Category: Dairy Free

my mother said i should eat an ice cream cone

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I love ice cream so much. Maybe it’s that extremely cold food is more exciting, maybe it’s that the creamy chillyness is the ideal taxicab to drive a million different flavours to your tastebuds, maybe it’s that particular melty smoothness.

Maybe it’s that ice cream reminds me of good times growing up. So many of my ‘birthday cakes’ were a tub of vanilla ice cream sprinkled with Smarties or jellybeans and spiked with sparklers, which were then set alight for extra glamour. Mum would put a scoop of ice cream in a cup and top it up with Coke or Fanta to make ice cream sodas for everyone which I thought was very cool. (Some kids got lovingly baked cakes but not everyone’s mum has the foresight to combine Tip Top and gunpowder.)

So… I love ice cream. And one of the best, best, and once more best recipes in the world is one that I’m sharing today. I can’t remember where I absorbed it from, it just mysteriously became part of my frozen repertoire. I’d like to say “I absorbed it from my own brilliant mind” but that’s just not true. What I did invent was this particular version – a completely vegan, two-ingredient, relatively instant and completely delicious-ful ice cream.

Confession: I don’t usually serve my ice cream on a bowl-within-a-plate thing. And I never eat it with second-hand commemorative spoons. It was all done so the photos would look nice. Between that and the precisely situated forkful of risotto last week, this blog has become an offal pit of visual lies! To force some honesty into the situation, I made myself eat that bowl of icecream using only the decorative spoon which has a palm-tree embossed cavity of 2cm. It took roughly forty minutes.

Anyway! That’s a lengthy bit of emotional baggage for such a quick recipe. I first made this last year using delicious cream but not only does coconut milk make it vegan-tastic, it also lends a fluttery flavour of its own. How this works is – I think – as the food processor blades reduce the frozen fruit to rubble, the liquid is forced through at great speed, turning it into a kind of instantly frozen puree thing which resembles actual ice cream. It’s not perfect – you have to eat it on the spot as it loses its texture if refrozen – and it’s not overly sweet, so pour in sugar if you like. I chose blackberries because they were cheapest at the time – the seeds to get in your teeth a bit but between friends it’s no biggie, plus their tart berryishness and beautiful colour makes up for any of that.

Blackberry-Coconut Ice Cream

2 1/2 cups frozen blackberries (or other)
250ml/1 cup canned coconut milk (or cream, or yoghurt)


Put everything in a food processor. Add some sugar if you like. Blend. Be warned: it will make a racket. Use a spatula to scrape down the sides and process again till it looks like magical ice cream. Scoop into bowls and sprinkle with coconut if you like (or any kind of sprinkly thing, really).

I’m not sure how many this serves – only you can look inside yourself and find the answer – by which I mean Tim and I finished this but it probably could have been divided between four people. It tastes sparklingly and singularly of the fruit that went into it, with a clean, softening hint of coconut. It comes together in seconds, so if you have a can or two of coconut milk in the cupboard and a bag of frozen fruit in the freezer you’re only ever moments from ice cream. Which is a very good feeling. 


Spontaneous dinner party? Spontaneous children appear? Spontaneous vegan children appear? Spontaneous simple desire for ice cream? Sorted.


On Thursday night Tim and I went to the Whitireia Performing Arts School’s first year performance of Godspell, a musical by Stephen “Defying Gravity” Schwartz, who wrote the bulk of the music when he was only in his early 20s. The cast themselves on Thursday night must have been around 19 and they were brilliant – there were some beautiful voices, sure, but the humour was sharp and the ability to grab props and change character out of nowhere was fairly mind-boggling. I ended up sitting next to this woman who knew my dance teachers from when I was growing up south of Auckland, miles and miles away from Wellington. Small world, isn’t it…It was funny in the intermission, they played a karaoke version of Wicked. You could hear pockets of girls in the audience singing along quietly. In these post-Glee days it’s more cute than anything else but a couple of years back I probably would have gone and introduced myself with a qualifying “Oh my gosh you know who Idina Menzel is”.
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Title via: The philosofly girl Coco Solid in another incarnation as Parallel Dance Ensemble with their song Weight Watchers, which won best video at Handle The Jandal awards last year. I was there – imagine those donuts and psychedelic licorice allsorts writ large across the Embassy cinema screen in psychedelic colours. Lip-smackingly delicious both to watch and listen to.
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Music lately:


Michael Franti and Spearhead, Sometimes, from their 2001 album Stay Human. Nice as this song is, I love the acoustic version, although the fact that I learned a dance to it at a workshop a few years back may have cemented it in my mind – sometimes it’s impossible not to love the music you learn dances to, no matter how bad. Not that this is bad. This is gorgeous.

By My Side from the aforementioned Godspell. We used to sing this in choir sometimes, it’s satisfying for an alto like me. Such a beautiful, beautiful song, I can’t believe it was the pretty but abrasively earnest Day By Day that instead made it onto the Billboard charts when Godspell came out in the 70s. The video I linked to is the film version featuring an astonishingly good-looking young Victor Garber as Jesus. (FYI, he’s in the Superman tshirt). The harmonies aren’t as clear as I’d like but it’s one of the better versions available on Youtube. Plus, Victor Garber, hello!
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Next time: I think this is the third time I’ve put off the Grumble Pie. With a name like that I can’t keep denying it a blog post…

give peas a chance

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So long since my last update – sorry you were stuck with that badly-exposed brisket for ages. I was in Hamilton over the weekend for the Smokefreerockquest finals and arrived back in Wellington on Sunday afternoon feeling very tired and still a bit blah that I’d missed Tim’s birthday on Saturday. I really wanted to stumble into bed, but dinner needed sorting and after a weekend of hastily grabbed dinner (specifically: pineapple lumps and a packet of ready salted chips) I didn’t want to get take-out. Tired, uninspired, and with not much in the cupboard, I turned to Nigella’s seminal text How To Eat, feeling instinctively (and maybe a little overdramatically) that it would provide the answer.

 
Sure enough, after some aimless page-flipping her Pea Risotto stopped me. Rice. Frozen peas. Got them both. Not to mention, Nigella quite often bangs on about the soothingly zen properties of exhaustedly stirring a risotto into starchy submission, which significantly adds to the glamour of making dinner while half asleep.
 
I didn’t have any of the required parmesan cheese, so instead I added a few strips of lemon zest and a handful of peppery rocket to provide a similar kick. I normally feed my risottos with butter, but with the lack of parmesan I decided instead to use extra virgin olive oil instead and make the whole thing vegan. I’m pretty sure the fact that I met an incredibly good looking vegan on the weekend has nothing to do with it – but who knows what decisions are secretly made by our subconscious.
 
 
My subconscious is reminding me that I can’t lie: these photos was taken the next morning before I went to work. Once I’d finished snapping I scraped all the cold rice into an empty Tupperware container and took it to work for lunch. I even placed that pea deliberately on the fork. It’s just that we were watching a documentary when I was making the risotto the night before and the lights were all off – not healthy photography settings. So the next day I recreated our dinner from the leftovers. If my photography can’t be honest, at least I am, right?
 
This is a very simple dinner but devastatingly good – creamy rice, bright green peas bursting with their pea-flavour (can anyone effectively describe the flavour of a pea? At this stage: not I). Yes, there’s a lot of stirring but think like Nigella and wallow in the romance of it all.
 
As well as removing the dairy aspect of this risotto, I also made a few other slight tweaks. I had no fresh nutmeg so left it out. Instead of heating up stock, I crumbled in half a porcini stock cube (my favourite, all-purpose flavour) and had a pan of hot water simmering next to the pan of rice. Rather than pureeing the peas I just divided them into two small bowls, mashing one half with a fork while leaving the other plain. I had no vermouth or white wine so went daringly cross-country and splashed in some Sake instead, which worked perfectly – its warm, ricey depth of flavour naturally complementing the rice it was absorbed into. I can’t pretend like I don’t think good carnaroli rice tastes a million times nicer than the bland gluggy Sun Rice arborio from the supermarket but I’m also lucky enough to be in a position to choose between rices (don’t get me wrong – good rice isn’t cheap, but there are other areas I don’t spend my money…so.) You do what works for you.
 
