have the energy now to nail the recipe properly.

well I see you there with the rose in your teeth

I have some fascinating developing news for you: firstly, did you know you can get sparkling rosé by the can at the supermarket for like $4? Secondly, I’m leaving my job and devoting my life to my writing! Seriously! $4!

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But first. You don’t come to Wellington, the city I’ve lived in for 13 years now, for the weather, you just don’t. You come here for, I don’t know, the coffee and “vibrant Cuba Street” and to behold the moustache-to-face ratio with appalled disdain and reluctant respect in equal measure. But in summer 2019, with the chickens of global warming coming home to roost, Wellington is hot as BALLS. And so I felt it would be timely to make some ice cream, not only because it’s my favourite food but also to try and bring down my general temperature and perhaps yours by proxy. The heat has homogenised us and it’s all anyone can talk about now.

Rosé raspberry ripple ice cream sounds, I grant you, like it belongs on those Facebook videos with a wine glass that can hold an entire bottle of wine yet not an ounce of personality, but! The rosé has merit here outside of its pastel-coloured populism. This ice cream is distinctly lush, heavily swirled with blisteringly pink, sherbety, sour-sweet raspberry rosé sorbet. The rosé gives it a kind of biscuity, dry finish while dovetailing beautifully in both blushy colour and blushy flavour, and the oat milk is the perfect inobtrusive yet creamy backdrop for everything.

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The recipe is moderately fiddly, but not in a taxing way, and the only really annoying thing about it is that there is an undeniable quantity of dishes (I don’t know why or what moralistic properties I’ve assigned to individual kitchenware items subconsciously but for example, a bowl? I can calmly wash that. The blade of a food processor? I must lie down with a cold compress over my eyes now.) I like to be relaxed about people swapping ingredients to account for availability and affordability, but I do think oat milk is the best option here, it has a real fulsome mildness similar to actual milk in flavour. Probably soymilk would be the next best thing. If you don’t have custard powder then cornflour is a near-perfect dupe, and I would definitely consider using frozen strawberries instead of raspberries. The use of chickpea brine will either be old news to you or absolutely horrifying but here’s the thing: it acts exactly like egg whites, I don’t know why, it just does, so when you whisk it up it goes thick and creamy and holds its shape and is just an absolute blessing for vegan cooking. And having the actual chickpeas to use is no great burden – blend them into hummus, roast them with some spices, or just coat them with olive oil, salt and pepper, and stir through some rocket.

(And I’ll be honest with you, I’m not saying the rosé was entirely an aesthetic conceit, but if you left it out for whatever reason – financial, non-alcohol-consumption – the ice cream will still be both absolutely fine and delicious. But at $4 a can, can you afford to not buy it?)

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This really just tastes like summer, the fruity sourness tap-dancing up the side of your face and your skull hurting from the cold, the fragrant, juicy, lipstick-smeared-on-the-side-of-a-glass pink blast of the berries and the creamy, softening properties of the vanilla.

Rosé Raspberry Ripple Ice Cream

a recipe by myself

  • 2 cups (500ml) oat milk
  • 3 heaped tablespoons coconut oil
  • 2 tablespoons custard powder
  • 1/2 cup (125ml) aquafaba (liquid from a can of chickpeas in brine)
  • 3/4 cup sugar
  • pinch of sea salt
  • 1 vanilla bean (or one teaspoon vanilla paste/two teaspoons vanilla extract)
  • a heaped 1/2 cup frozen raspberries
  • 1/2 cup icing sugar
  • 1 tablespoon lemon juice
  • 1/2 cup (125ml) sparkling rosé (or unsparkling will do)

Heat one cup (250ml) of the oat milk gently with the coconut oil and custard powder, plus about half the sugar. Don’t let it get to the point of boiling, but just to where the coconut oil has melted and the sugar has dissolved and the custard powder has thickened it somewhat. Run a sharp knife down the centre of the vanilla bean and scrape the seeds into the oat milk mixture, whisk in the second cup of oat milk, and then set it aside to cool slightly.

Meanwhile, start whisking the aquafaba briskly so it becomes thick and airy. Slowly add the remainder of the 3/4 cup of sugar, a little at a time, as you continue whisking. Once the sugar is all whisked in and the aquafaba is thick and meringue-like, add the sea salt and then gently fold it into the oat milk mixture. Spatula all this into a container of just over a litre capacity and freeze for about four hours.

At this point, take the ice cream out of the freezer, scrape it all into a blender or food processor, and process till creamy and smooth. Before you do this there’s a good chance that it will have separated somewhat in the freezer and appear all ice-crystal-y, but a quick go in a blender will make it come together again easily so fear not. Spatula it back into the container and return it to the freezer while you get on with the ripple.

