looking through a glass onion

It is so, so freezing in Wellington lately, that straight-through-your-clothes harsh chill which makes getting out of bed in the morning that much more aggrieving. I was in Christchurch and Dunedin over the weekend for work which was also an intensely cold experience, not to mention pretty exhausting (can’t say I’ve been sleeping well recently, and sitting in clenched frustration for an hour and a half on a plastic chair in the Dunedin airport where there is nothing to do while waiting for your flight, followed by a further hour and a half’s wait at the Christchurch airport will take it out of you. This is New Zealand, not the mighty plains of Canada, I don’t see why we need flights with stop-overs.) Hence why it has been a while since I’ve blogged.

There’s not much I love doing more in winter than sitting by a roaring heater with a pile of my cookbooks, going through and imagining what shenanigans I could get up to. Cooking in winter is fun – all those long-simmered warming dishes that make the house smell amazing and warm you as you stand over them – unlike the summer heat when all you really want to do for dinner is sit quietly inside the freezer and lick its icy walls. One book that I had a flick through recently was the Supercooks Supersavers Cookbook, which I picked up at the local opshop back home for about a dollar a few years back. I love its season-based chapters, its 1980 style, and its seriously enthusiastic title.
I found this awesome sounding recipe for Onions Smothered with Walnuts. It’s basically onions roasted in a sticky, spicy sauce, and though they’re more “vaguely scattered” than “smothered” with the walnuts it’s a gorgeous combination of flavours.
Onions Smothered with Walnuts
From the Supercook’s Supersavers Cookbook

450g small pickling (pearl) onions, peeled (I didn’t have any, so just used whole onions, quartered)
75g walnuts, chopped
25g melted butter
2 tablespoons honey
1 tablespoon chilli sauce
1/2 cup stock or water
1 teaspoon ground cinnamon
1 teaspoon worcestershire sauce
salt and pepper to taste

Heat oven to 170 C. In a bowl, mix everything together and pour into an oven-proof dish. Cover with tinfoil, and bake for around an hour, stirring once or twice. *Use olive oil and balsamic vinegar instead of the butter and worcestershire sauce to easily make this vegan. Yay!
It’s so good that I actually made it two nights in a row. In a weird twist of events, the first night I made it in a silicon dish and the second night I made it in a metal dish, and the second night the onions and sauce turned all black. Made me a little nervous, but not so nervous that I didn’t carry on eating the lot. This recipe has a lot going for it – it has punchy, warm flavours, it’s very cheap to make, it’s versatile, and it just cooks away by itself, not really requiring any attention. The honey, chilli and cinnamon are a brilliant combination and it’s perfect over pasta, which is how I had it, but would also work on couscous, mashed potatoes, rice, or stirred into a stew or roasted vegetables. Thanks, Supercook’s Supersavers Cookbook!
As I said, I’m pretty weary from the weekend, I haven’t been sleeping so well and on top of that I actually wasn’t feeling that great over the weekend. There were some diverting moments – seeing Graeme Downes of The Verlaines, The Dead C’s Bruce Russell and Flying Nun’s Roger Shepherd weighing in on a discussion panel about NZ Music, subsequently sitting behind the Verlaines on the flight to Dunedin, meeting with former flatmate Emma for a jolly catch-up, having an enthusiastic person “help” me by picking up my phone that I’d put on the ground right by my feet so I could take down a poster at an event, only to watch them accidentally drop it down three flights of stairs…
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Title via: The Beatles’ Glass Onion from The White Album. One of their more intriguing contributions…
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Music lately:
A Kiss at the End of the Rainbow, sung by Catherine O’Hara and Eugene Levy, from the film A Mighty Wind. This is absolutely my favourite film, and having it on my iPod made the four plane trips over the weekend much more bearable. This song is gorgeous even though it’s sending up the folk music genre, and Catherine O’Hara is just…perfect. Makes me want to learn the autoharp. Sincerely.
Bloodbuzz Ohio from The National’s new album High Violet. The album itself didn’t set me on fire but this song is a stunner and really showcases everything that’s good about The National. And you can check out a lengthier review I did of High Violet here at The Corner if you like.

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Next time: I’ll hopefully be a touch more awake. It’s Queen’s Birthday weekend in a day or two, nothing like a Monday off to make you feel unbendingly fond of the monarchy. I found this really cool recipe for pumpkin bread that I’m keen to try, I also am thinking of getting the crock pot out from its hiding place, it’s now definitely cold enough out there…

now let me welcome everybody to the wild wild west

So, the novelty of a Monday at home is less novelty-ish when I’m coughing like a beast. Typing is a nice distraction from my chapped throat, but I’d sooner just get better. I’ve been downing tea made from lemon and ginger slices, crunching on vitamin C and echinacea, and sippin’ on gees linctus and juice. I’d had plenty of gees linctus when I was younger, but it turns out these days you have to state your intentions and hand over photo ID to get it, and it no longer comes in a pretty flask with a fancy label, but instead a tiny prescription bottle with one of those child-proof lids that are really difficult to remove.

I also have a whole mess of lozenges which are pretty good for noise control when I start coughing heaps. They were definitely useful at Tim’s graduation on Thursday. There were about forty thousand people (well, it felt like at least that many) getting graduated that night and I’m pretty sure not one of them wanted some lady spluttering during their moment of glory. In case you’re wondering, Tim was graduating with Honours in Media Studies which makes him super-qualified to do all sort of interesting things that no-one out there seems to need people to do right now, but fingers crossed that market opens up soon…Either way I’m pretty proud.
Tim’s family came down to be there for the graduation as well and his mum gifted us some bananas. There’s nothing I like more than a little unpremeditated push towards baking. Muffins felt a too obvious, but I couldn’t be bothered with anything too high-concept either. What a quandary. Then I remembered this eye-catchingly named recipe that I found while hopping from blog to blog like a frog on a lily-pad. It’s called Ponderosa Cake. According to the friendly person whose blog I found it on, the cake is named after some regional pine trees. Secretly I hope it was so named because someone wanted to immortalise their passion for Bonanza in baked form.
Ponderosa Cake
Recipe inspired by a recipe found on Chocolate & Chakra. I say inspired because I completely mucked things up as I went along – didn’t have enough butter, added 2 eggs by mistake instead of one, forgot the yoghurt till it was about to go in the oven – so the end result was almost a completely different cake…
100g soft butter
3/4 cup sugar
2 eggs
2-3 large, ripe bananas, mashed
2 cups flour
1 teaspoon each of baking powder and baking soda
1/2 cup plain yoghurt or sour cream