 
Pea Risotto
 
Adapted from Nigella Lawson’s How To Eat
 
60g butter (or more! Or olive oil)
150g frozen peas
Approximately 1 litre stock
Freshly grated nutmeg
1 small onion or shallot
200g arborio or Carnaroli rice
80mls white wine or vermouth
lemon zest and rocket, to serve 
Melt half the butter in a pan and add the peas, cooking for a couple of minutes. Remove half the peas, and to the pan add about half a cup of stock. Simmer till the peas are very soft, remove and puree along with a tablespoon each of parmesan and butter and a pinch of nutmeg, or if you don’t have the energy, mash roughly with a fork. You should now have an empty pan and two small bowls of peas, one solid, one not.
 
Finely chop the onion and melt some more butter in the pan. Cook the onion, stirring occasionally, till golden and soft. Add the rice and stir “till every grain glistens with the oniony fat” as Nigella says. Pour in your wine – or sake! – and allow it to absorb. Now here comes the commitment. Add a ladleful of hot stock (or hot water if you’ve crumbled in a good stock cube like me) and continue to stir till absorbed. Repeat. And again. And then some more. You can’t rush it, you can’t walk away. Just keep stirring, watching the rice slowly expand and absorb all the liquid. After about ten minutes, return the whole peas to the pan and continue to slowly add hot liquid. When you’re satisfied that it’s done (taste as you go) stir through the pea puree and as much butter or extra virgin olive oil as you want. Divide between two plates and sprinkle with parmesan if you like, or lemon zest and rocket as I did. 
 
 
As I said, this is simple food, but very, very good – soft, dense granules of rice studded with Elphaba-green peas. Very easy to eat curled up in a chair, feeling better about the world with every mouthful. The scent of sake hitting a hot pan is something else – I can almost taste its savoury, buttery aroma just thinking about it. The porcini stock cubes add a subtly earthy flavour and the peas have their green sweetness. And it’s all absorbed by the rice. Positively meditative stuff. 
Title via: John Lennon’s Give Peace A Chance, I know it’s a sorry pun but I’ve got the “I’m tired” card and I’m putting it on the table right here. Plus, you really should give peas a chance. They’re awesome as far as vegetables go.
Music lately:
 
Spotted a tweet from the mighty DJ Sirvere on Sunday inviting people to share their favourite Jay Z guest spot. Not an expert on this but my mind immediately presented me with his appearance in Mariah Carey’s Heartbreaker. Which then spiralled into hours of unproductive inactivity. Oh sure I blame the tiredness, but I haven’t listened to Mariah in years and with one click of the mouse I was riding the Mariah Carey Love Train all the way through youtube. Highlights included the delicious Can’t Let Go, Honey (Bad Boy Remix) this reminds me of when MTV Europe was briefly on our TVs, One Sweet Day with Boyz II Men (slathers you with emotion like I slather butter on toast) and Thank God I Found You with Nas and Joe. I don’t often like power ballads, and endless impressing upon the listener about how in love they are isn’t usually my thing either but what can I say. Mariah is flawless.
 
I Aint Mad At Cha by Tupac, from All Eyez On Me. Yesterday was 14 years since Tupac was shot. There’s no right age to have someone take your life…but he was only 25.
 
So, The Good Fun were the winners of the Smokefreerockquest on Saturday night – check out footage of them performing their song Karaoke for the sell-out crowd. I liked all the finalists in their own way but The Good Fun definitely have an out-of-nowhere zany awesomeness – I hope they go far.
Next time: It’ll be the Grumble Pie that I promised for this time round. Photographed at night right before it was eaten, even. Also, right now: Happy birthday, Mum! 

you say stop, i sago, go go

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Even though I’m pretty sure I never got fed sago or tapioca when I was a kid, I always assumed I didn’t like it. It just sounded like one of those things I should resist. I don’t remember reading, as an impressionable kid, any Malory Towers books where the girls in lower 6th are all “oh golly, not that sago again.” In fact my main food impressions that I took from those kind of books was that a) there is romance in the tinned peach b) kippers are apparently a Good Thing and c) I want biscuits and butter, right now.

There are many, many things in this world you don’t have to experience to know you don’t want them, but sago…? It really falls more into the category of “broaden your horizons and don’t be so narrow-minded, fool”. And to be fair, I can’t really hate on something that reminds me of Thoroughly Modern Millie (one of the best films ever).
I don’t tend to research heavily before launching into a blog post but hit up Wikipedia after looking at the back of my packet of Budget Sago Pearls, (ingredients list: “Sago”. The nutritional information – not much more than a few long-lasting carbohydrates and a little sodium) and thinking “what even is this stuff?” Turns out sago comes from a sago palm – of course! – and is not only the food staple of many countries, the sago plant rivals the awesome soybean for intense versatility in that it can be a key ingredient in (according to Wikipedia) adhesives, paper, ethanol, high fructose glucose syrup and MSG. I mean, that is some wide-ranging output. The starch of the sago palm is also made into sago pearls and the larger tapioca pearls, which can be turned into a whole lot of different puddings.
I used a recipe in Jill Dupleix’s book Lighten Up which looks like it’s based on the Malaysian Sago Gula Melaka pudding – sago coated in a palm sugar syrup and coconut milk. It’s fairly straightforward to make and the end result is so incredibly good that I consider myself a full convert. Not to mention, this is a seriously cheap-but-pretty-fancy-looking pudding to be serving up. The bag of sago cost me less than $2, and none of the other ingredients cost much, but the results are gorgeous. I realise it’s not as immediate as, say, chocolate pudding, but if anyone you serve this to tries to tell you they don’t think they’ll like sago, kindly direct them to the above category that it sits within.
Sago Pudding with Palm Sugar and Coconut Milk

From Jill Dupleix’s Lighten Up

150g pearl sago
80g brown sugar or palm sugar
100ml coconut milk
pinch of salt

Bring a pan of water to the boil. Add the sago slowly and stir, leaving it to simmer away for another 15 minutes or so, stirring occasionally.

Meanwhile, gently heat the sugar and 100mls water in a pan, allowing it to dissolve and reduce slightly to a syrup (don’t let it overheat though!) Drain the sago – this was a bit of a mission, the sago sticks to things, then rinse under cold water and drain well.

Tip it into a bowl and add half the sugar syrup, half the coconut milk and the pinch of salt. Mix well, pour into four ramekins or bowls or whatever and refrigerate them for a couple of hours. Run a knife around the inside of the ramekins and turn out into a bowl, pouring over the rest of the sugar syrup and coconut milk. Jill suggests mango on the side, this would be perfect but I didn’t have any so sprinkled over some coconut threads instead. Serves 4.
Each grain of sago is so perfectly round and gleamingly opague, it’s like a mass of tiny bubbles clinging together on your plate. Its texture is weirdly addictive – I guess “cold and slippery” isn’t the most alluring description but give it a chance – the sago absorbs the light, caramelly syrup and the richness of the coconut milk and is seriously, seriously delicious.
I stupidly tried to strain the cooked sago into a regular colander…which has sago-sized holes in it. Luckily I managed to quickly chuck it into a fine-meshed sieve. The bits that landed in the sink and stuck to everything though were kind of magic looking – like solid water droplets, tiny shining orbs, like something David Bowie’s character in Labyrinth (first crush!) would eat…or twirl craftily on his hands.
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Title via: The Beatles…fertile ground for blog post titles, hey.
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Music lately:
Tim and I had a fairly full on weekend, catching The Newtown Rocksteady (twice!) and Street Chant, who came down from Auckland for an album release gig. I love Wellington but sometimes I see advertisements for gigs happening in Auckland and think “wahh”, I guess because it’s where the majority of people live it’s where a lot of the stuff happens, so it was cool that Street Chant made the effort to get down here. It was a bit late in the day when we got to their gig, but we had a very good time. Check out Yr Philosophy if you like.
There are two musicals called The Wild Party, both based on the same Joseph Moncure March poem, and both hit the stage around ten years ago. I tend to go on about the Andrew Lippa version (we-hell, Idina Menzel and Julia Murney, as well as Taye Diggs and Brian D’arcy James) BUT the LaChiusa version is also, naturally, seriously awesome. And had an even heavier-weight cast, with the likes of Eartha Kitt, Toni Collette, Mandy Patinkin and Marc Kudisch. I seriously love Toni Collette’s song from this musical – The Lowdown-down, and how her sultry voice draws out the lyrics. When we saw Patti LuPone and Mandy Patinkin in Auckland last year I got him to sign my copy of the cast recording afterwards at the stage door – yusss!
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Next time: I made some stuff from the Edmonds cookbook, but I also made brisket…you’ll read it all eventually, and knowing me, I’m picking the baking will probably be next up to the plate.