Give the blender or food processor a half-hearted rinse, then process the raspberries, icing sugar and lemon juice to form a thick, bright pink frozen paste. You may need to add a couple of teaspoons of water if the raspberries are very frozen solid. Carefully stir in the rosé. Take the vanilla base back out of the freezer and dollop the raspberry mixture into it large spoonful by large spoonful. Give it the most cursory stir to move the separate parts around a little – you don’t need to mix it in too much and it will naturally form layers and ripples as you scoop it out. Return to the freezer for about six hours or overnight, then it’s all yours.

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Now that we’ve all got our vicarious chills, let’s talk about me. So: every now and then I like to get all irrevocable just to see what happens. This particular shake-up takes the form of two things happening in the near future: I’m leaving my apartment and moving in with my dear friends Kate and Jason for a while and leaving my job as a bartender, with the distinct aim of (a) avoiding burnout and (b) focussing on my writing and (c) yes, working out how I’m going to support myself as a writer but also (d) not burning out!

Though it may sound like a madcap lark, an imprudent caper, I am in fact acting upon what I talked about at the start of the year – I really really wanted to throw myself into my writing this time around the sun and I had this convergence of a ton of writing ideas crystallising at once, my lease coming to an end, and just desperately needing a break from hospitality, intoxicating though it is. I mean I’m genuinely fairly spooked at the contemplation of not being a bartender, it’s been my life round the clock and a large chunk of my personality for the last five years! This is not a decision I came to lightly or suddenly but man, there’s something incredible in a sandblastingly intense kind of way way about actually making a decision with clarity instead of letting life wash over you, isn’t there?

And I know, I can’t just not work, like, mate, I don’t think I’m above capitalism, if anything, I am capitalism. By which I mean, with my life upheaval in mind I’ve updated my Patreon to tell you about the exciting writing projects I’m going to be working on soon and how you could directly be supporting them. So if the notion of contributing to the existence of, for example, a novel that is (very reductively, but for the sake of brevity!) Dazed and Confused meets Kitchen Confidential or a cookbook about what to cook when you’re too depressed to cook sounds like something you’d like to claim early adoption of, then consider becoming a Patron of mine!

(Benefits to being a patron include exclusive monthly content made just for you, like, this month I reviewed every book I read and film I watched in January. Sample text: “Rachel Weisz could kick me in the head and I would thank her for it.”)

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You in turn can comfortably expect not only more blog posts from me but also more energy expressed therein, as opposed to me complaining about how tired and lacking-in-time I constantly am. On top of which I will be using my newfound spare time to get back into freelancing and pitching ideas at people so if anyone has any leads, please! Get in touch. Sometimes you have to lose money to make money, as the saying goes!

title from: Famous Blue Raincoat, Leonard Cohen. “It’s four in the morning, the end of December“, is such a captured mood, isn’t it? This song is so utterly miserable and downbeat but just when it seems too much to bear, it gently but firmly unfolds into this incredibly optimistic major key for what I guess you could call the chorus but then! Just as quickly! Retreats in fear and the second verse is somehow even more unhappy. Cohen, you maven of misery, moving tears from duct to cheek like an efficient shepherdess.

music lately:

1080p, by Sammus, a rapper, producer and PhD student from Ithaca, this is beautiful, I love the cadence of her voice, how it has a slight break to it, and there’s so many sharp lines (“we never talk yet we still share a f**ing Netflix”…”glad I took my ass to some therapy/Now I’m seeing the world in 1080p“)

I Woke Up In A F**ked Up America, Lonnie Holley. This is about as intense as you’d expect from the title, I love the record-skip repetition and layered horns and the vibrato of his voice and yeah, the intensity. Holley has had quite a life, I recommend looking him up on Wikipedia.

On My Own, Frances Ruffelle, from the Original Cast Recording of Les Miserables. There’s such a Bernadette Peters-esque porcelain-and-steel quality to her voice and I love the angle of her vowels and the way she leans into her consonants – see also the way she says “HMmbut he never saw me there” in One Day More – but also consider listening to Kaho Shimada, singing the same song from the 1988 Complete Symphonic Recording of Les Miserables, I will never stop telling anyone who will listen about how Kaho Shimada didn’t speak any English and learned her lines phonetically for this recording and her voice SOARS on the big bit near the end (you know the bit, “all my life, I’ve only been pretending” it’s the bit you came for.) I think there’s some kind of echo effect that’s been layered on it as well which makes it sound particularly as though it’s being carried on eagles wings and I don’t know what it is about high summer but it seems to compel me to devote my life to playing the same seven to nineteen Les Miserables clips on YouTube.

