Consider comfort: it’s as much in the mind as it is in the practical application, and what one person finds calming another will shudder at. Ascribing such properties to objects, tasks, sounds, textures, is what makes the world go round and for me, a scholar of Nigella Lawson, I have ended up with a kind of Pavlov’s Comforted Dog reaction to risotto through the frequent reading and re-reading of her cookbooks. The way Nigella writes about this dish and the reassuring joys of both making and eating it has staunchly solidified risotto’s place in my mind as a thing that comforts, and making risotto means It’s Comfort Time, there’s rain on the roof of my soul and a fire crackling in my heart and every fabric touching me is warm and soft. Presumably, if she’d spoken this way about, say, pancakes or steak tartare, that’s how I’d feel about those foods instead, but risotto speaks for itself — the repetitive, methodical stirring, the grains swelling under your spoon like a time-lapse video that hasn’t been sped up yet, the bowl-and-spoon homeliness of the finished dish, the acquiescent rice barely requiring any chewing from you.

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