better yet oatmeal cookies, y’all just rookies to me

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Oatmeal cookies, and the Chocolate Chip Cookies that they overlap with on the Venn Diagram of Cookie Genres (it might exist…) are nothing new, and there are roughly a million recipes out there for them, but still, even if you didn’t grow up with tins full of baking, there’s something old-fashionedly comforting about biting into a half-crisp, half-chewy biscuit, buttery and caramelly and a little nutty with rolled oats, maybe with some chunks of dark chocolate to luxe things up deliciously. They’re fast to make and relatively inexpensive and keep for as long as you can hold out from eating them.

They also, a lot of the time, involve creaming butter and sugar together. We don’t have a microwave and the butter conditioner in the fridge just sits there stubbornly making the butter colder, so anything with softened butter either requires wrapping it up in tinfoil and sitting it near the heater, on the coffee maker, whichever’s on, or back when we had our PC, on top of the hard drive. Or leaving the butter out overnight and hoping the kitchen is be warm enough to soften it into cream-able submission. Which means there’s generally a bit of a distance between myself and oatmeal cookies. Or at least there was, until I saw this recipe that I’m going to share with you…

I found this recipe on a blog called The Hungry Engineer. It awesomely uses oil which I could then take the liberty of switching with melted butter. Not that I have anything against oil. I just want butter in my life and I figure that they’re similar enough to not get fussed over. That said, if you stick to the original recipe, you’ve got yourself a mighty good dairy-free cookie. And I’ve got something that I don’t have to enter into a MacGyver-style assault to be able to actually make it.

And yes, there’s absolutely nothing wrong with the melted-butter based Anzac biscuits, but I didn’t want to go adulterating them with chocolate and brown sugar and stuff. Leave well alone I reckon, and this recipe below is a more than worthy solution.

Oatmeal Chocolate Chunk Cookies

With thanks to The Hungry Engineer blog

  • 150g butter, melted and cooled slightly, OR 3/4 cup plain oil (like Rice Bran)
  • 1/2 cup brown sugar
  • 1/2 cup white sugar
  • 1 egg
  • 1 cup flour
  • 1 cup rolled oats
  • 1 teaspoon baking powder
  • 1/2 cup – or as much as you like – dark chocolate, roughly chopped into chunks (I use Whittakers)

Set your oven to 180 C/375 F, and get out a couple of trays and line them with baking paper. Whisk together the butter (or oil) with the sugars and egg. Mix in the flour, baking powder, oats and chocolate. Scoop out spoonfuls of this (magically delicious) mixture and drop them onto the trays. You don’t really need to flatten them out – the heat of the oven takes care of that. Bake them for 9-12 minutes, swapping the trays halfway through if you like.

Let them cool a little before eating, because burning hot chocolate on the tongue is no fun at all.

These cookies are so good, for the reasons outlined earlier (as well as the obvious – it’s a chocolate chunk cookie, title speaks for itself, right?) The timer buzzer on our oven decided to join our butter conditioner and refuse to work, so these cookies were overcooked by about five minutes – this is the difference between chewy and crisp. They’re still really good, but next time I make them I’m going to be paying more attention, as I lean towards a chewy preference.

It’s a man with a cookie for a head!

FYI, that’s a jumper of mine under that gleefully ugly plate, and it occurs to me now that hopefully I don’t find any crumbs down my sleeves because that’s one of my least favourite things. And yeah, I do get crumbs somehow stuck in my sleeves enough to know I don’t like it (cookie crumbs hang around like sand once they get in your clothes, trust me.)

Yesterday Tim and I went to the extremely awesome Bookfair, put on by the Downtown Community Ministry who do heaps of good work in providing support to those in Wellington who need it. The Bookfair happens every year and it is so exciting. If you like books. Which I do. Tim and I scored some amazing finds this year. Like an ancient edition of Leonard Cohen’s The Favourite Game, the adorable 1952 edition of This Thing Called Ballet (“makes a plea for balletosanity as against balletomania” according to Daily Sketch), and a 1953 edition of Maori Grammar and Conversation, written with the Hon. Sir Apirana Ngata. Sure I can learn phrases and grammar from it, but as a slice of New Zealand history – for better or for worse – it’s a fascinating read. I also got a juicy stack of Cuisine magazines and am slowly filling the gaps in my collection from the past ten years. Feels so good.

Title via: De La Soul with Redman, Oooh, from their album Art Official Intelligence. I loved this song right away when I first heard it ten years ago – its mellow melody, awesome beat, and more-ish chorus.  

Music lately:

Leonard Cohen’s So Long, Marianne from Songs of Leonard Cohen. It’s relatively lengthy at six verses, and also relatively upbeat as far as Cohen songs go. But by the time you get to the “I see you’ve gone and changed your name again” line, you start to feel all desolate because the song’s nearly over. Devastating from the lapping strum to quiet finish.

Sleepy Man, sung by the amazing Idina Menzel in 1990, when she would have been around 19. It’s a side we don’t often see from her vocals, and while the lyrics to this song from The Robber Bridegroom are pretty painful I do love it, so it was a total treat to find the link to this performance – especially as she was from well before she was on Broadway.

Next time: On the one hand, I’ve got all these Cuisine magazines to plough through and be inspired by, on the other hand it could be time to crack out that quince brandy I’ve had chilling in the cupboard…

blaze a blaze galangalangalang

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I’ve been feeling sorta dispirited the last couple of months, a bit “mehhhh”, like time is sliding by so fast and I haven’t been able to get a grip on the days and suddenly it’s August and, I don’t know, maybe this strikes a chord or maybe it makes no sense whatsoever.

I think, hypothesizingingly, this could have something to do with the fact that I have made almost no stews or casseroles or soups this winter. Nigella’s Slow Food chapter in that seminal text How To Eat has been unstained with ingredients, there’s been no brisket becoming meltingly soft as it cooks in stock over time, forcing you to wait for it, or kumara simmering with spices and all those other romantic things that you think about when you are, well, hungry and frozen. I guess I’ve just been busier lately, had more going on…anyway I’m trying. I made Nigella’s Beef with Stout and Prunes for the first time in more than a year over the weekend and it was SO good. Luckily in Wellington it’s winter for about 85% of the year anyway so even though it’s nearly September, there’s still plenty of scope for making up for lost time foodwise.
Me: I’m going to make Penang Beef Shin Curry for dinner tonight.
Tim: Woohoo!
Later