Next time: Something extremely from my storecupboard as I’m trying to avoid spending as much as possible between now and my last shift.

a cocktail napkin epitaph

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This week we’re briefly pivoting away from food and instead neck deep into alcohol with two cocktail recipes. I would like to caveat you, first by warning you that I’m going to use the word “caveat” as a verb, and secondly by letting you know that I’m going through a rather beastly phase of insomnia at the moment, but also that I’ve finally got a doctor prescription for sleeping pills to counteract it, and half of this was written before and half of this was written after so if there’s any Wiley Wiggins in Waking Life buzz going as you read, that’s why. What will next week’s excuse be, you ask? If it’s still insomnia I’m gonna be so mad but I reckon I’ll try to distract you with whatever the opposite of sublimation is by being all “look at this brilliant writing demonstrably lacking in flaws!”

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A few separate things had to happen for this week’s recipes to come together. First of all, I was like man, I haven’t come up with a new cocktail in ages. I used to do it all the time, because my job required it, and though I’m still bartending I just don’t have as much call for it anymore. I really enjoy it, almost as much as inventing a food recipe – it’s all about balance and texture and getting your restrictions to push you into more creative choices. Secondly, with this thought in mind I was like “huh, wow,” now that it’s 2019 it means it’s a whole year since Motel, the bar I used to run, closed. Thirdly, I came to realise that I had a bottle of prebatched alcohol base from a cocktail I invented for Motel’s closing night (December 31, 2017) under my bed (in January, 2019.)

And then I was like, well maybe this is a sign that I shouldn’t be allowed to invent things.

But invent things I did! And having re-discovered myself to be in possession of good fortune, I might as well see if it was, in truth, worth universally acknowledging. Or at least…potable. Somewhat unsurprisingly, given the grunty ABV (that’s alcohol by volume) of its contents, it had serenely preserved itself for the entire year under my bed and remained more or less completely unchanged. So I used it to make the cocktail that I served on Motel’s last night and – it was still delicious! So I decided to share it with you today.

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The cocktail is inspired by two things: an existing cocktail – The Rosebud – from Motel’s history, and myself. The Rosebud is pretty well-known in Wellington – it was, in fact, the first one I ever had when I moved to the city in 2006 – and is a smashingly drinkable combination of vanilla vodka, lemon, passionfruit, cranberry and pineapple. Sounds like someone’s just pointing at bottles of juice and saying them out loud, I grant you, but it really is a beautiful drink. I wanted to pay tribute to that drink, but also quite justifiably not-humbly to myself, by using my three favourite ingredients:

  • Fernet Branca, which I would describe as having a bouquet of minty dirt and yet! I just wouldn’t be without it
  • Smith and Cross Navy Strength Jamaican Rum, my very favourite rum, a lush and broad-shouldered overproof
  • Angostura Bitters – that familiar paper-wrapped bottle with the yellow lid filled with strangely aromatic red liquid, normally administered drop by careful drop into, for example, glasses of lemonade to make Lemon Lime and Bitters, very popular in New Zealand – I decided to use an entire half shot of the stuff.

These were the three ingredients in the bottle under my bed, equal parts in a menacing dried-blood red. As I said above, this is a moderately outrageous quantity of bitters to be putting in a drink – normally it’s used a few drops at a time – but as this was a cocktail for the final night of Motel and because I feel most comfortable in excess, I decided to be excessive. However! The drink also had to be balanced, and even more so, it had to taste good.

Balance is a word I bang on about a lot when I start getting riled up about cocktails, but it really is important. Consider the Old Fashioned – one of the most famous classic cocktails, it’s essentially just an ass-ton of bourbon, with a little sugar and bitters, diluted a bit. Like, that’s all it is. So why don’t we choke on them? Balance, people. The sugar makes it richer in body and softer, stirring the drink over ice bevels off the rough edges, the bitters…well, they taste good. Look at the Long Island Iced Tea – it’s got five different types of liquor in it and yet because there’s enough citrus and sugar to take the edge off you can down them like they’re water. I’m honestly pretty sure that with enough sugar and lime juice that even plane engine fuel would be, well, no worse than a Long Island Iced Tea at least.

