Category: Vegan Mains and Dinners

Oven-baked Pearl Couscous with Pumpkin, Sundried Tomatoes, and Feta

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For someone whose music and movie consumption is almost entirely dominated by the increasingly distant past (as a quick scan through the “music lately” section of these blog posts and my Letterboxd diary will corroborate) I am not particularly nostalgic nor am I interested in dwelling on the past. As Logan Roy succinctly stated: it’s just there’s so much of it. However, nothing makes me quite so heart-wrenchingly, Dorothy-watching-the-Wizard-fly-off-in-a-balloon desolate for days gone by as being unable to truly, accurately re-experience the key food product moments of my childhood. Squiggles biscuits aren’t the same, cheap chocolate tastes cheaper but costs more, the sweet, pillowy, sesame-studded special occasion treat that was Country Split bread disappeared into the ether, and Kango biscuits, Boomys and Fruju Tropical Snow were cruelly discontinued. The jury is still out on mock cream buns and Vienettas but while the odds aren’t positive, I’ll keep an open mind. And, perhaps most egregious of all, Wattie’s did something capricious and unforgivable to their canned spaghetti — a staple childhood food group for me, frequently cold, straight from the tin — and now their pasta has no structural integrity and their sauce tastes dim and milquetoast.

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Truffle Mushroom Pasta with Gremolata

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As a food writer, truffle oil — the closest I’m getting to that elusive mushroom these days — poses an engaging challenge for my powers of description. Can I get away with saying it has notes of armpit, if said armpit belonged to someone wildly attractive? Can something smell silky? If I say it tastes like running your fingers through the cool, mossy detritus on a forest floor while holding a roasted bulb of garlic in your mouth — without chewing! — will that make sense? That it tastes like being proposed to by a crackling fire in an alpine lodge that’s been in your family for generations?

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Green Pesto Risotto

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Consider comfort: it’s as much in the mind as it is in the practical application, and what one person finds calming another will shudder at. Ascribing such properties to objects, tasks, sounds, textures, is what makes the world go round and for me, a scholar of Nigella Lawson, I have ended up with a kind of Pavlov’s Comforted Dog reaction to risotto through the frequent reading and re-reading of her cookbooks. The way Nigella writes about this dish and the reassuring joys of both making and eating it has staunchly solidified risotto’s place in my mind as a thing that comforts, and making risotto means It’s Comfort Time, there’s rain on the roof of my soul and a fire crackling in my heart and every fabric touching me is warm and soft. Presumably, if she’d spoken this way about, say, pancakes or steak tartare, that’s how I’d feel about those foods instead, but risotto speaks for itself — the repetitive, methodical stirring, the grains swelling under your spoon like a time-lapse video that hasn’t been sped up yet, the bowl-and-spoon homeliness of the finished dish, the acquiescent rice barely requiring any chewing from you.

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Pickled Fried Cauliflower and Marinated Tofu Salad with Creamy Herb Dressing

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What’s in a recipe title? Whether or not it’s obvious (or indeed, warranted) I cogitate over the titles of my recipes with all the eleventh-hour fervency of Tom Wambsgans and Cousin Greg resolving the “We Hear For You” slogan in Succession, analysing my titles in terms of vibe, aesthetic, syntax, proximity, logical and lexical semantics, global political temperature, whether or not it’s stupider than something Tom and Greg would come up with, and uh, actual accuracy. In the case of today’s Pickled Fried Cauliflower and Marinated Tofu Salad with Creamy Herb Dressing the adjectives and nouns were weaving in and out and around like a high-spirited Jane Austen heroine at a Regency ball. I finally settled on the current iteration but need to include the caveat that nothing here is literally long-term preserved, there’s just pickle brine involved and so the cauliflower is experiencing being pickled in the same way that a TV character might use their surname as a verb and proclaim “you just got [surname]-ed” at another unsuspecting character. The tofu is definitely marinated, though! No vagaries there.