Me: I’ve decided to use tofu instead of beef.
Tim: Woohoo..?
Luckily, Tim does like tofu. Actually, I take back that ‘luckily’. It’s not some great magnanimous concession to like tofu, the sort of thing you discuss later with starry eyes (“he doesn’t complain when I cook tofu and he puts the toilet seat down! What a catch!”) It ain’t luck. Tofu just tastes good. At least, when I cook it. Witness: tofu balls!
This not-beef Penang Curry was a recipe I found in an old Cuisine magazine – July 2004 – and while using tofu makes it significantly faster, it still has that involved, pestle-and-mortar, simmer-till-tender vibe going on. The list of ingredients might look a bit stressful, and I guess I’m lucky I live in Wellington where stuff is a bit nearer to my fingertips, but it’s not so bad -suss out your local markets, check out the local Asian Supermarkets, explore your neighbourhood or even the next ‘hood over…or just improvise with what you have. Shallots can become spring onions, dried chillis can be fresh glossy ones, and the gently fragrant galangal of my blog post title could just be plain ginger…but you might want to call it “Penang-ish” curry instead, I guess I should, too considering how much I’ve changed it up already.
Penang Tofu Curry

Adapted from Cuisine, July 2004

Penang Curry Paste

4 long dried chillies, deseeded and soaked in hot water for 20 minutes
Pinch salt
3 shallots, peeled and chopped
4 cloves garlic, peeled and chopped
2 teaspoons chopped coriander root and stalk
1 tablespoon chopped galangal
1 tablespoon chopped lemongrass stalk
A little grated fresh nutmeg
3 tablespoons natural peanuts, boiled for 25 mins, drained and cooled (I have to admit…I didn’t boil them for 25 minutes. Maybe five. And I didn’t let them sit round and cool either.)

Either blitz everything in a food processor, adding the peanuts last and pulsing to a roughly textured mixture, or go hands-on with a pestle and mortar. I did the latter, not because I’m all superior but because sometimes in my backwards mind, bashing away at herbs with a ceramic thingy is easier on my nerves than washing the food processor after using it. Either way, refrigerate until you need it.

2 square ‘fillets’ of fresh, firm tofu, sliced (or as much as you want, really)
1 can coconut milk
2 tablespoons grated palm sugar
3 tablespoons fish sauce (I used soy sauce instead – you could too, to make it vegan)
2 cups loosely packed spinach leaves
4 kaffir lime leaves, torn in half
1 small, hot chilli, cut in half
2 tablespoons Thai basil leaves (didn’t have any of this)
5cm fresh ginger, peeled and cut into thin batons (I just used more galangal)
1/4 cup coriander leaves

Bring half the coconut milk to the boil in a heavy saucepan. Reduce heat and add the curry paste, stirring as it cooks. Add the palm sugar, the fish sauce, and the tofu slices. Simmer for a few minutes, then stir in the spinach, lime leaves, galangal, chilli and basil. Serve in bowls with the coriander on top, over hot rice. This served two, but all you’d need is more tofu and more coconut milk to feed four.
Soul-restoring stuff – the gentle coconut flavour harshed up by the roundhouse kicky of the chilli, fragrant with the delicately gingery galangal, the incredibly good-smelling lemongrass and lime leaves and the coriander, all of which is absorbed into the fresh, delicious tofu. If you like what you see, maybe try making triple the curry paste, covering it with some oil and refrigerating it for the next time you need some midwinter zing.
Okay, I’d just like to point out that I initially typed “zingage” instead of just ‘zing’, and it didn’t get a little red spellcheck underline…weird. Sitting here typing, I can tell you that “flavour”, “harshed”, and “chilli” all are spelled wrong according to the red lines underneath them, but “zingage”, as in what I imagine to be “possesses zing” is apparently a legit word? Weirdage!
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Title via: M.I.A’s very cool song Galang from her album Arular…gah I love this woman’s music. And also her dancing. Even if you start listening to Galang and feel like this scoop of spluttery, slangy excellence is not your thing, the constant dancing, graphic art, and colourful jackets in her music video are awesome (as is the harmonising towards the end).
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Music lately:

I bought Liz Callaway’s Passage of Time online recently and it took soooo long to arrive, finally landing on my desk last week. Have been thrashing it ever since. Youtube is painfully lacking in Liz Callaway tracks but here’s a recording of her singing Make Someone Happy/Something Wonderful from this album – devastatingly good stuff.

Speaking of devastatingly good, Neil Young’s Tonight’s The Night from the album of the same name. I heard a song from this album on the radio over the weekend and it reminded me how much I love this collection of songs. My favourite album of his, hands-down.

Still speaking of devastatingly good, check out the late, wonderful Lena Horne’s take on Rocky Racoon with the musical assistance of Gabor Szabo. Over on our blog 100s and 1000s, Tim and I shared our thoughts on some of the good Beatles covers out there, and Mum commented asking if anyone had every covered Rocky Racoon. Well here it is. And I only wish we’d found it sooner. Cheers Mum!
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Next time: Apart from wanting to slow down and make more old-timey casseroles, I’ve also had the urge to make some cookies but haven’t had the time or energy. When you don’t have the energy for cookies you know it’s time for some stern self-talk. Find the energy, Laura! Make the time!

it’s that orange blossom special

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I try to keep things relatively practical and user-friendly on here, but every now and then a recipe comes along which, even though I can’t really work out what I’d do with it, sounds so pretty that I just go ahead and make it anyway. Like them marshmallows. Really, if I want to cook something badly it’s pretty easy come up with some kind of justification, however dubious.

I found this recipe for Orange and Saffron Confit in the latest Dish magazine. I always thought confit was something submerged in fat for purposes of preservation and deliciousness, but this is basically slices of orange simmered in syrup. I guess it’s for the best, although you know I wouldn’t turn my back on orange slices in a jar of melted butter. It sounded like so much fun, and even though I didn’t really have any need for it in my life I really wanted to try it.

It’s pretty cheap to make, and even if you never, ever use them, the jar looks unbelievably pretty with its tangerine-bright layers of orange spooning in their glossy liquid.

Saffron is admittedly really expensive, and the reason I’m relaxed about using it is because I’ve received it as a Christmas or birthday present so many times (I looooove getting food as presents FYI) that I’ve got plenty I can use. If you don’t have saffron to hand I reckon this would be amazing with a vanilla pod or a couple of cinnamon sticks (for a very cheap option) as a replacement.

Orange and Saffron Confit

From Dish Magazine (the current one with the pumpkin on the cover)

  • 2 large seedless oranges (I used 3)
  • 3 1/2 cups water (just under a litre)
  • Pinch of saffron threads, or whatever substitution you’re using
  • 2 1/2 cups caster sugar (I used regular)

Trim the ends off the oranges. Cut into 1/2 cm thick slices and place in a wide saucepan with the water and saffron threads. Bring to just below boiling point, let it simmer away gently for about 20 minutes. Then sprinkle over your sugar and continue to cook gently for about 30 minutes, until the liquid has reduced a bit. Occasionally you could spoon some of the liquid over the oranges but don’t try stirring them or they’ll fall apart.

Let them cool in their syrup, then carefully transfer the slices to a clean jar or two and pour over the remaining syrup.

Warning: You and your benchtop will get covered in sugary syrup. There is no way of avoiding this. This is what I’ve learned in my travels around the kitchen, anyway.

It smells so good while it’s simmering away, and for very little effort you end up with soft, gleaming slices of intensely flavoured orange and a gorgeously golden syrup flecked with red saffron strands and fragrant with that grassy, saffron-y perfume.

In case you’re thinking “yeah nice, but now what?”, well apart from loudly admiring your handicraft whenever someone walks past, Dish suggests a few options for using this confit. These include decorating cakes, accompanying chocolate mousse, or serving over ice cream. For a while there I was thinking it would be fun to give someone you were only pretending to like a jar of this as a present, so you could imagine them fumbling round trying to (a) come up with a use for it and (b) act like they’re sophisticated and orange confit is something they understand and deal with on a daily basis. However there’s actually plenty of uses for this stuff. Today I decided to chop up a few slices to use in a fruit cake of Nigella Lawson’s – but this cake is amazing on its own so don’t feel that the first recipe here has to happen before you can do the following one.

And if you can’t be bothered making the orange slices to go with this, take comfort in the fact that even though they look pretty, they make slicing the loaf a total pain.