So with this cocktail, what’s happening? You’ve got that mouth-open-in-a-storm-drain taste of the Fernet Branca, bracing and earthy, you’ve got the rich ripe-to-bursting fruit funk and sweetness of the rum, and you’ve got the clove and cinnamon woody spice of the angostura bitters. All of this, plus that rip-tide of high alcohol volume, is lifted and brightened by the zingy, sour-sweet passionfruit syrup – and you really do need to use syrup here, the kind they sell in the same aisle as packaged desserts in the supermarket – and mellowed by the sugar content. The pineapple juice softens it but also has overlap in the tropical flavours of the rum and the more floral notes of the bitters and the Fernet. Pineapple juice has this enzyme which, when you shake it up, it goes all fluffy and aerated. So the juice is also bringing body and texture to the cocktail (much as it does to the original Rosebud itself.)

I called it The Final Scene because of this reference to the name Rosebud in the final scene of the film Citizen Kane, and also more obviously because it was Motel’s final scene. And then just over a year later – the present day, I mean – I took the bottle of pre-batch to Laundry, the bar where I now work, and photographed the drink there. (In case you’re all “what is that adorable mise-en-scène going on there,” yeah, it’s not my house.)

And then I was like…Laura. Though being inspired by yourself is a reasonable, even obvious use of your time, this is nevertheless a seriously inaccessible cocktail recipe to be putting on your blog. Like, if I hadn’t found that bottle of prebatch under my bed there’s no way I’d be able to afford these ingredients. You would probably be laughed at if you asked someone to make this in an actual cocktail bar (although the Trinidad Sour cocktail has an entire shot of bitters in it, so my reasoning had its reasons.)

So! I have another recipe to offer you, something incredibly simple that I don’t have a photo of but you could make it yourself in the time it takes to read the instructions. By which I mean: it’s just Lindauer with some peach schnapps in it. It’s also very, very good. I called it the Queen’s Speech because (a) the queen makes a speech on Christmas Day and it was on that day I drank a lot of this, (b) I like how the linguistic structure of the title means it could also be called Queen’s Peach, (c) I got my family to watch a LOT of The Crown on Netflix while I was there at Christmas and (d) I enjoy the juxtaposition of the name’s regnal qualities with its ingredients. Like, I literally went into the alcohol shop and said “what’s your most off-brand peach schnapps” and they were all “sure here’s a 700ml bottle for $14”. And it really is so good! Soft and peachy (obviously, but I’m losing steam in the drinks description faculties of my brain by this point), celebratory in a non-threatening way, a little sweet but not head-achingly so, somehow Christmassy and yet somehow appropriate to any time, be it cosy dinner party or your parent-teacher interviews; and above all no effort at all to make.

The Final Scene

a recipe by myself

  • 15ml Angostura Bitters
  • 15ml Smith and Cross Navy Strength Jamaican Rum
  • 15ml Fernet Branca
  • 30ml passionfruit syrup
  • 45ml pineapple juice

Place everything in a shaker with ice and shake throughly. Double strain – using a cocktail strainer and a sieve – into a chilled coupe glass or similar. Serve.

Queen’s Speech

a recipe by myself

  • Lindauer or similarly inexpensive sparkling white wine
  • Peach schnapps

If you require measurements, it’s roughly 100ml of the bubbles and 15ml of the schnapps but it’s easier to just do it as follows: fill a champagne flute to about an inch from the top with the sparkling wine and then top with a good hefty splash of schnapps.

Measurement notes: the following are all equal, so apply which one makes the most sense to you.

15ml
1/2 oz
1 tablespoon (eg that you’d use for baking)
half a standard shot

The following are also all equal:

30ml
1 oz
2 tablespoons
1 standard shot

Speaking of making this accessible, I know the ingredients to the first cocktail are a bit stupid but nevertheless I made some notes in the recipe about the measurements so you could work out what you’re most comfortable with – for example if you’re in America you might be used to ounces whereas if you’ve not bartended ever you may feel more at ease with measuring spoons. It all gets the job done! As for making the thing, if you’ve got actual cocktail shaker tins at home then good for you, otherwise just use a clean jam jar with the lid on to shake it up then tip it through a small sieve. During the earthquake of October 2016, where I was on a “relaxing getaway” (yeah we screwed that up timing-wise) with my best friends Kim and Kate at a bach up a the coast, I managed to make us very serviceable tequila sours using lots of tequila, some very old sugar from the jar on the tea tray, and some bottled lemon juice we found in the fridge. I shook it up in a novelty Christmas biscuit tin with the three cubes of ice that were left in the freezer and then tipped it into glasses through an enormous sieve. And I would definitely describe the result as potable.