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Tomato and Bread Soup with Fried Carrot Pesto

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One good thing I’ll say about the state of the world right now is that both Yellowjackets and Succession are back with new seasons and the specific effect these shows have on my serotonin levels is indubitably making up for me not receiving serotonin from any other sources. Both are tales of survival and its often gruesome ramifications except the former involves teen girls facing cannibalism in the Canadian wilderness and the latter concerns New York billionaires attending board meetings; both shows are weighing so overwhelmingly on my brain that while in the supermarket shopping for soup ingredients — and being inexplicably unable to locate a single mossy leaf of basil and so pivoting on the spot to flat-leaf parsley — I couldn’t help but congratulate myself for how well I would cope in both the wilderness and in the thrust and parry of the obtuse world of business with such a nimble demonstration of initiative and quick thinking.

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creamy gochujang tomato pasta

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While I’m generally a little suspicious about the baseless seduction of nostalgia and our collective memories being strip-mined and sold back to us in a way that amounts to little more than jingling keys in front of a baby to distract it; I’ve nonetheless found myself sighing nostalgically for the early days of Instagram, where you’d merrily and heedlessly post grainy, filtered photos of a coffee cup or the clouds and it wasn’t an ad-clogged video platform with all the ambience of an abandoned shopping mall. But though Instagram is dimly lit by sputtering fluorescent lightbulbs and there’s a persistent sound of dripping water, there is still joy and inspiration to be found within its murky aisles: specifically, the Creamy Gochujang Tomato Pasta that Bettina Makalintal posted on her fantastic crispyegg420 account. I saw it, I wanted to make it, I made it, it was delicious, and now I’ve begrudgingly said one nice thing about Instagram as a result.

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One-pan Fried Chickpeas, Rice, and Greens

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You know that phrase along the lines of if I’d had more time I’d have written a shorter letter, apocryphally attributed to Mark Twain but originating with Pascal? It springs to mind, somewhat tenuously, as I try to convince you of this recipe’s simplicity while firing off absolute paragraphs upon paragraphs of instructions — though as a votary of the School of Nigella, I am defiantly defensive of a wordy recipe. (And speaking of attribution, interesting how recency bias and perhaps incuriosity — but also being only human! — lead us to bestow the invention of a recipe to whoever the last person was that we saw making it, much as the glory for this phrase is usually thrown towards Twain. As an ambitious writer I can only but dream of such easy valour!)

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chilled cannellini bean soup with basil spinach oil

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I absolutely did not intend to leave it so long between blog posts, but the circumstances which were in the process of changing dramatically around the time of my last post have now come to fruition, in fact I’d currently describe myself as kind of circumstance-less, and while all of it was out of my control, and has utterly derailed my plans for this blog and also literally everything else in my life, I can only wallow for so long and eventually have to attempt to flourish within my new non-circumstances. (If this sounds irritatingly cryptic it’s because I can’t speak too freely about the old circumstances till the new ones are secured, you know?) The wallowing is important! But it’s also important to be reluctantly practical.

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Chickpeas Diabolique

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We are truly working overtime down in the Just Gotta Get Through This Week salt mines this year (where we spend all day txting each other “just gotta get through this week”), though if the inexorable passage of time has taught me anything it’s that the universe or fate or whatever force is responsible for all this does not care that you’ve made it through this week/month/year! All of which is to say, the external stresses in my life are really externally stressing me this week, and so I’m reproducing a recipe some of you will have seen already last year in the small but mighty island nation that is my Patreon; but in this economy, I’m saying outfit repeating is not only cool, it’s the responsible choice.

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Joking about being a thesis replicant has rather backfired on me since upon reflection an actual replicant would be much better equipped to deal with trials and tribulations than I am; at the very least a replicant wouldn’t suffer pain in their thoracic spinal region from slumping over a laptop like a collapsed circus tent for eleven hours at a time in the library. But I can report one thing that is literally good: on Friday, I handed in my thesis (roughly 80k words all up, and on time!). Despite, if not because of everything else going on, I am very proud of myself, grateful to those who supported me along the way this year, and relieved to be typing again without the watchful chaperone of APA 7 referencing guidelines. This recipe for chickpeas diabolique is just the sort of barely-laborious cooking you can do when you’re half-conscious at best, and its rip-roaring red-orange hue reminiscent of molten red devil marbles, and surprisingly feisty cayenne heat will help make you feel full-awake.