125g good chocolate, chopped roughly
1 -2 teaspoons cinnamon
1/4 cup brown sugar
Set your oven to 180 C/350 F and line a square or rectangular cake tin with baking paper. Cream the butter and sugar together till fluffy, then beat in the eggs. Add the bananas, then fold in the flour, baking soda, and baking powder. Finally mix in the yoghurt, plus half the chopped chocolate and cinnamon. Spread it into the cake tin, then sprinkle over the rest of the chocolate and cinnamon, plus the brown sugar. Bake for 25-30 minutes.
I’d rather have a thousand coughs than a blocked nose and lose my sense of taste, because Ponderosa Cake is incredibly good. It’s very light and tender and keeps well. The blast of heat in the oven caramelises the spiced, sugary chocolate topping slightly, providing depth of flavour and a pleasing gritty crunch to the moist, banana-y base. Happily, it used some of the treats I picked up at the recent food show – like The Collective yoghurt and Whittakers chocolate. Despite the fact that I somehow managed to get things wrong every step of the way, this is really a very straightforward cake. It’s ideal for those times where you want something a little out of the ordinary but not so far out of the ordinary that you’re up at 6am measuring the temperature and viscosity of sugar syrups.
I’m not sure if Hoss and Little Joe ever bonded over banana cake, but it’s a nice thought, right? I understand when my mum and her brothers and sisters were growing up, Bonanza was appointment viewing on TV… You know you want to hear that theme song again!
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Title via: 2Pac featuring Dr Dre, California Love. I know, it’s one state over from the Ponderosa. There couldn’t be a more obvious song that springs to mind for the sadly late Tupac Shakur, but no matter how often it’s thrashed it’s still a goodie, and one of those songs I knew all the words to (except for an embarrassingly long time I thought it was “city of corn chips” instead of “Compton”, what can I say, there was no Google back then.)
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Music lately:

The Music and the Mirror from A Chorus Line. This song is actually mostly dancing but the singing that’s there is so gorgeous – the line “I’ll do you proud” slays me a bit. It’s a song about a woman who needs a job, so she’s auditioning for the chorus even though she is good enough to be a star. Well, it seems a bit more dramatic when set to music anyway, and the original Donna McKechnie is pretty incomparable but there’s plenty of fun to be found on youtube of that amazing dance in the red skirt. If you’ve only seen the film version of A Chorus Line, they cut this song – criminal!
The Ali and Toumani album, a recently-released collaboration between the late Ali Farka Toure and Toumani Diabate. It’s…an absolute beauty.
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Next time: well, hopefully I my immune system and I become friends again. I’m down in Christchurch on Friday for Chartfest then Dunedin on Saturday for Smokefreerockquest so I can’t afford to be this germtastic.

going back to canada on a journey through the past

I had this pair of Chuck Taylors that lasted me four years, not bad since I wore them a lot and lived up a hill in Wellington, which wears out a shoe swift-fast. Towards the end of their existence, one had a large hole in the bottom and the tread had been buffed down to the thickness of a wonton wrapper, except for the bits where holes had emerged in the sole. So…I cut out some bubble wrap and slid it inside the shoes. And wore them for at least another 6 months. At the same time, I was also buying, like…gelatine leaves and shallots and cloth-aged cheddar. Priorities?

And yet there were things that even with this food-first shoes-later mindset, that still seemed out of my reach. Like maple syrup. That Canadian elixir. I’m pretty sure that if you look at it in the supermarket, then look away, then look back again, the price tag magically becomes more expensive. In all these years I’ve only ever bought one bottle of it, then been too nervous to even take off the lid in case I wasted a droplet (what with its street value rivalling that of most hard drugs).
Then I was given a bottle of maple syrup for my birthday by my late grandad’s wife, and it was an exciting new opportunity for me. To have some maple syrup. Simple as that. I should have known that someone whose chocolate eclairs I always admired as a child would give such an astute gift.
Ice cream is basically always on my mind so it was an easy decision to showcase the incredible flavour of maple syrup in that format. Nigella Lawson has a whole chapter about ice cream in her book Forever Summer (one day I will too! But it will be an even bigger chapter than hers) and within its pages is a recipe for Honey Semifreddo. It’s a quickly whipped up mixture of egg yolks, cream and honey, frozen once and then cut into slices. Amazingly good as that sounds, I thought I’d switch the honey for maple syrup and go forward from there.
Even though it’s pretty common, I’ve never made ice cream like this before – I tend to take the frozen custard path instead. This semifreddo however, was so exquisitely light-textured and quick to make that I might have to reconsider my methods.
Maple Syrup Semifreddo

Adapted from Nigella Lawson’s Forever Summer

1 egg
4 egg yolks (nice, free range eggs please)
100g real maple syrup
300 mls cream