If you’re on a cocktail-making buzz you may also wish to read other blog posts of mine on this subject, such as the Aperol Spritz, vegan Gin Sours, or a cocktail I invented called Millennial Pink. And if you wish to explore further the prospect of fresh minty dirt flavours, consider my recipe for Fernet Branca ice cream.

title from: Beginner’s Mind, by Bright Eyes, a really nice song, just a classic example of him bright-eyes-ing around.

music lately:

Sharon Van Etten, Seventeen. I’ve been listening to her new album a lot, partly to distract myself from Mitski at Laneway, and well, it’s very good! And this song in particular is spectacular! At first I was like, hmm, it’s a bit Fleetwood Mac, isn’t it…but the rumbling urgency and building piano and melancholy-but-happy mood absolutely decked me. (No, I don’t enjoy Fleetwood Mac, yes, it’s my cross to bear.)

Waiting Room, by Fugazi, grumpy yet melodic.

Berlin, So So Modern. This magical song is the soundtrack to a million years ago, and yet something in its patient relentlessness also feels like I’m hearing it for the first time, every time.

Meadowlark, Liz Callaway. This song is from the fairly unsuccessful Broadway musical The Baker’s Wife but has since itself become something of a standard. I feel Callaway’s is the definitive version – her voice has this intense kindness and sense of hope to it and she does this thing I adore where she heavily emphasises the “r” in each word (so a line like “the one I’m burning for returns” is immensely satisfying to the ears) and honestly, don’t even get me started on the enormous ending of this song, honestly. (Also, did you know? That’s Callaway’s voice you hear in the theme song to the TV show The Nanny, which she sang with her sister Ann Hampton Callaway, who – there’s more! – also wrote the song.)

Next time: the summer heat is currently DEBILITATING and as such I am going to make ice cream.

PS: if you like what you see and you want me to be able to do more of it, then consider becoming a Patreon patron to support my writing. I’m going to be dicking around with it in the next week or so and adding tiers and generally making it clearer for one and all but nevertheless there’s no time like the present! 

forever green, I know she’s here

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Wednesday was so momentous in a way that I’m not sure I can accurately convey other than to hope that as you’re reading this you’re trying to understand what it means to me: I met Nigella Lawson. I was always into food in an opportunistic way but it was seeing her TV show in 2001 that showed me for the first time that food could be a cause of real happiness for not just the eater but also the cook. Without a doubt I would not have started food blogging if not for her, I probably would not have achieved much of anything in fact. If you’ve been reading this blog for even a minute you’ll already know this, but again, it’s just so big for me! This has got magnitude! It needs big mise-en-scène!

How it came together, and I still can scarcely believe that it did, was that Nigella has been on a tour where she will sit in front of an audience and be cushily interviewed and receive questions (not, as I kept accidentally calling it, “in concert”) and Mum and Dad (it was Dad’s idea) displayed the most absolute incredible parenting skills in getting me a ticket to her Wellington date for Christmas.

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Ever since I was a child I’ve always been comfortably and righteously convinced that whatever I’m obsessed with, there is none more so than I in possession of said obsession, and I am afraid to say that I was in this same frame of mind when I sat in the audience, selfishly feeling that my very presence there was so tightly packed with intensity that there should be a secondary audience watching me being in the audience in a Marina Ambracoviç-esque performance art piece. I’m not afraid to admit that I genuinely started crying when Nigella Lawson walked out on stage, before she’d even said a word. And once she did, she was – of course – wonderful. So generous, so clever, so good at making the least of the questions appear to inspire these witty and expansive answers, so warm and lovely and confident and just everything a person could hope for in someone so long idolised.

A couple of days ago I took a plate of food to a potluck dinner at a friend’s house and we spent much of the night staring off their thirteenth-floor balcony, beholding the Super Blood Wolf Moon scooting across the night sky. Now, I love the moon (I have no less than three tattoos of the moon on me and at one point was like “I hope the moon is impressed by this” and didn’t even stop to qualify that I was being humorous or whatever because honestly I think was being sincere) and without wanting to sound like a dick it genuinely felt quite momentous to be in its presence on this night, the moon so swollen and golden and we so relatively insignificant.

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I had this same feeling in the presence of Nigella Lawson, like I was somehow gaining power and energy from her, and while it was probably a combination of hype and restless energy and also lack of sleep – does it make sense to you though? Do you ever see someone and suddenly think “I could achieve anything I want, I need never stand for anything less than what I deserve, and what I deserve is good things, and I could kick a hole in the sky?” If not, have you ever tried standing in front of Nigella Lawson? Is it a coincidence that I saw her in the same week that I saw the Super Blood Wolf Moon? Do coincidences even exist? Will I ever sleep? (I should’ve probably mentioned this sooner but, I wrote this in middle of the night so please bear with me, or continue to at this point.)