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This is my reworking of a Belgian scampi recipe; the chickpeas are not in the slightest bit intended to be a 1:1 analogue for seafood, it’s more that I thought this sauce and preparation would suit the legumes keenly, and I was correct. In fact, this is possibly my favourite chickpea recipe ever — so far — as much for its speed and ease as its dramatically delicious results from such a simple list of ingredients. Something remarkable, flavour-wise, happens somewhere between the tomato paste sizzling and caramelising and the vermouth hitting the hot pan and rising up again like a magician’s puff of smoke, and it tastes like you’ve done an awful lot more than you really have. It’s sticky, it’s messy, it’s rich and decadent but rustic and unpretentious, and it tastes amazing.

@hungryandfrozen

chickpeas diabolique, probably my favourite chickpeas of all? recipe at hungryandfrozen dot com 🤠 #chickpeas #vegan #cookingvideo #fyp

♬ The Dark Of The Matinée – Franz Ferdinand

Serving the chickpeas with bread to swipe at the lurid, lycopene-rich sauce makes sense, as does serving the dish as part of a table of mezze or small plates, and it goes without saying — but nonetheless, for the record — this would be wonderful stirred through pasta. I’d choose a ridged shape, to catch the sauce; I do like the idea of pappardelle with this, like a playground slide for the chickpeas, but something with more structural integrity would probably be a better choice, like bucatini or fettuccini. Any leftovers (I ate about 75% of what was in the enamel dish in the photos and refrigerated the rest) are strangely good cold, but probably best kept as a solo snack unless reheating. I still very much just gotta get through this week, but this recipe is another tick in the somewhat lonely “literally good” column, and will long continue to be.

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Chickpeas Diabolique

Easy, fast, messily delicious, and with very few perishable ingredients you can keep the means to make it at any time safely in your pantry. Recipe by myself, but adapted from and inspired by the Belgian dish, Scampi Diabolique.

  • 1 onion
  • 2 cloves of garlic
  • olive oil, for frying — a couple tablespoons
  • 1 x 400g tin of chickpeas, drained
  • 1/4 cup tomato paste, heaped is fine
  • 1 teaspoon smoked paprika
  • a pinch of cayenne pepper, or to taste
  • 1/2 cup dry white vermouth (or dry white wine or dry sherry)
  • 1-2 generously heaped tablespoons vegan aioli, plain vegan yoghurt, or anything else rich and creamy — even hummus or thick coconut cream
  • salt and pepper, to taste

1: Finely dice the onion and garlic cloves. Heat a couple tablespoons of olive oil in a wide frying pan and gently fry both alliums over a low heat till soft but not browned. Tip in the chickpeas, stirring to warm them through, along with the teaspoon of smoked paprika and pinch of cayenne.

2: Turn up the heat and stir in the 1/4 cup tomato paste, continuing to stir to let the tomato paste coat the chickpeas and get stickily caramelised in the heat.

3: After a minute or so of this, pour in the 1/2 cup dry vermouth, which will hit the pan with an enthusiastic hiss, and stir it in, along with the tablespoon or two (and I lean towards two), of aioli. Let this warm through, still stirring, then remove from the heat. Season and taste, add a splash of water to make it saucier if need be (or, indeed, more vermouth), and serve.

Serves one as a hearty snack, or two with accompaniments. Could stretch to three if stirred through pasta.

Notes:
I assume confidently that the “diabolique” part of the name refers to the heat of the cayenne. If you’re serving this to kids, perhaps leave it out, but up to you — the dish is more punchy than truly spicy, but cayenne gets exponentially hotter pretty quick so if whoever’s eating it is not spice-confident, add with caution.

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music lately:

Out Here On My Own by Irene Cara, another shining star extinguished by this cruel year. I can’t begin to describe what the film Fame means to me, nor shall I try, so instead let’s just celebrate her singular talent — that delicate yet raw, gorgeously emotive voice, that vivid, vulnerable screen presence — in this, one of the most beautiful and perfect ballads of all time. If you feel like wallowing then you might follow it up with I Sing The Body Electric, an unhinged and extraordinarily joyous song that never lets you guess its next move, and which is often unfairly left out of the rightful praise heaped upon this film’s soundtrack.