Place the egg, yolks, and maple syrup in a good-sized bowl, and sit that bowl over a small pot of simmering water. Whisk the mixture thoroughly and constantly until it is thick, creamy and aerated – this won’t take a hugely long time. Set it aside, then in another bowl whisk the cream till thick and floppy but not completely whipped. Carefully fold it into the maple syrup mixture, and pour it into a 1-litre loaf tin, either lined with glad-wrap or plain if it’s a silicon one, and freeze till solid. Dip in hot water before turning out (for some reason it took a while to dislodge) and cut into slices.
The only problem with ice cream is that it’s hard to photograph – it’s all melting in front of you which makes composition and focussing a bit of a non-event. Eating it however is ridiculously easy. As I said, the texture of this is wonderful – light, creamy and not really rich at all. The maple syrup whisked through provides the most incredible flavour – elegantly sweet and smoky. A few walnuts folded through wouldn’t have gone amiss but its uninterrupted cold creaminess was perfect as is with nothing more than an extra drizzle of sticky maple syrup.
Maybe one day, when I’ve gotten all awesomely rich from writing a cookbook, I’ll be able to live like the Canadians on the “Canucks Amuck” episode of Angry Beavers, who crack open cans of cool refreshing maple syrup to quench their thirst. One day!
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Title via: Canada’s other fine export, Neil Young and his song Journey Through the Past. I was fortunate enough to see him live at Big Day Out in January 2009, wild Canadian beavers could not have kept me from that performance.
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Music lately:
Dam Native, Behold My Koolstyle from Kaupapa Driven Rhymes Uplifted…Aotearoa music for the ages. I love mellow melodies like this in hiphop, and I like that it’s so clearly about this place, not of course that all NZ music should be – imagine the awkwardness of every local act trying to create the kiwi equivalent of, say, Down In Albion.
Remote Control, Beastie Boys, from Hello Nasty. I like the Beastie Boys and all, really like some of their songs but this song is in a fantasy baseball league of its own. The bombastic beats, the fuzzyiness, the ambiguity of the chorus, it just slays me. This was one of those songs I heard on the radio late at night and I had no idea how to find out who sung it or where to find it…
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Next time: Dubious. Might crack out the slow cooker, it’s definitely cold enough…on the other hand I really want to make more maple syrupy stuff while I have the chance…

to fruits, to no absolutes

I had a wonderful weekend at home, but I feel a bit talked out on the subject of RENT. All the way up to Auckland in the car my family and Tim politely listened while I talked about it anticipationally, and all the way through dinner afterwards and on the drive home I was generously tolerated during my frame-by-frame debrief of the entire production. But – oh my gosh thank goodness I imagine that I hear you say – I’m not entirely out of steam. For the sake of all involved though, and because I’m probably the only person who cares what I think about this particular production, I’ll keep my review to the following thoughts: (I have more thoughts though! So many more!)

  • I was very, very happy to be given the opportunity to see the songs I love so much performed live, and the Auckland Music Theatre did a great job.
  • The vocal sound was a bit restrained which didn’t do them any favours, because in RENT if you miss one throwaway line, well there goes an entire subplot.
  • The choreography for Out Tonight wasn’t overly satisfying, and I was a little disappointed Mimi wasn’t wearing blue tights, but this seems typical of all local productions I’ve seen.
  • Some of the songs – including the difficult Contact (“Mum, there’s this giant, metaphorical…sex scene”) in which Cameron Clayton as Angel just stunned and La Vie Boheme were staged and choreographed absolutely brilliantly.
  • I didn’t like what they did with Over The Moon – while it was clever to have it more dynamic with the cast-as-audience it lost the actual audience participation. And the cowbell.
  • While the cast was overall brilliant, and it’s not fair to compare them to the original Broadway stars, occasionally a singer’s range didn’t stack up to what you expected to hear.
  • I really liked Kristian Lavercombe as Mark, he brought this narrow-hipped Buddy Holly feel to the role and led the show well.
  • The much-publicised Annie Crummer (let’s face it, there are no real main characters but if there were, Joanne wouldn’t be one) looked stunning and sounded great but her distinct vocals coupled with the slightly quiet mic made most of her lines hard to hear. If you didn’t know them off by heart already that is.
  • Go see it if you can – it’s running till May the 7th and frankly, I’d go back again if I could. We saw the Saturday matinee and I would have happily stuck around and seen the night show. I don’t say that lightly.
Oh yeah… and it was fun hearing the name of my blog in the title song.
We’re so countrified that we spent five traffic light cycles taking a photo of me in front of the Civic theatre on Queen Street. I guess since our community is now shunted into the Waikato we can officially qualify as tourists in Auckland supercity. Imagine if I ever made it to New York – but then there are probably thousands of people who take photos of the “look at me standing by this distinctive structure” variety over there.
I was also home for Anzac Day and after watching the amazing and moving coverage on Maori TV (I could have done with someone a little drier in delivery than Judy Bailey, that said, I wish I had her legs), we went to the local wreath-laying ceremony, catching up with plenty of whanau in the process. A large bag of feijoas was pressed upon us by old family friends and I managed to carefully transport them back on the plane to Wellington. Feijoas are a fairly localised fruit, I think they mostly pop up in NZ and Australian cooking but not necessarily many other places in the world. I would describe them as being similar to passionfruit in fragrance, a little like a strawberry mixed with pineapple in flavour and not unlike guava in texture. They’re basically the greatest thing on earth.
Unfortunately their relative rarity and short season (they’re one of the best things about the colder autumn days) means that recipes are few and far between. So I decided to improvise, and made Feijoa Coconut Brownies. If you aren’t within reaching distance of a feijoa I’d substitute equal weight of banana or applesauce.
Improvised on the spot though these may be, they tasted like they’d been prophesied about to come and save the world by some holy sage a thousand years ago. I’m trying to say they were really good.
Feijoa Coconut Brownies

200g butter
100g good dark chocolate
150-200g feijoa flesh (just cut them in half, scoop out the flesh with a teaspoon and mash with a fork. The weight here refers to the flesh only, not the whole fruit)
100g sugar
3 eggs
2 tablespoons good cocoa (like the Fairtrade stuff Mum gave me! Yay!)
50g thread coconut (or dessicated, the longer thread stuff gives good texture)
200g flour
2 teaspoons baking powder
100g good dark chocolate, chopped (optional)