Just in case I threaten to float away like a vainglorious novelty balloon, I share with you the following photo which cracks me up but at the time was just seconds away from ruining everything: so, when you line up to get your book signed by Nigella Lawson (as you can see below, that I did), there was a guy standing there to take your phone so he could photograph the moment. But the guy in charge of this important yet straightforward job, somehow thought that the person standing in front of me was my friend, and started to take a photo on their phone. And I was like no, wait, here is my phone, but also don’t you dare distract me from my brief moment with Nigella Lawson don’t you understand my entire life has been mere prelude to this point you actual imbecile – but I didn’t say any of this verbally, not wanting to cause a scene, instead, as you can see below, it was just kind of written on my face instead.

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A beautiful moment.

Luckily I managed to put my own phone in his hands and captured a more sanguine shot of Nigella Lawson and I talking, and for all this talk of being charged with power I was honestly so overwhelmed by being face to face with her that all I managed to do was murmur “you’ll never know how much you mean to me” which to her credit, probably from years and years and years of this sort of carry-on, she received cheerfully, before being hustled away from her glowing, tide-pulling presence.

I brought this week’s recipe with me to the aforementioned potluck dinner; the green beans are but a delicious conduit and the sauce is the real point of the exercise here: you could use said sauce on noodles (udon, I reckon), you could pour it over roast vegetables, you could employ it as a dip, you could mix it with rice, you could use it in a potato salad – but before we get too carried away with its potential, what actually is it? Well, it’s a sauce, that’s green, hence the name Green Sauce. I initially considered it to be both a coriander and peanut pesto and a green satay sauce but also surmised quickly that that would be simultaneously wildly insulting to both Italian and Malaysian cuisine. So: Green Sauce. It does hinge entirely upon your feelings towards coriander, admittedly – I love the stuff, its fragrance somehow earthy yet citrussy at the same time with so much grassy flavour from the stalks. Blitzed into a puree with nutty (of course) peanuts; plenty of rich olive oil, and the caramelly saltiness of miso, this makes for a compellingly punchy and near-instant sauce.

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Green Beans in Green Sauce

a recipe by myself

Green Sauce

  • leaves and stalks from one of those supermarket coriander plants, or from a large bunch of coriander
  • half a cup, ish, baby spinach leaves
  • 1 cup unsalted peanuts
  • 1/3 cup extra virgin olive oil (though be prepared to add more)
  • 1 heaped teaspoon white miso paste
  • 1 heaped teaspoon nutritional yeast
  • 1 tablespoon lime juice (or lemon if you don’t have lime)
  • 1/2 teaspoon ground cumin
  • 1/2 teaspoon maple syrup or similar
  • 1 tablespoon cold water
  • Plenty of salt and pepper to taste

To serve

  • 2 cups frozen shelled edamame beans
  • 1 cup long green beans, topped and tailed and halved

Place all the sauce ingredients in a blender and blitz till it forms a thick green paste. Add a little extra olive oil or water (or both) and blend again if it needs to be more liquid. Taste and see if it needs more salt or lime juice.

Steam the edamame and green beans (I put them in a colander balanced on some chopsticks over a pan of boiling water but in fact feel free to simply simmer them in the water itself) – and don’t worry about defrosting the edamame. Once the beans are lightly tender, remove from the heat and run briefly under cold water, allowing them to drain thoroughly.

Tip the beans into a serving bowl, stir through the sauce, and that’s it really. Garnish with a few extra peanuts or reserved coriander leaves if you wish.

As discussed it has plenty of applications but the way I used it – with a double-billing of edamame and long green beans – is delicious, not only do you get the pleasing dovetailing of colour, but the bright, buttery soft crunch of the beans against the fulsomeness of the sauce is wonderful.

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So long in the making, so important.

title from: Velouria by Pixies, not my favourite of theirs but! What a lovely song.

music lately:

I Wanna Sleep In Your Arms by Modern Lovers. Title says it all, really.

The Angel of Death by Hank Williams, its calming waltz time signature belied by the lyrics’ gentle yet sinister persistence.

The Look, by Roxette, a song that is deeply silly and that I also find intoxicating. I remember first hearing it when I was really young and something in the minor key progression and harmonies in the chorus made me feel almost queasy but in a very good way? You know how music does that to you sometimes? (I can’t quite put my finger on why, other than maybe the minor key just genuinely messes with me, but like, for example, Shampain by Marina and the Diamonds has a similar buzz for me.)

Next time: two cocktails!

PS as I mentioned in my last post I have started a Patreon page where you can have the distinct honour of supporting this blog in as small or as large a capacity as you feel like and in return I will create even more content just for you and you’ll be genuinely helping me get by!