Fruit Tea Loaf

From Nigella Lawson’s very amazing Feast

  • 1 x 250ml cup black tea
  • 375g dried fruit (I used half dates, half sultanas)
  • 125g brown sugar
  • 250g plain flour
  • 1 teaspoon baking powder
  • 1/2 teaspoon baking soda
  • pinch ground cloves (I used cinnamon)
  • 1 egg
  • Optional: 3 slices of orange from the above confit recipe, roughly diced, plus extra slices for decorating.

Make the cup of black tea (I used English Breakfast) and pour it into a bowl with the dried fruit and sugar, stir well, then leave sitting overnight. I know, I’ve just told you that you can’t have this cake until tomorrow. If you’ve got a microwave, you can try blasting it in there for a little bit to speed up the absorption process, letting the fruit cool a little before doing the rest of the recipe.

Set your oven to 170 C, and line a loaf tin with baking paper. Beat the rest of the ingredients into the dried fruit (retaining the liquid) and then spoon the mixture into the loaf tin. Bake for around an hour or so. If you’ve got some orange confit kicking round, drape a few slices over the cake and spoon over a little syrup.

  

I can’t even emphasise with words (only by gesturing wildly with my hands) how easy and delicious this cake is. If you haven’t got much in the bank for baking fancy things, this is the cake for you – dried fruit like sultanas, dates and apricots are always cheap. There’s no butter in it and only one egg. But it comes out of the oven tasting like one of those special Christmas cakes which have had days of effort and paychecks going into them. It’s really moist and fruity and rich, and the orange slices lend a sunny zestiness. For all that people get up in arms about Nigella’s recipes which have lots of expensive ingredients in them, if you take the time to properly read her books there’s a complete goldmine of practical, cheap things to fill your stomach with. And come to think of it, this cake would make a genuinely lovely gift to someone, at any time of year.

I really hadn’t thought about what I’d do with the slices of orange as I start cutting into the loaf. Guess I’ll just have to try hacking them up as I go? Or maybe I could push them further and further back as I slice more off the loaf…but it looks pretty. Speaking of pretty, I am a bit in love with that plate of ours which (you can’t see because there’s a slice of cake on it) has a guy and a girl earnestly playing tennis. Picked it up for a dollar from an op shop in town. The joy I feel whenever I see it is dampened a bit by how old it makes me feel that I get worked up about really ugly plates.

Last night Tim and I went to an evening of Rogers and Hammerstein with the always-awesome NZ Symphony Orchestra and West End conductor Martin Yates, with songs performed by West End soloists Jacqui Scott and Andrew Halliday. It was a fantastic evening – Tim and I probably lowered the average age of punters by about forty years – but I will point out that the Michael Fowler centre is awful, with its semi-circular seating arrangement meaning that 40% of the audience can’t see a thing, and for the price they were making people pay, you’d think Kerry Ellis or even Elaine Paige herself were going to be there.

The NZSO were in good form, providing a lush, expansive amble through some of Rogers and Hammersteins best-loved musicals, and songs like Shall We Dance, Some Enchanted Evening, Oklahoma, Climb Every Mountain, and Soliloquy were performed through the evening. The two singers were fantastic – Halliday had a rich and smooth Gavin Creel-esque sound and Scott was blessed with a powerful soprano voice. Gotta say even as a hardcore musical theatre person the Oklahoma can sometimes be a bit much for me – all that talk of how “birds and frogs’ll sing altogether and the frogs’ll hop”. The darkness of Carousel is more my scene, and to their credit, without any costumes or scenery and only marginal context, the two singers were great at switching characters between songs. If anyone’s listening, an evening of Sondheim would be seriously awesome. I probably wouldn’t even complain about the price of seats.

Title via: Johnny Cash, who sung Orange Blossom Special at Folsom Prison and San Quentin prisons. There is some incredibly good footage on Youtube of him performing, if you’re ever sitting round wondering what to do with your time you could definitely do worse than entering his name into the search bar.

Music lately:

King Kapisi feat Mint Chicks, Superhuman – a seriously meaty collaboration between two of Aotearoa’s finest acts. I’ve been lucky enough to see both of them live (Mint Chicks at SFBH in 2006 and earlier this year, and King Kapisi at Pasifika Festival at Western Springs in 2000 or 2001, my memory fails me – anyone else remember?), hopefully there’s the opportunity for people to see them perform this song together at some stage.

Speaking of collaborations, still loving Nas and Damian ‘Jr Gong’ Marley’s diamond of an album, Distant Relatives. Truly. Find it.

Next time: I made Nigella’s Coca Cola chocolate cake today…will be blogging about it soon.

 

what if the octopus, the flounder and the cod think we’re rather odd

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I’ve said it before here, that despite living in a country both surrounded and infiltrated by water, Tim and I just don’t eat a lot of fish. It’s not like it is that hard to come by, we just…don’t. (Yeah, cool story, bro.)

But – hold on to your hats – sometimes we just do.
Last Sunday night I made ceviche, a dish where raw fish is cured – and ultimately cooked without heat – through the mystical magic of citrus juice. Nigella Lawson has this recipe in Nigella Express where you chop the fish up small so that it only takes about ten minutes for the juice to ‘cook’ it – like a photograph developing before your eyes. Nigella suggests serving it on rounds of toasted bread or with tortilla chips but not having either, I piled the cooked-but-raw fish on top of lettuce, with crisp celery, juicy tomato slices, and soft chunks of avocado.
We loved it. But if fish that doesn’t look like fish-fingers makes you nervous, well, this might not change your mind. But don’t feel bad – I love fish fingers, I’m sure we had them at least once or twice a week for dinner when I was growing up. They have their place.
Chopped Ceviche


250g skinless and boneless black cod or monkfish fillet (or any fish that suits being eaten raw – I used red cod, it was the cheapest.)
1/2 a teaspoon dried oregano
1 teaspoon Maldon sea salt or a small pinch table salt
80mls lime juice (I basically went with the juice of three limes, I don’t see this measurement as sacred)
3 spring onions, finely chopped
1 green chilli, deseeded and chopped (I used red)
Bunch of coriander, chopped

Chop the fish finely into tiny dice. Place it in a shallow wide dish (I used a silicon caketin) and sprinkle with the oregano and salt and pour over the lime juice. Leave for eight minutes, shaking the dish occasionally or moving the fish around gently with a spatula to make sure it’s all mixed in. The fish should go from pinkish and pearly to a definite opaque white. It must be fun to watch with something like salmon.

Drain the fish, and mix in the spring onions, chilli and coriander. Then you’re done!


So, you could serve these as Nigella suggests, on top of grilled bread or with tortilla chips. Or you could have it in a wrap, or make a superfresh salad like I did – for raw fish, it is surprisingly practical stuff.