Set oven to 180 C/350 F. Melt the chocolate and butter together gently, either in the microwave or in a bowl over a pot of simmering water. Stir to combine. Tip in the rest of the ingredients apart from the flour and baking powder, and mix thoroughly. Fold in the flour, baking powder and chopped chocolate if using, and spread the mixture into a baking paper lined 20x30cm-ish tin. Bake for 20-25 minutes (no less – this is a supermoist mixture, it can handle the slightly longer oven time). Allow to cool a bit, then slice into bars.
Notice my new favourite toy – a cakestand from my godmother and family. I love how clean and elegant it is – makes me feel very Scandinavian. Or at least what I think being Scandinavian might feel like. (Other characteristics: writing excellent electro-pop and sprinkling dill on everything)
These brownies were, and I don’t care that I’m saying so myself because look at them, gorgeous. The feijoa gave an acidy kick to the chocolate’s embroidered velvet pants, while the softly textured coconut buffered against the feijoa’s grittiness and provided a delicate richness of its own. They are super moist, cocoa-y and dense. They’re damn good brownies.
I had one for breakfast this morning and it felt good.
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Title coming your way via: surprise! RENT! I’m confident that feijoas aren’t the kind of fruits that Mark sings about in La Vie Boheme…and yet feijoas are undeniably one of the fruitier brothers in existence, so it all kind of works out.
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Music lately:
Just one more – Santa Fe from RENT. I don’t have a favourite, but this mellow beauty still thrills with every listen despite not being one of the huge showstoppers. I was a bit let down by the staging/arrangement of this song in the production we saw, but funnily enough Mum thought it was going to be the end of Act I, like Act II would be all about this group of bohemians and their attempt to start a restaurant out west. Looking back to when I first heard this song, I have to admit I didn’t quiiiiite pick up on the hypothetical nature right away either.
The amazing M.I.A’s new Suicide-sampling song Born Free. Watch the video if you dare (if you can find it) it’s definitely…an eye-widener.
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Next time: I’ve been given so many cool food-related things for my birthday (cake tins, maple syrup, limoncello, etc) that I’m going to have fun working out how to use them all, hopefully managing to incorporate my new cakestand in the process…

a girl has to celebrate what passes by

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I had a seriously nice 24th birthday on Saturday – my aunty visited with my very awesome young cousin (I recognise my own ardent admiration for Nigella Lawson reflected in his deep commitment to various superheroes), Dr Scotty dropped by with jaw-droppingly real champagne, Himalayan pink salt and vanilla pods, (I love how Scotty comes to our house and quotes my blog back to me, if that’s wrong I don’t want to be right) and I got more txt messages than I usually get in a whole month.

Tim was all, “I could make you a birthday cake if you want” and I was like, “the cuss you will! Don’t do me out of an opportunity to bake!” but what I made wasn’t a birthday cake, just a cake that happened to be hanging round on my birthday. Like a girl that’s just a friend, not a girlfriend…you know.


I know it seems like I say this about every cake here, and let’s be honest, I do know a lot of awesome cakes, but this cake was truly incredibly delicious. I say “was”, not “is”, because 24 hours after it was first sliced into, only a slender wedge remains.

I found this recipe for Torta Caprese on a blog called A Forkful of Spaghetti a while back, and my birthday seemed like as good a time as any to try it out. It’s one of those Italian cakes which manages to be terrifyingly elegant and artlessly down-home at the same time, but delicious either way you see it.

Sophie Grigson’s Torta Caprese


200g butter, melted and cooled a little (do this before you get anything else ready to give it time to cool down)
200g dark chocolate, in pieces
4 large eggs
170g caster sugar
1 tsp vanilla extract
250g ground almonds

Line the base of a 24cm cake tin (although I used 22cm just fine) with baking paper and grease the sides. Preheat oven to 180 C/350 F.

Either blitz the chocolate pieces in the food processor or chop them roughly with a large knife till you have a rubbly pile of chocolate shards and dust.

In a large bowl, whisk the eggs, sugar and vanilla extract until the sugar has dissolved and the mixture has expanded a little. Mix in the chocolate, ground almonds, and tepid melted butter until evenly combined. Spatula the mixture into your caketin.


Bake for 50-60 mins, until the cake is just firm to the touch. If it gets too dark towards the end, cover with tinfoil. I found it was quite perfect after 50 minutes. Leave it to cool in the tin, then turn it out and dust with icing sugar if you like.


I love how no-nonsense the method is – no separating of eggs, no whisking till your arms ache, just a bit of chopping and mixing but you end up with this incredibly good-looking cake as a result. It’s solid but light and amazingly buttery. Some of the chocolate melts into the cake as it cooks and the rest remain whole, as darkly rich chunks that contrast with the soft grittiness of the almonds. It’s amazing, and a bit like a really, really sophisticated chocolate chip cookie. And it’s gluten free for those of you who swing that way.


Yesterday after our visitors left Tim and I went to engage in Independent Record Store Day. By the time we left the house most of the shenanigans were over but we still enjoyed perusing the wares at Real Groovy. I was pretty rapturous to find the original Broadway Cast recordings of A Chorus Line and Hair, as well as the Original West End cast recording of Chess (ie the one everyone knows) on vinyl for an enchantingly cheap price. Mercifully the guy behind the counter didn’t ask us about what kind of turntable we have, because at this stage the answer would be “a hypothetical one”. Hoping to change that to an actual one in the near future. We browsed at Slow Boat Records but didn’t find anything in particular to commit to. There’s also the enticing Samurai Store on Willis Street but by that stage, probably desperate for more cake, we were starting to flag and headed back home.