New Mexico ain’t bad Lord, and the people there, they treat you kind

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Despite having lived a substantial quantity of my life before social media ever wrapped its tentacles around me in a way that felt like love, no one could deny that I’ve thrown myself quite whole-heartedly into it since. Nevertheless I was like, how do I explain the premise of this week’s recipe? Inspired by a tweet I saw? That wasn’t even directed at me? But I guess it’s pretty simple, really, because social media is EVERYWHERE. When I went home for Christmas Mum and Dad were talking about a local Facebook group that is like Craigslist, community noticeboard, judge-jury-and-executioner and then some all in one that started off as a simple meme page. And I was like yeah, there’s one of those where I live but it’s the reverse, initially for students to offload their Psych 101 textbooks and now it’s kind of a Wellington meme page YET also the only conduit I could or indeed would fathom of for like, getting rid of a mattress. And I’m pretty sure every town has one now!

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I count myself lucky to follow so many people on Twitter who seem genuinely incredible, most of them women, and who will so casually drop the kind of powerful or powerfully hilarious tweets that entire teams of television writers would weep hot tears of jealousy over. And while Minka, the person who wrote the tweet that inspired this week’s recipe, is 100% in this category, the tweet itself was highly innocuous. It was December 4th, it was Minka tweeting to someone else the simple words “IMAGINE VEGAN CARNE ADOVADA” – that’s all! I’ll be honest, I was not feeling particularly wonderful that day and definitely not feeling imaginative. But the tweet stuck in my head, to the point where I would literally hear it as if it were a song’s lyric, and at last I decided to actually, well, imagine it. Am I saying Minka’s tweet cured my depression? I’m not not saying it?

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Vegan Carne Adovada

a recipe by myself but inspired directly by this recipe of J.Kenji López-Alt and this recipe from I Am New Mexico.

  • 4 dried ancho or poblano chiles (I used 5 large dried Anaheim chiles as this was alas all I could find), seeds and stems removed
  • 4 whole chipotle chiles, canned in adobo (I used the La Morena brand)
  • Zest and juice of a large orange
  • 5 prunes
  • 3 cups vegetable stock (by which I mean, use your preferred stock powder to make this) plus 1 cup extra
  • 1 heaped tablespoon nutritional yeast
  • 1 tablespoon apple cider vinegar or similar
  • 1 large eggplant
  • 1 can of jackfruit in brine
  • 1/2 cup of flour or cornflour (use the latter to make this gluten-free)
  • plenty of olive oil, for frying
  • 1 large onion, peeled and roughly diced
  • 6 large garlic cloves, peeled and roughly chopped
  • 2 tablespoons ground cumin
  • 1 tablespoon dried oregano
  • 1 tablespoon maple syrup or date syrup
  • 2 bay leaves
  • Plenty of salt and pepper to taste
  • Warmed tortillas, coriander, rice, to serve

Step 1: The Sauce

Heat up the dried chiles in a large frying pan, till they are aromatic but not smoking. Add the prunes, the zest and juice of the orange, the canned chipotles (don’t rinse them), the vinegar, the nutritional yeast and three cups of the vegetable stock, and bring to the boil. Let it bubble away for ten minutes, and then remove from the heat. Carefully blitz the lot in a blender to form a thick red sauce, and then transfer this to a large mixing bowl. You might find it easier to scoop out all the solids and blend them with a small quantity of the liquid before adding the rest, either way just be careful about blending hot stuff. Stir in the cumin, oregano, maple syrup, bay leaves, and a good pinch of salt and pepper, and set aside.

Step 2: The Stuff in the Sauce

Wash and dry the saucepan and heat up about three tablespoons of olive oil in it. Trim off the stem and then cut the eggplant into rough cubes and chunks, and fry them in the hot oil till dark golden brown on all sides. Tip them into the bowl of red chile sauce and return the pan to the heat.

Now, gently fry the onion and garlic in the same pan, perhaps adding some more oil if it needs it, stirring occasionally and allowing it to soften and turn golden.

While this is happening, thoroughly drain the can of jackfruit and using your hands, pull the pieces of jackfruit into smaller segments. Don’t throw away any seeds or whatever, it’s all good stuff.

Transfer the onion and garlic into the bowl of red chile sauce with the eggplant and get on to frying the jackfruit. You want to heat up another few tablespoons of olive oil in the same pan, and dip each piece of jackfruit into the flour before throwing it into the pan. Your aim here is to leave the jackfruit for long enough that it caramelises and turns golden on all sides – this will take some patience and the flour will go a bit scungy in the oil but it’s worth it for the end result. When the jackfruit pieces are golden brown and the fibrous edges look good and crisp, throw the whole lot, including whatever flour-oil gunk is in the pan – into the bowl of red chile sauce.