As you can probably tell by the solitary sprig on top of the salad, our coriander plant is more ‘gasping’ than ‘flourishing’.
The fish is soft-textured and intensely flavoured by the lime. The zinging lime and creamy avocado cool down the hot chilli and the lettuce, I don’t know, makes it better for you and gives a bit of crunch. Is anyone out there passionate about lettuce? I could eat a bowlful of avocados but lettuce I’m neither here nor there on. It’s filler material, it tastes fine but there’s things I’d rather eat, like cheese on toast.
Anyway, this ceviche was so good that we made it again for dinner this week. It’s so fast and while the fish is busily morphing (or evolving, for you rogue Pokemon fans out there) you can busy yourself getting the accompaniments ready. It’s fresh and light, and while it would be perfect in the middle of summer, the heat of the chilli and the eye-opening flavours are just right in winter if you’re getting a little over stews and mash potato (hey, it happens.)
Hopefully this all makes sense, because I’m feeling a little weary. On Saturday we stayed up till 5am dancing, not something we do that often, but it was a fun night – it was our temporary flatmate’s birthday (our actual flatmate is on holiday in Canada) and as well as nestling into some haunts we already knew, we discovered some more, met some awesome people, and between Tim and myself, even found 80 cents on the ground (is that sad? If so: whatever.) We’re lucky in Wellington – if the agenda of the night is buying expensive yet tiny drinks, then at least there are plenty of exceptionally good-looking settings to do it in.
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Title via: Um, Bedknobs and Broomsticks. Actually, forget that “um.” This film is flawless. Angela Lansbury is one of the most bodacious babes on earth, and don’t think I’m trying to be ironic when I say that. She’s an awesome lady. You thought you liked the zero-gravity fight scene in Inception? Wait till you see Angela and David Tomlinson’s underwater dance in Beautiful Briny Sea. Now those are effects that are special.
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Music lately:
Tim and I have started re-watching The Wire from Season 1. Everyone talks about The Wire and how great it is and I have already plenty of times so I won’t add to that here. It has been described as “slow-moving” and “worth the effort” but in rewatching, it feels fast-paced, the roles and connections between each character are easier to remember, and hints of things that transpire later in the season are easier to pick up on. Which is probably not so comforting if you’re 25 minutes in thinking “wait, who’s the good guys here? Is this going to wrap up soon?” The theme tune is Tom Waits’ Way Down In The Hole, sung in the first season by The Blind Boys of Alabama. They know a thing or two about how to deliver a tune well – this is typically brilliant stuff from them. I like how the intro keeps you waiting a little longer than you’re used to.
Audra McDonald’s take on Gershwin’s Someone To Watch Over Me. (In a nice segue, McDonald totally resembles Wendy Grantham, who shines as Shardeen in Season 1 of The Wire) As well as being a fantastic actress, any song is lucky to be sung by her beautiful, beautiful soprano voice.
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Next time: I’ve been baking hardout this weekend so there’s plenty to choose from for next time. I realise there’s been some space between blog posts lately – will try to counteract that by following this one up a bit more snappily!

don’t dream it’s pavlova

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The New Zealand ‘identity’ has many characteristics to capitalise upon for advertising campaigns – how minimalistic we are as a people, how we generally don’t go into excessive details or facial expressions or go in for fancy things. I found myself thinking about this when I was given the opportunity to submit this blog post as part of a promotion for mega-cook and food hero Rick Stein’s impending visit to Aotearoa. The “ultimate New Zealand dish” was my brief, which is not something I feel authoritative enough to pinpoint down. But a pavlova immediately leapt to mind, and infuriatingly, so did all those ads.

On the one hand, it’s kind of amusing that we have this famous pudding which has appeared in recipe books and graced tables for years and years, but which is seriously a bit of a mission to make. Oh, us kiwis, being all casual about this complicated dessert! On the other hand I was annoyed with myself for buying into it all by having an advertising-fuelled self-deprecating chuckle. On the other hand, it made me wonder whether we are even all that relaxed and simple or whether it’s something advertising has constructed. On the other hand, marketing is hard, trying to get information to people in the spaces between the information they’re actually trying to absorb is a mission and a half, and I can’t help but salute any that winkle their way into everyday vernacular.

On the other hand, pavlova. Let’s not overthink it, eh?

Pavlova – made from egg whites, sugar, and a lot of air – isn’t overly straightforward, but if you’re careful and patient, it’s really no big deal. But importantly, it always looks like a big deal. Pavlova is one of those dishes over which arguments are dribbled back and forth between New Zealand and Australia about who thought it up originally. Fortunately the pavlova is unlikely to engage in the kind of reputation-smearing scandalous activity that prompts a flurry of “Australia can have him” responses from the public. While I’d like to think it’s ours, because I love ballet so much and it was named after the great ballerina Anna Pavlova, whose ethereal white tutu it supposedly represented, I’m not overly fussed. If Australia really does have claim to the first pav, so be it – I’m more charmed with the idea of dishes being created in honour of people at all. Maybe one day there will be a “Heavily Buttered Toast with Marmite and Melted Cheese, Microwaved a la Laura” in the same way that you get Peach Melba and stuff like that.

With all this in mind, I’ve adapted a Nigella Lawson recipe for my take on pavlova. Yes, Nigella Lawson the British non-New Zealander. If you want a plain pavlova recipe I’m sure you couldn’t do better than anything in the Edmonds cookbook or any other reliable local cookbook. My take on Nigella’s version of our usual, marshmallow-white creation is a darker, and (dare I say it in the same breath as the wholesome Edmonds cookbook) altogether sexier pavlova. Aren’t we always asking people, wide-eyed and hopeful, about what they think about New Zealand? Isn’t it a compliment to us that the mighty Nigella has so many pavlova recipes? Yes, our usual pavlova is covered in a thick layer of whipped cream and maybe a few slices of kiwifruit or spoonfuls of passionfruit seeds. These are both incredibly good options and my version – Chocolate, Tamarillo, and Pistachio Pavlova with Coconut Cream – is just another option, rather than any kind of attempt to kick the original white pav.

Chocolate, Tamarillo and Pistachio Pavlova with Coconut Cream

Based on the Chocolate Raspberry Pavlova (also excellent!) from Nigella Lawson’s Forever Summer.
6 egg whites
300g caster sugar
50g good cocoa (I use Fair Trade or Equagold)
1 tsp balsamic or red wine vinegar

6 tamarillos
2 tablespoons brown sugar
150g dark chocolate (I used Whittakers – made in Wellington!)
100g shelled pistachios
1 can coconut cream

Set oven to 180 C. Whip up the egg whites till satiny peaks form, then continue to beat them while adding the sugar a tiny bit at a time. Maybe get a buddy to help with this bit. Once the sugar is all added the mixture should be thick, shiny and stiff. Sift in the cocoa and sprinkle over the vinegar, folding in carefully. Spread mixture into a 23cm circle on a baking paper lined tray. Immediately turn down oven to 150 C and leave for about an hour. Once done, turn oven off and leave pav to cool completely.

While the pav is baking, scoop out the seeds and flesh of the tamarillo, tip into a small bowl and sprinkle over the brown sugar, allowing it to dissolve. Swipe a sharp knife through the flesh if the seeds aren’t loose enough – you want a loose, chunky mixture as opposed to large, separate pieces. I hope that makes sense. Melt the dark chocolate and drizzle spoonfuls generously, Jackson Pollock-styles across the pav. You don’t have to use the whole lot, but don’t let me hold you back. Spoon the tamarillo seeds, flesh and juice evenly over the top and finally sprinkle thickly with pistachios. Serve in wedges with a spoonful of coconut cream on the side.

Serves 6 or so.
Something I should probably point out is that I completely forgot to turn on the oven before making this, so the beaten egg whites sat around for a considerable amount of time before getting any kind of blast of heat. This, plus the fact that I made this using a whisk instead of any kind of electric equipment, may explain the overwhelming flatness of the finished product. Still, 6 egg whites were not going to be used in vain, and with a certain pioneering spirit (and very sore upper arms from whisking the egg whites) I carried on. I’d sent a txt to our good friend and ex-flatmate Ange, saying that for reasons too complex to explain in 160 characters I had to make a pav and would she like to help us eat it? Luckily she did, or I might have eaten the whole enormous flat mess while curled up on the floor – what pavlova? I never made a pavlova!

I really did this whole thing on the fly – running round Moore Wilson’s and looking at what was in season without a clear picture of what I wanted the end result to be apart from “damn amazing”. For a few dire moments it looked like the pavlova would have to be topped with mashed swede or something until Tim pointed out the tamarillos, dark red and rounded fruit encasing sharp, juicy flesh and seeds. My mind began to move remarkably fast, and I mentally paired the fruit with dark Whittakers chocolate and maybe some kind of nut for interest’s sake. Pistachios, green and gorgeous, presented themselves once I got to the baking goods shelf and all of a sudden it started to make sense.

This pavlova replaces the dairy of our robust industry for a large spoonful of coconut cream. It’s a nod to our place in the Pacific and also makes it accessible to those who can’t actually eat dairy. Between the hastily assembled concept, forgetting to turn the oven on, the fact that the kitchen and myself were starting to be covered in chocolate, and the visitors turning up to eat it, I was starting to get a bit nervous about how it would actually taste after all that.