That night we went to see the Wellington Musical Theatre production of Miss Saigon. It’s a cleverly staged production with a very talented cast, I recommend it if you’re in the capital. I’d never seen Miss Saigon before and only had a basic understanding of the story. The music isn’t necessarily super-catchy, and sometimes it feels like it could do with a couple more high-energy numbers, but on the whole I really loved it and there were plenty of those moments where your heart jumps around the place. It made me realise how few musicals I’ve seen in the last couple of years, for all that I go on about them, and it really made me want to see more. Unfortunately, that involves overseas travel…I swear I see well-known New Zealanders sent across the world all the time in the name of travel writing for various publications, if anyone out there wants to pay for me (and Tim!) to do the same, don’t hold back…

Before the show we had some curly fries at Sweet Mother’s Kitchen, that stalwart of Courtney Place, and afterwards we went to Matterhorn for some late night snacks (I don’t know why, but I feel really cool ordering food late at night). The place was full of people who had a “oh, it’s so great to be back at Matterhorn, I’m such a regular here” look about them but I think we acquitted ourselves okay, ordering a bunch of tapas and a couple of drinks without any awkwardness. It’s a very expensive place, but the food is perfectly executed, the service excellent and the setting rather gorgeous…maybe I’ll go back for dinner for my next birthday.

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Title via: The Miller’s Son from Sondheim’s A Little Night Music, currently revived on Broadway with the supremely wonderful Angela Lansbury. This song is a stunner, all womanly and bolshy, and musically complex. One of my favourite versions is performed by Sara Ramirez, most people know her as Callie from Grey’s Anatomy, but hi there, the lady has a Tony Award too and can sing her face off.
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Music lately:

It’s not a tradition or anything, and it’s a completely obvious thing to do, but two songs in particular always get bandied about if one of us is aging another year…

Birthday by The Sugarcubes, ie the rock band that Bjork used to be in. It’s most famous in English but the original Icelandic sounds so beautiful. And really it doesn’t matter what language it’s in when the chorus is as wordlessly spectacular as this. I have to admit, after hearing Defying Gravity for the first time I thought “ooh, I’d love to hear Idina Menzel sing Birthday“. Maybe that’s what Stephen Schwartz was listening to when he wrote the ending?

Happy Birthday by Altered Images from their EP of the same name. It’s sweeter than birthday cake icing but I love the way it flits along noncommittally before launching into those guitars….

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Next time: I’ve been given so many exciting food-related birthday presents, including…a bottle of real maple syrup from my step-grandmother, two loaf tins from ex-flatmate Ange, a beauty of a cake stand from my godmother and family, a recipe collection from the Ashburton Fuchsia Society from Nana, and more fruit puffs from Mum…for starters. So you’ll be seeing these things all used and blogged about in the near future, no doubt.

puttin’ on the grits

Straightforward question: what’s your favourite food?


Me: ice cream and cornbread.

A while back if you’d asked this I would have frozen up and said “ummm chocolate?” but today I was sitting around daydreaming about how I might answer various questions on the offchance that some cool magazine wanted to interview me, and I managed to narrow it down to those two. Like Kenneth Parcell (“There are only two things I love in this world. Everybody and television”) I am a throw-my-arms-around-the-world kind of foodlover, but where “most edible things” is an adequate answer, cornbread and ice cream is more specific. That said, I’m also happy to call Nigella’s Chocolate Guinness Cake one of my favourite things to make. You would be too.



All this daydreaming about cornbread made me crave a slice of it like crazy. It’s just another cold, dark, early winter Wellington evening and I’ve got a sore throat. Who ya gonna call? Nigella, fool!

On Sunday night I bought a healthy, happy Waitoa Free Range chicken and roasted her up with white wine, lemons, butter and breadcrumbs. The cold leftovers in the fridge got turned into pasta last night with the roasting pan juices and golden sultanas soaked in sherry. Tonight I’m finishing off the chicken by going vaguely Mexican, inspired by a salad recipe from Nigella Express, with her cornbread on the side. Just saying it almost makes my sore throat better.



Mexican Chicken Salad

Adapted from Nigella Express

Dressing:

1 ripe avocado
1/2 cup sour cream (or good mayonnaise, to make this dairy-free)
juice of a lime
1 garlic clove, crushed
salt and pepper to taste

Either whisk the dressing ingredients together or blitz them in a food processor.

Salad:

300g shredded, cooked chicken
1 crisp apple, diced
2 spring onions, chopped
handful chopped coriander
125g shredded cos lettuce (I used cabbage)

Put all the salad ingredients in a bowl, spoon the dressing over the top.



Like a warm, buttery yellow mattress. I could actually lie down on top of it and fall asleep quite happily. Tim and I sat on either side of this, slicing off pieces and buttering them. What remains is kind of a wonky Z shaped bit of cornbread

Cornbread

175g cornmeal (or polenta, same diff so look for either)
125g plain flour
45g caster sugar
2 t baking powder
250ml full fat milk
1 egg
45g butter, melted
Set oven to 200 C. Grease whatever you’re using – a muffin tin, a 20cm-ish brownie tin, etc. Melt the butter. Stir in the milk and egg with a fork. Then tip in all the dry ingredients, mix till just combined – don’t worry about lumps – then pour into your tin and bake, for 20-25 minutes. I have made this with superfine cornmeal and the more granular stuff, and a mix of the two, anything is fine really although the granular stuff gives slightly more bite to your finished product.

It was such a good dinner. Even with all the crispness and coolness of the salad it worked in this colder weather, fresh flavours to wake you up on a dark evening. It’s amazingly rewarding to eat for the little effort you need to put in. You could replace the chicken with anything else – beef, tofu, chickpeas…you could leave the sour cream out of the dressing, use mayonnaise or yoghurt, double the quantities and drink it like a savoury green smoothie, whatever, really. The sour cream suits the avocado, their tanginess and richness going head to head like it’s Tekken 2 but instead of a nubile catsuited woman and the panda bear (my favourite character) engaging in combat, the flavours skip off hand in hand towards the sunset, singing in perfect harmony. I have a feeling, having just re-read that, that I gotta lay off the cough syrup before trying to blog, as it messes with my ability to throw down a decent metaphor.