Step 3: Marinating, cooking, actually eating

Cover the bowl of red chile sauce and refrigerate for a couple of hours or overnight. When you’re ready to cook it, set your oven to 150C/300F and transfer the carne adovada into a baking dish. Give it a taste to see if it wants any more salt or anything. Use the extra cup of vegetable stock (or honestly just tap water is fine by this point) to sluice around the bowl that you’ve been marinating everything in, to catch any remaining sauce, and tip this over the contents of the roasting dish.

Bake for around an hour, or until everything looks rich and saucy and a little caramelised from the oven’s heat. Serve however you like – heated up tortillas, coriander, and rice is a good start.

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Without exaggeration, I honestly think this is one of the greatest recipes I’ve ever tasted and were it not for Minka’s tweet I’d have missed this opportunity completely. I’ve never been to New Mexico (where the dish originates) and am by no means familiar with New Mexico cuisine; I had in fact only hirtherto heard of Carne Adovada via Minka’s other tweets about it. With this in mind, I strenuously emphasise, that while I created the recipe that you see above, it is completely and directly based on the recipes that I linked to – one quite complex, one very simple – and I’m just a culinary tourist from a far-away land, rather than any kind of expert in this particular field. Nevertheless, allow me to respectfully explain myself.

In order to emulate the pork that is normally used in Carne Adovada (and I know carne means meat but I’m not about to do something gross like calling the recipe “car-nay”) I went for a double-pronged approach: darkly fried cubes of eggplant, oily and melting and rich; and then jackfruit, coated in flour and fried till golden and crisp: this provides that mild sweetness and, for want of better words, meaty fibrousness. Jackfruit is (a) a revelation and (b) really inexpensive and pretty easy to find these days, however on its own it felt a little un-luscious, hence the pairing. Both of these were marinated overnight in a ketchup-thick sauce made hot with papery, blood-dark dried chiles and smoky little canned chipotles and aromatic with cumin and oregano. I used prunes to sweeten the sauce because it’s what I had and I also felt they had a kind of meatiness to them, but you do what suits – one of the recipes I referenced used raisins, while the other recipe didn’t include any sweetening agent at all.

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The final slow bake in the oven makes the sauce so, well, saucy, and it’s all smoky and hot in this complex-yet-straightforward way and the eggplant and jackfruit melt and pull apart in your mouth and it’s all full-bodied and lush and while there’s a few steps involved it’s unbelievably rewarding and almost meditative to prepare each part of it. Now, when I try to make an existing recipe vegan my aim is more to evoke the abundance that meat or animal products provides rather than “this tastes like meat”, but…it doesn’t not taste meaty, you know? By which I mean I think this would and should be happily received by absolutely anyone. Thank you, Minka!

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Speaking of social media and providing spectacular content for free; this seems as good a time as any to tell you that I’ve started a Patreon page for my writing. Patreon allows you to be a modern day Patron of the Arts, magnanimously bestowing your literal money upon those of us who create in return for (a) a certain glow that I can merely assume only comes from having money and (b) the promise of exclusive content for your trouble. There is no sense of obligation or expectation placed upon any of you individually, it’s just sheer opportunism – like, if I can get money off someone then I might as well get money off someone, you know? And it’s a whole lot easier to be inspired, by tweets or otherwise, when you can comfortably pay rent. So, I entreat you to consider joining this exclusive band of money-havers, but if you don’t I’m not going to like, stop blogging, I would however like to stop talking about money just one time.

title from: White Freight Liner Blues, by Townes Van Zandt, whose despondence is to my ears like electrolytes are to, well, wherever they go – the blood?

music lately:

Last Week in HTx by Megan Thee Stallion, look her up!! She has so many good tracks but I love the way the “bitch I’m from Texas” line in the hook anchors everything in this song.

Thursday Girl, by Mitski, this song literally ruins me and YET I’ve also made a playlist on Spotify that only has this song on it and no one has stopped me, so. I’m obsessed with the nineties singer-songwriter Natalie Merchant buzz on the fourth refrain of “tell me no” in the chorus.

Venus in Furs, Velvet Underground. So throbbing and hypnotic! I’ll never forget the look on my boss’s face when I was playing it really loudly at the tiny German bakery that I worked at in 2006 and they walked in and without saying a word turned it off and then left and got in their car and drove away.

Dues, by Ronee Blakley, from the amazing Robert Altman film Nashville. Blakley performed this in the film as her character Barbara Jean but she actually wrote it herself in real life, and while several of the songs from the film are meant to be satirical of the country genre, this is just a beautiful and achy waltz and very, very real.

Next time: possibly a cocktail but also it’s been too long since I’ve made ice cream, right?