Friends – fellow New Zealanders – it was flipping excellent. What the pavlova lacked in, shall we say, body, it made up for in fudgy cocoa-y depth, with that familiarly crisp surface which dissolved alluringly on the tongue. The tamarillos were juicily sharp and fragrant, contrasting with the dark, rich cocoa taste of the melted Whittakers chocolate, the soft, buttery pistachios, and the mellow coconut cream seeping into each slice. We ate slice after slice (once I’d taken an excessively long time photographing it, of course) and then my flatmate and his friends came home and they had some too. Then Ange’s boyfriend came over and ate some. It was a big pavlova but its lifespan was barely hours.

Is this New Zealand’s ultimate dish? Oh, who could say. Put it next to a roast lamb or a fresh crayfish and it might seem far too fussy and “not us” and downright excessive. It is, however, an example of what you can do with one of our best dishes. It’s a new take on a gorgeous original. Yes, we may be told repeatedly that we are short on emotion and expression but don’t let this hold you back from enjoying something magically delicious, Aotearoa.

For more info on Rick Stein’s New Zealand tour, give this site a look.

Two very cool things happened this week. One: I met Ray McVinnie. RAY MCVINNIE! Some know him as a judge on NZ Masterchef but I’ve been reading his Quick Smart column in Cuisine magazine hard for years and years now. Yes, he’s more of a niche celebrity than a complete household name but he’s easily my favourite NZ foodwriter and every single one of his columns is a diamond. If you don’t know who he is, try to think of your favourite local celebrity who seems accessible enough in status but also roughly the awesomest in their chosen field, and imagine you got to meet them. McVinnie was at the recent Visa Wellington on a Plate launch that I was lucky enough to attend and along with two other Wellington food bloggers at the event, I just kind of prodded him on the shoulder, and said “hello, I’m Laura, I’m a food blogger, I’m a really big fan of your writing.” We all introduced ourselves and even got a brief conversation out of him – “Keep writing about food,” he said (oh how I will!) and also he said something about food being the glue that holds society together, I can’t remember specifically what it was but I remember agreeing with it. No lie, I grinned all the way home (sorry to any passers-by), got in the door and did a high-kick of happiness. By the way, the Visa Wellington on a Plate sounds well exciting, all those set lunch menus at all the fancy restaurants is making me happy just thinking about it. For more info check out their website!

Then on Saturday, I had a seriously cool lunch at Duke Carvell’s with a whole bunch of Wellington-based food bloggers, including the aforementioned ladies of Gusty Gourmet who I met Ray McVinnie with. (Ray McVinnie! Okay I’ll stop talking about it now.) Everyone was super lovely, and just plain super, really, and it was fun learning about peoples’ stories and what made them start writing, and who the person is behind the blog name. It was a good feeling, being amongst other people who love food and love writing about it, and who all live in Wellington. Blogger solidarity!
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Title via: Crowded House…maybe I should feel slightly apologetic about this one, oh sure it’s a sharp-inward-drawing-of-breath-through-clenched-teeth-edly bad pun, but the way those opening chords teeter as if being plucked on the strings of a fully functioning heart instead of a guitar…I’m really not sorry at all.
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Music lately:

New Edition’s Something About You, from their 1996 reunion album Home Again. Those moves! It has been years and years since I’ve heard this song but I saw a tweet on Twitter mentioning 90s music and instantly thought of this. I used to love it and I don’t know if it’s just because I’m not really keeping an ear to the R’n’B ground these days but it feels like they don’t make ’em like this anymore. (Poetically, fishpond.co.nz offers this album on cassette, before informing you that it’s “currently unavailable”…no kidding.)

Meadowlark, a song from the musical The Baker’s Wife, sung by Liz Callaway. I’m a bit obsessed with Liz Callaway at the moment, I’ve enjoyed her singing for a while but recently it’s hit me just how intensely amazing she is. In a joyful coincidence, one of the songs she’s most famous for is something I’m also obsessed with right now. I’ll be trying to articulate this better on 100s and 1000s soon…
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Next time: It has been real pie-making weather out there lately…I have pie on the brain. When it’s this cold all I really want to do is read Nigella’s How To Be A Domestic Goddess, and then cook everything from it.

gunpowder gelatine, dynamite with a laser beam

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Okay: I didn’t win the blog category of that CLEO/Wonder Woman thing. In hindsight, I already knew this, but for a while there it felt like everyone in the world was voting for me and we’d all linked hands and started a wild mazurka of joy, spiralling with love for this blog and each other. And then I opened the July issue in a 24-hour convenience store at lunch today with Tim and the mazurka ceased, and David Dallas’ Big Time ended its chorus in my mind. (What’s a mazurka? You ask? Only one of the coolest folk dances ever, as this video confirms.) BUT as I’ve said previously, this has been a fun wave to flutterboard across and it was lovely being unexpectedly nominated, and of course, I’d like to extend a giant chocolate cake with “congratulations” piped across the top in icing to the actual winners at So Much To Tell You. I’m sure we all wanted this in equal amounts! I just felt particularly wanty, and this kind of obliterated any idea that anyone else could want it more and I wouldn’t win. But it’s okay. It was fun to be nominated. And to raise awareness of my desire to own a capybara. And a mightily enormous thanks to everyone that emailed in and voted for me: it means a lot! I don’t bust out folk-dancing imagery for just any old situation.

So.


Of powdered gelatine, Nigella Lawson authoritatively sneers “God knows how anyone can make that work…leaf gelatine is the answer“.  In some ways, Nigella is right – leaf gelatine is much more reliable and easier to use, and very pretty. But if a packet of Davis powdered gelatine hadn’t been sighing unwantedly in my cupboard, I would not have been able to make Moonshine Biffs: then what?

My Mum gave me her old copy of the Edmonds Cookery Book, the 1971 edition I believe. It’s the sort of thing you don’t want to buy new, you want to be given it or find an old copy somewhere…I read once about how young people are able to have nostalgia for things they never knew – for things that their parents or even their grandparents experienced. Or even nostalgia for things that someone’s parents and grandparents might have experienced (ie: the 60s), which, if any of that makes sense, could explain why I get a feeling of warm safeness inside when I turn the pages of this book and read curtly delivered recipes for spiced rock cakes or Dolly Varden Cake even though I never, ever ate them growing up.

As I was leafing through the pages I discovered the recipe for Moonshine Biffs and decided whatever the heck they even were, I was going to make them for their name alone (for the same reason I’m no good to play Scrabble with because I’d rather make silly words than gain points…and I get really impatient waiting for people to have their turn…And also I’m pretty sure I don’t really like Scrabble.) I thought they’d be like marshmallows but they are in fact, better yet, essentially Milk Bottle lollies in square format.

Moonshine Biffs

From the Edmonds Cookery Book.

  • 3 dessertspoons Gelatine (I used a regular, stuff-eating spoon, the kind you’ll find in the spoon compartment in your cutlery draw, you know…spoon.)
  • 1 breakfastcup sugar (I used just under a 250ml measuring cup)
  • 1/2 pint water (A heaped measuring cup) (psych! You can’t heap water)
  • 1/2 pound icing sugar (250g)
  • coconut
  • vanilla
  • Place gelatine, water and regular sugar in a saucepan and boil for eight minutes. This was a little scary, but because the Edmonds Cookery Book is always pretty vague, to put an instruction in italics made me want to follow it. That said, if you suspect your stove-top generates a significantly hotter heat than what they had in the 70s then go slow and boil a little less.
  • Add the icing sugar and vanilla (I had some vanilla paste, proper extract would be fine, you could, I suppose, go era-specific and use essence) and beat until thick and white – I used a silicon whisk and nearly fainted from the exertion, you’re welcome to use electric beaters or whatever.
  • Pour into a wet tin – again, silicon makes life easier here, otherwise use baking paper to line the tin – and leave to set for a couple of hours. It doesn’t matter if it won’t fill the tin – it’s not a huge mixture and just stops and sets where it is. Slice up, toss in coconut. FYI, mine set very smooth and coconut wouldn’t stick to one side of it. Edmonds didn’t prepare me for that but I was chill.