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Title coming atcha via: Puttin’ On The Ritz, a song that I did a choreographed and performed a tap dance to at the 1997 (1996?) Combined Schools Choir Festival. While I may not have been up to the great Fred Astaire I’m sure in my own mind, at the time, I was well on my way.
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Music lately:

What You Know About Baltimore by Ogun feat Phathead from The Wire: “…and all the pieces matter” What do I know about Baltimore? Not much more than I know about, say, Fielding I guess. This song is awesome, the delivery of the titular interrogative somehow both menacing and blase at the same time. First time I heard this song I kept swivelling my head to look out the window – I swear it sounds like someone’s yelling “Laura!” in the background of the song at various points.

Buffalo Gals by the recently late Malcolm McLaren. A prosaic choice, but to be fair, I was never exactly a walking catalogue of his work. This song is sprinkled with all kinds of good things laid over a minimalist beat that was ahead of its time – thinking about how in the mid 2000s there was that trend for songs that were almost not even there at all. It must have been an exciting life he led, and while I can’t say I thought about him on a daily basis, it was sad news – he was in many ways a drop of bright red food colouring in the plain white icing of recent music history.

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Next time: I have some tofu in the fridge that needs using…although if this sore throat doesn’t sort itself out it might be a steady diet of chicken soup and Canadiol expectorant. Hopefully I get better soon because it’s my birthday on Saturday. Any suggestions about what I could do? As always, April appears suddenly and I’m caught short without any cool ideas. I’ll be 24. Hopefully still young enough to be interesting, goodness knows there is probably some seven year old out there who’s writing a blog about making cupcakes while interweaving Clay Davis quotes and referencing some obscure early draft of Evita…any suggestions about how a good birthday is spent are more than welcome.

open sesame

I’m blogging on a full stomach. Food is so strange. I really, really want it, visualise creating it, feeding people, feeding myself, that sort of thing. But if I have slightly too much, suddenly even just thinking about food feels like an awkward way to pass the time. I start to question how a person could ever possibly want to eat anything but cool, bland lettuce. I never force myself to blog, but on the other hand I’ve started this and want to get it done so…hopefully it doesn’t read like I’m averting my eyes while typing.

My aimless flicking through recipe books recently while shopping stopped being aimless once my eyes settled upon a recipe for shortbread made with tahini, in Jewish Cooking, Jewish Cooks by Ramona Koval. The book was pricey but my curiosity was prodded, and, figuring it was absolutely the same as hitting up Google, without taking the chance that this recipe hadn’t been documented online, I hastily scrawled the instructions on my arm. Luckily I found a pen in my purse, my only other option being a black eyeliner. Much as I like the idea of turning my body into a walking cookbook, googling would have been easier – trying to transcribe the scribbled, condensed and sideways version of the recipe from my arm to paper was not a fast task. The things we do for our craft, hey?

Tahini is seriously cool – a thick, rich, throat-binding paste of ground sesame seeds. Like peanut butter it’ll stick to the roof of your mouth and refuse to let go so be careful about wading in and eating it by the spoonful. With that in mind this recipe might sound pretty Schafer-tastic, like the sort of grainy snack the characters of Hair would eat to give them energy to sing about their hair. Wrong. This recipe contains a lot of butter. Watch out. I’ve never used tahini in anything sweet before but making these inspired me to get into all kinds of experimentation, I’m thinking toasted sesame ice cream…

The shortbread is stunningly good stuff and on the back of its excellence I may well end up buying this cookbook. I love that you press it into a tin and slice it up later. So, there’s none of that biscuit-fatigue where you’ve eaten way too much mixture and want to lie down on the floor and sleep it off but you still have to keep rolling and cutting circles of dough and waiting for the tray of cookies in the oven to finish baking so you can swap it with the next batch. Nope, none of that at all. Refreshing.

Halvah Shortbread

Adapted from Ramona Koval’s Jewish Cooking, Jewish Cooks

  • 170g soft butter
  • 1/2 cup tahini
  • 2 1/4 cups brown sugar
  • 1/2 cup ground almonds
  • 2 cups flour

Set oven to 180 C. Either – whizz the butter, sugar and tahini together in the food processor, pulsing in the rest of the ingredients till combined. Or – cream butter, tahini and sugar together with a wooden spoon till well incorporated, then beat in the almonds and flour till smooth. Press into a baking dish – I used a round silicon flan dish – and bake for about 15 minutes till golden on top. Allow to cool, then slice into pieces.

Makes as many as you like – about 20 decent sized slices, or, you know, 400 wafer-thin shavings…

This shortbread is incredible – thick, golden slabs of buttery biscuit softened but deepened by the intense and complex nuttiness of the tahini. It’s literally one of the most delicious things I’ve eaten in a long time. I want to eat the whole trayful. Well, I wanted to eat the whole trayful but now – as previously mentioned – I am too full for such dreams. It is worth buying a jar of tahini just to make these – don’t think it will loiter sadly at the back of the fridge like a kid whose parents forgot to pick them up from school – I go through about a jar a month. Drizzle it over Meditteranean style food, spread it across flatbread when you do make kebabs or wraps, thicken up homemade hummus, or make this satay sauce.

On Saturday night Tim and I found ourselves at Watusi for Auckland-based rapper David Dallas. Based on the fact that Watusi is tiny and the Facebook event page had well over 350 confirmed guests, we thought we’d better err on the side of early. We were at the back for opener Percieve, and when the Homebrew crew came on it clicked that we had seen them before in Auckland. They could, judging by the lyric chanting, dancing, and basic sheer elation from most of the males around me, have probably filled the venue in their own right. Props to Homebrew Crew for this, considering how many times they reminded us about their underground nature. Maybe they hadn’t reckoned on how Wellington thrives on unearthing the underground.

We got hustled to the front by an enthusiastic friend for David Dallas’ set, which was not a bad place to be, if a little confronting. His explanation for Big Time – wanting to do something big but not knowing what made me prod Tim on the shoulder and say “me too!” It was a pretty bare set-up – just Dallas plus backing tracks – but it still sounded good, the mellower songs given more punch when blasted through speakers. The music spanned from older Frontline stuff, touching acapella material, (where being close enough to hear the voice before it hits the mic is pretty nice), singles from Something Awesome, and a throwback to his verse on Scribe’s rather famous Not Many. The last time I’d seen this song live was at the 2004 Pasifika Festival so it was a pleasant blast from the past. This guy was nominated for the inaugural Taite Music Prize and was just overseas performing at SXSW so to see him perform in such a laughably tiny setting was definitely…um, sorry, how else am I supposed to wind this up…something awesome.