Dragnalus by Unwound, seems like only yesterday I was recommending my little brother music to blow his mind and now he recommends me music because I am old and set in my ways and only listen to the same seven tracks over and over. Fortunately, this is music recommendation catnip for me: it’s old enough to rent a car, it’s obscure enough that I missed it first time around, and it sounds like angry chickpea tin cans fighting in the bottom of a council skip.

Nobody by Keith Sweat feat. Athena Cage. Even when playing over the speakers of the Chemist Warehouse, with its fluorescent lighting and narrow aisles closing in on you, surely the least amenable and most incongruent environment to hear this song, still a seductive slow-dance air pervaded between those disorientingly jammed shelves.

PS: If you like my writing and wish to support me directly, there’s no better way than by stepping behind the claret velvet VIP curtain of my Patreon. Recipes, reviews, poetry, updates, secrets, stories, all yours every month. There’s no better time than right now — your support helps me to make all these blog posts!

Tomato, Bread, and Olive Hash

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Each bracketed stretch of 365 days is unusual and burdensome in their own uniquely spiced way, but 2022 really does have more infinitely nihilistic, all-bets-are-off flavour than most. What is it this time, you ask? Well, I finally got Covid, and for nine days was pinned to my bed with all the force of a brick hurled into a paddling pool. On the upside I retained my sense of smell and taste, on the downside — brain fog. I feel so stupid, and not in the usual administrative ways that I’m used to. Unfortunately I’ve tied my entire personality and sense of self and worth into various acts of writing and it’s no fun having that gigantic part of my life become an arduous struggle, and I apologise if this is evident in today’s blog post. On the whole I’m grateful I got Covid when I did (post-vaccinations), am very grateful that I was taken care of, and I know my experience is comparatively tame, but still: 0/5 stars, would not recommend.

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So it’ll be no surprise that I’m coming back with a purposefully simple recipe, this Tomato, Bread, and Olive Hash — I mean, just the word hash lets you know that there’s little visual or structural expectations at play here — three main ingredients, a little frying, that’s all there is to it. This recipe is more or less the same as Nigella Lawson’s in her book At My Table, but I’ve added olives coated in flour for a little extra encrispening (although you could skip this step if you’re impatient) and while I wouldn’t expect to pay forty dollars for a plate of this at a restaurant, its pastoral unfiddliness is reassuring, and a comfort both to regard and to eat.

@hungryandfrozen

Tomato, Bread, and Olive Hash, recipe at hungryandfrozen dot com 🤠 #vegan #recipes #cooking #olives #foodblog #foodblog

♬ It’s All Over Now Baby Blue – Marianne Faithfull

Simple it may be, but not bland: the tomatoes, just bursting and collapsing in the heat, soak into the oil-crisped cubes of bread, the almost meaty (almost, let’s not get carried away here) olives unite the tomatoes and bread with their briny salinity. I left out Nigella’s specified shallot and let the chives do the talking, allium-wise, and added the rosemary simply because I had some from Mum’s garden, but its earthy richness is always welcome. Something in the textural state of flux makes every mouthful of hash a thrill (specifically, will this piece of bread be crunchy or soggy?) and making, eating, and now writing about it makes me feel closer to being myself again.

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In happier news, hungryandfrozen.com is fifteen years old today! Having squandered all my brainpower on the preceding paragraphs I’ve got nothing clever to say about this momentous occasion, and wish I had the energy or resources to do something celebratory, but when it comes down to it I’m glad I started my blog and I’m glad it’s still here and to everyone who has ever taken time out of their day to read it: thank you.

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Tomato, Bread, and Olive Hash

Simple, comforting, easy, beautiful. Feel free to glance at the quantities specified and then just use as much of any ingredient as you want; if you add more tomatoes it will be more tomato-y, and so on: you really can’t go wrong. Adapted from a recipe in At My Table by Nigella Lawson.