As I said, these really do taste like Milk Bottles – chewy, a little creamy, very sweet. But good – so good. And they cost around 30 cents and a little arm-work to make. If your kids/flatmates aren’t snobs about what shape their lollies come in, try them on a rainy weekend and see if you don’t feel awesome about yourself and the world once you have a pile of them sitting on a plate in front of you.

On a gelatine rampage, I couldn’t help trying something else further down the page: Toasted Honey Marshmallows. Significantly more sophisticated, these intensely honeyed, soft sweets would be perfect after a spicy dinner or alongside liqueurs and truffles instead of pudding. There’s no getting around the fact that gelatine is not vegetarian, and is no less made of animal than if steak was the main ingredient of marshmallows, so if you are thinking of making either of these maybe check with your meat-shunning mates what their limits are.

Toasted Honey Marshmallows

Also from the Edmonds Cookery Book.

Soak 1 level tablespoon gelatine in 1/4 breakfastcup cold water in a metal bowl for 3 minutes. Dissolve over hot water, by sitting the metal bowl on top of a small pot of simmering water. Tip in 1 breakfastcup liquid honey. Beat with egg beater (or whatever you have – again, I derangedly used a whisk) until fluffy and white – about ten minutes. Turn into a wet shallow tin (again, silicon is best here) and leave 24 hours. Cut into squares carefully with a sharp knife and roll in toasted coconut.

Yes, you have to wait for ages which is why these are less child-friendly, but as I said the flavours and textures that unfolded from such minimal ingredients were incredible. The taste of honey suspended within impossibly soft marshmallows against the damp, nutty and textured coconut was amazing.

Title comes to you via: Queen’s Killer Queen…I know they’re not that cool, well neither am I. There’s a lot of Queen I’m not keen on, luckily this song isn’t in that list because I’m yet to see a better lyric about a setting agent.

Music lately:

Fats Domino’s Ain’t That A Shame…the way the chugging opening melody slides into the titular question really does somehow convey a sense of something being a shame, besides that, it’s a great, great song and I love Youtube for making all this old footage available.

Julia Murney singing People from the musical Funny Girl…I guess I do mention her more than occasionally but friends: this woman is amazing. The bad thing about being a Julia Murney fan is that while she performs a lot she’s relatively below the radar and will never come to New Zealand and I’ll never get to see her in New York, the good thing about being a Julia Murney fan is that she performs a lot of fabulous songs at benefits and concerts and they often find their way to Youtube.

under the leaves of that old lime tree

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Achtung: I’m STILL hyping myself up about being nominated for CLEO magazine/Palmolive Wonder Woman (Read more about it here.) There’s still time to help out – just email cleo@acpmagazines.co.nz with WONDER WOMAN in the subject line and “voting for Blogger: Laura Vincent” in the body of the email. (FYI – you can only vote once) I should change my name to humbleandfrozen because of how nice so many people have been about this – whether or not I get anywhere, it has still been a fun wave to flutterboard on.



As I mentioned last time, Mum sent me a large box of gorgeously green limes. I hadn’t really done much more than sniff them luxuriantly, and throw a glossy wedge into the occasional glass of vodka and soda water. Until tonight, when I made this incredibly fantastic dressing from Nigella Lawson’s Forever Summer.


This recipe harnesses the power of one. whole. lime.

Lime Dressing


1 bunch (approx 125g) fresh coriander, or mint, or a mixture of the two
1 clove garlic, peeled
1-2 tablespoons fish sauce (you could make this vegan by using soy sauce)
1/2 a teaspoon sugar
1 green chilli, deseeded (optional)
1 lime
6 tablespoons rice bran oil

Cut the top nubby end off the lime, sit the now-flat end on a chopping board, and carefully slice off all the skin and pith. Cut off the other end, halve the now-peeled lime and flick out any seeds with a knife. Mine luckily didn’t seem to have any seeds. Throw the lime, and any juice that has collected, into a food processor with everything else except the oil. Blitz to a paste, pouring in the oil as you go. By the way, I only used half the oil because even for me that felt like a lot, but then if you were serving more people, you might want to keep the original quantities or even boost them, along with the rest of the ingredients.


This dressing is just perfect – sharp and full of lime, fragrant with coriander, deliciously salty, but not in the slightest bit oily. I could have drunk the stuff. Once I finished dinner, I not only licked the plate, I also ran a spatula around the inside of the food processor and licked that, and then finally – I’m sorry – ran my finger along the processor blade, picking up the excess dressing clinging to its slicey edges, and licked that too.

In Forever Summer, Nigella pairs this dressing in a salad draped with fried squid rings, and lovely as that sounds I didn’t have any of the ingredients. I took the liberty of pouring the dressing over a pile of flat rice noodles, carrot slices and soybeans, with a final sprinkle of black sesame seeds (Handy tip: don’t go pouring them over someone else’s plate while saying “Look! Ants!”) It might not sound like much of a dinner, to the point of barely even existing (when carrot slices are part of the main thrust of your meal it’s probably time to do some more groceries) but think again. The dressing soaked into the soft, silky noodles. The buttery, nutty soybeans contrasted marvelously with the sharp lime in the dressing. The sesame seeds provided a little crunch. The carrots…well, they were there too. But altogether it was damn special stuff. By the way, I recommend Forever Summer hard – it’s full of some of Nigella’s most inventive-yet-classic, beautiful food, and an amazing and inspiring ice cream chapter.

I had a couple of days off in lieu which was pretty amazingly blissful – not having an alarm clock in the morning was a nice feeling. All the good sleeping patterns were undone on Tuesday night however as we stayed up to watch the All Whites’ first game at the FIFA World Cup against Slovakia in South Africa, beginning 11:30pm our time. As if we were ever going to miss it – it was a thrillifying match, with Winston Reid’s equalising goal in the 93rd minute causing a complete rush of intense happiness to all of us watching. To be beaten at the World Cup is no disgrace, considering the eye-watering level of talent present, and considering New Zealand hasn’t been there in 28 years. But to draw against a team that’s miles ahead of us in the table – that was special. While what I know about sports could fit on one side of a black sesame seed, I can’t wait to see our next match against Italy – they’re one of the best teams in the world, so to simply prevent them scoring, or lose by a small margin is still some kind of victory. Although we might win…that’s what’s exciting about it, that we just could win a game. Pity the official All Whites scarves aren’t longer though – not very practical in windy Wellington to have something that doesn’t wind round the neck several times.
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Title via: Bright Eyes’ Lime Tree from his 2007 album Cassadaga. There’s only so many winsome male singer-songwriters I really ever need to listen to, but ol’ Bright Eyes makes the cut easily with his earnest, swoonsome songs. There’s something about the music behind this track that makes it sound like it could run over the opening credits of some 1930s film involving wide American plains and several scenes in a charming general store, which is more than enough reason to love it in my opinion.
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Music lately:

XXXO, MIA’s new single. I’ve long been a fan of MIA and new music from her is always greeted eagerly. It amuses me to read pearl-clutching comments on youtube (not that reading youtube comments is ever a good use of time) about how “mainstream” this sounds. I personally thought this song couldn’t be any less mainstream if it tried, but whatever. It always amazes me how MIA manages to be more or less what you’d call pop, but also a million miles removed from everyone else out there doing it. The chorus reminds me of all the best bits of those Real McCoy songs I used to adore. Can’t wait till she drops the album.

Connection by Elastica, from their self-titled album. I love gurgly opening riff and wish I could deliver anything as breezily as Justine Frischmann sings those lyrics.

Raul Esparza’s knee-wobblingly good cover of The Man That Got Away. Every particle of that man is filled with vocal talent. He needs a solo album, and fast!
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Next time: Well, I still have this box filled with limes…don’t think I’m done just yet.