Title coming atcha via: Kool and The Gang – according to Wikipedia Open Sesame was described by critics as their “least funky” album. I don’t know what level of funk said critics were dealing with but I mean…I liked it.

Music lately:

Ms Dynamite’s Wile Out, a track I swear plays every time I flick on the radio. It was only tonight that I managed to hear the announcer mention who sang it, nice to see Ms Dynamite back in such fine form. A straightforwardly excellent tune, to me Wile Out wouldn’t have been out of place in late 2004-2005 which makes it comfort listening in a way – that was the time I went over to work in England and really, all music sounded pretty exciting in that context.

I Need A Dollar by Aloe Blacc, which is what seems to get played on the radio if the above isn’t on rotation. It’s being used as the theme to a new HBO show called How To Make It In America, which I don’t have an overwhelming interest in seeing just yet, (is it just me or does their theme sequence attempt to do what The Wire’s did?) but this trudging melody is certainly engaging, like a modern Brother Can You Spare A Dime – not that this song hasn’t ever been relevant itself.

Next time: Today Tim and I bought a new camera, a DSLR – the piece of equipment I, until very recently, never really thought I’d own. Our current camera has done noble service, seeing me through many situations and undoubtedly improving the look of this blog but a quick look at, say, the girdlebuster pie post should indicate why a new camera isn’t a bad idea. I’m really looking forward to getting to know this gorgeous new creature that we own, and getting to grips with such interesting features as manual focussing. What this means for you is (hopefully) cooler photos on here, since lo-fi food photography is never going to win anyone any friends!

 

all aboard for bun time

On the offchance that you don’t have Easter-fatigue already, the hamster on the treadmill in your pancreas pulling muscles from scampering double-time to produce insulin to deal with the spike in sugar consumption…

I love baking with yeast and what with hot cross buns being a legit excuse to get things fermenting, I tend to make my own and have done for a while now. I repeated the hot cross buns I made last year, from Alison Holst’s Dollars and Sense cookbook. While I admire Holst and what she’s done for cooking in New Zealand, I’m not a great fan of her writing. Cannot fault her hot cross buns at all though – they’re very straightforward to make, generously buttery, smell incredible while baking and taste brilliant. They don’t keep like shop-bought ones but in the likely event of having stale leftovers you can make a completely life-changing bread and butter pudding out of them. Recipe: here!

Seriously. So good. All spicy and soft and full of the rich, yeasty scent of achievement at having kneaded the dough by hand. They come out a little flatter than their bought counterparts (all the more surface area for smearing butter over) and are lighter in colour, but truly far nicer than anything out of a plastic bag. You could use this recipe any old time of year minus the crosses to make spiced fruit buns. As making the crosses was really the most difficult thing about the process, I’d be happy to leave them off and enjoy these long after Easter has gone.

Last night – Easter Sunday – Tim and I went to So So Modern‘s launch for their new album Crude Futures at San Fransisco Bath House, one of the few places lit up along a quiet Cuba Street. They were supported by a whole mess of local talent, including the fantastically happy Alphabethead who we saw supporting Tourettes the other week (and whose mixtape I finally bought), Tommy Ill, who we disapointingly arrived too late for, and a bit of Diana Rozz, who I haven’t formed an opinion on yet but…I liked the lighting during their set. For a while there in 2006 it seemed like we were going to So So Modern gigs every weekend, so there was a weirdly nostalgic feel seeing them again live. They gratifyingly mixed tunes old and new and seemed to be enjoying themselves. I bought a wooden laser-cut “Modern” badge (there were also “So”, “Crude” and “Futures” badges for sale) which is rather sweet – a bit like something Millie Dillmount might wear to a job interview if she were alive and well in 2010 to signify her societal position to all who see it.
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Title brought to you by: Iggy Pop’s droning yet strangely upbeat Funtime, from his Bowie-collaborating solo album The Idiot. “I don’t need no heavy trips” insists Iggy. Of course, who would when there’s hot cross buns fresh from the oven?
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Music while I type:

Speaking of 2006 – Fire Department by from Be Your Own Pet‘s eponymous debut album. I used to love this band back when I first moved to Wellington, but absolutely everyone I knew really hated them. Luckily for absolutely everyone, BYOP broke up. Their music is – was – all big and scrappy and not that clever but in that really clever way that makes a lot of other music sound comparitively laboured and overwrought. This is underwrought brilliance. So much so that heck, they get two songs on this list and you can have Take That Walk, from their Summer Sensation EP while you’re at it.
Valentine by Delays from their album You See Colours. While revisiting 2006’s self-conscious tunes I also stumbled across this which we used to thrash heartily. None of their further output really did anything for me but this song is such a delirious mess that nothing else is necessary.
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Next time: I got myself all hyped up about making hot cross buns and now with Easter behind me I’m not sure what direction I’ll be heading in foodwise. You’ll be the first to know though…

it’s sweetness that i’m thinking of

Girdlebuster pie. There’s not much I can say about it that its list of ingredients doesn’t explain better. There really isn’t one positive thing about these ingredients. It’s a menace to society. This pie is as punk as they come.

Tim: We should have this pie before and after dinner.

I made Girdlebuster pie from Nigella Christmas three weeks ago for Rod Stewart Appreciation Day. However, I also made a roasting dish full of macaroni cheese and plenty else besides, and hadn’t banked on how full everyone would be. The pie remained in the freezer. My best friend was visiting Wellington and came over for dinner last week. I planned on serving this pie triumphantly for pudding. However the dinner I made filled us up too much and we were too tired to eat anything else. The pie remained in the freezer. I began to wonder if the pie was cursed.