  • 1/3 a crusty baguette, or one to two good-sized ciabatta or sourdough buns, depending on appetite
  • 70g pitted green olives
  • 2 tablespoons flour
  • 2 large, ripe tomatoes
  • 4 tablespoons extra virgin olive oil
  • 1 tablespoon chives, snipped
  • the leaves from one stem of rosemary
  • salt and pepper, to taste

1: Slice the bread into rough cubes and chunks (about an inch an a half in length, but it doesn’t matter) and set aside. Briefly chop the olives so that some are left whole and others are in bits, and toss with the two tablespoons of flour in a small bowl. Finally, dice your tomato into pieces about the same size as the bread cubes.

2: Heat the olive oil in a wide frying pan and once it’s good and warm, tip in the bread cubes and let them sizzle away until golden and crisp and crouton-y. This requires patience but vigilance, as the cubes will first appear to be doing nothing and then they’ll rapidly toast up all at once, so be ready with the tongs to remove them to a bowl (or to your eventual serving plate, if you want to save on dishes). There should be a little oil left in the pan, but if not, pour in another tablespoon or so and fry the olives until all dusty traces of flour on their surface has cooked and they’re a little browned and crisped in places. Leaving the olives in the pan, tip in your chopped tomatoes, and stir for another minute or two, until the pieces of tomato start to collapse.

3: Return the toasted bread cubes to the pan, give it a stir just to amalgamate and to allow the bread to start absorbing the tomatoes, and then remove from the heat.

4: Pile everything onto a serving plate, and scatter over your chives (you can finely chop them on a board but I prefer to hold a handful over the plate and snip them with scissors) and the rosemary leaves. See if it wants any seasoning — probably more likely pepper than salt, since the olives are already salty — and eat.

Serves 1.

Notes:

  • I got some green olives that had been marinated in garlic which, as you can imagine, was a fine addition to the dish. If you can only get olives with the stone in them, remember that they’ll add extra weight, so you might want to use 90g instead of 70g (but also, those quantities are really just a guideline, add as many olives as you want.)
  • I know you’re not supposed to fry with extra virgin olive oil but everything is so expensive these days and it’s easier just to have one kind of olive oil on the go. If you have regular olive oil then use that for sure, but the olive flavour is important, so I wouldn’t recommend replacing it here with any other kind of oil like sunflower or rice bran.
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music lately:

Beautiful Briny Sea by Angela Lansbury and David Tomlinson, from Bedknobs and Broomsticks. And we’re back to bad news: After Stephen Sondheim, Angela Lansbury’s was the inevitable death I’ve most been dreading. She was a continual and immensely comforting presence in my life and someone with even a quarter of her astonishingly diverse career could consider themselves a high achiever. Any number of her songs matter to me but I was raised on Bedknobs and Broomsticks, taped off the TV onto a VHS and watched and rewound till I could practically act it out for you off-book. I’m still not sure if there’s a higher form of wit than cartoon and live action characters interacting, and I love that Lansbury was allowed to become a major musical star with such an off-kilter voice. I’m sorry she’s gone — I’m glad our lifetimes overlapped for a while.

Out on the Floor, by Dobie Gray. This song radiates happiness, no, elation, and with every “hey-hey-hey” it feels like sunbeams are shooting out of your outstretched palms.

Hail Holy Queen from Sister Act; while in bed with Covid I wasn’t up to watching anything challenging but even so I’d forgotten what a balm this film is, with every minute of its runtime swaddling you, telling you it’s all going to be okay. Whoopi Goldberg is so charismatic yet grounded, and Dame Maggie Smith could do generic disapproval in her sleep but you truly feel the searing rays of her vexation, and this song — with its fake out initial verse leading up to the beat drop, Sister Mary Roberts’ riffing, and the punchy Latin bridge, makes me wildly emotional. I sang this once with my primary school choir, and it’s every bit as exhilarating to perform as it is to watch, let me tell you.

PS: If you like my writing and wish to support me directly, there’s no better way than by stepping behind the claret velvet VIP curtain of my Patreon. Recipes, reviews, poetry, updates, secrets, stories, all yours on a monthly basis. There’s no better time than right now — your support helps me to make all these blog posts!