In hindsight this is kind of stupid, and maybe I just need to stop overfeeding everyone I meet.

Unable to deal with it sitting there sullenly by the tray of ice cubes, I brought it out after dinner last night. Holy cow. It won’t just bust your girdle, it’ll dissolve your teeth. Potentially it will remove years from your life. But people, it tastes incredible.

Girdlebuster Pie

From Nigella Christmas. Who else could this have come from?

  • 375g digestive/superwine/Girl Guide biscuits 
  • 75g soft butter
  • 100g dark or milk chocolate, chopped
  • 1 litre coffee flavoured ice cream
  • 300g golden syrup
  • 100 light muscovado sugar
  • 75g butter
  • 1/4 teaspoon flaky sea salt
  • 2 tablespoons bourbon (I used whisky)
  • 125ml cream

In a food processor, blast the biscuits, the butter and the chocolate pieces till it’s all crumbs. In all frightening honesty I added a little more butter as it seemed too dry. Press into a 23cm pie plate (I had a 25cm one which was sweet as) working carefully to form a ‘lip’ of biscuit higher than the rim of the dish if you can. Took me a while but wasn’t too tough. Freeze, till solid.

Let the ice cream soften, then spread it into the biscuit base carefully. Cover in clingfilm, return to the freezer. Meanwhile, put the sugar, syrup and butter into a saucepan and let it melt over a low to medium heat, then turn it up to boiling for five minutes. It will get darker and bubbly but try and let it stay there as long as you dare. Without it burning fully of course. Remove from the heat and add the bourbon. It will hiss and splutter a bit. Add the cream, stir in thoroughly, then allow the sauce to cool a bit. Pour it over the pie to cover the ice cream layer, and return to the freezer. Serve it straight from the freezer – no need to let it thaw.

I always offer a sneer when a recipe says to cut into small slices because it’s rich. With that in mind, kindly don’t sneer when I ask you to do the same here. This isn’t so much rich as deadly, deadly sweet. Its sweetness is like anaconda venom. Fun at first, but then five minutes later you can’t feel your legs. Maybe I’m mixing my metaphors here. Long story short, don’t wear a high-waisted pencil skirt while you’re eating this (fellas, I’m looking at you too).

Apologies for the terrible photography. For some reason my camera was on a particularly grainy setting…like there was a dusting of sugar across the lens…

Aside from the fact that one slice sent me into a frantic, blinky downward spiral as my blood cells united to try and fight off the caramel sauce, it is rather delicious. It’s not rocket science – chocolatey biscuit base, cold, creamy ice cream centre, and sauce, darkly toffee-d and deepened by the splash of alcohol – but experiencing them all together is something of a revelation, like every single public holiday and birthday and bar mitzvah condensed into one pie dish. It’s delicious, but it’s hardcore. Eat with trepidation.

Tonight I went to a preview of BOY, a film by the exceptionally talented Taika Waititi (of Two Cars, One Night and Eagle vs Shark). Boy is a rather stunning film, with lots of quickly cut light and dark moments, gorgeous visuals (including hand-scrawled animation) and perfect music choices, but what really moves it forward is the beautiful acting performances from everyone on screen. Go see it if you can – it’s pretty easy to love.
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Title brought to you by Neneh Cherry’s Buffalo Stance! Such an excellent song! That it deserves more exclamation marks! The video I link to is her looking amazing while performing at the Smash Hits awards in 1989. I wonder if they still have the Best House/Rap/Dance outfit award? This song is from her album Raw Like Sushi, which is just the sort of simile I’d employ if I was making that album too. Love your work, Neneh.
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Music while I type:

Lazy Line Painter Jane by Belle and Sebastian from their EP of the same name. I wouldn’t say I’m a Belle and Sebastian fan but I do love this song – from it’s purposefully strummed opening chords to the rather glorious coda five minutes later. Worth sitting round for.

Grandmaster Flash, The Message. The other day Tim was singing away, all “Don’t. Push. Me. Cause. I’m. Close. To. The. Edge” while we were doing groceries and kid you not, I told him to stop singing Limp Bizkit. Oops. Either it has been too long since I’ve heard this song or Tim is really bad at his vocal interpretations. Either way we both kind of suck. You have to admit, taken out of context, those lyrics do have a nu-metal tang to them. Unlike us, this song doesn’t suck. Hypnotic beat, relaxed delivery, and completely, completely classic.

Vampire Weekend, Cousins, from their latest album Contra. This is the first song Vampire Weekend has put out there which has really gripped me (not that they care, I’m sure.) It’s so high energy and catchy and over before you know it and all those other good things that a pop song should be.
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Next time: I might make something a little more grown-up. I have two quinces in the fridge, I’m trying to work out how to best celebrate them being in season, I’m thinking sorbet…

shiksa goddess i’ve been waiting for someone like you

More cake! That’s just what it’s like living with me. There will be cake.

Last weekend was a small miracle in that Tim and I had time together. I don’t mean to sound useless. I have friends to spend time with. I also like being alone. I welcome being alone. When I’m alone I can sing hideously to showtunes, eat more cake mixture, do impromptu soft-shoe dancing, and entertain fantasies of winning rap battles with my deft flow and astounding vocabulary. But for once Tim wasn’t making coffee for people on the weekend and so we were able to do all sorts of leisurely things, including finally seeing what’s on the second floor at Moore Wilson’s. Turns out that while there’s groceries and alcohol on the ground floor, upstairs they sell basically everything else in the world. It felt like we spent 7 hours up there browsing, each aisle bringing the fresh wonder that comes when you realise how many different kinds of bowls there are specifically for ice cream.

My favourite bit was the cookbook room, where I found myself instinctively drawn somehow to a book entitled The Jewish Princess Cookbook, by Georgie Tarn and Tracey Fine. I didn’t realise that a Jewish Princess was an established thing, but the book entirely dispells that ignorance on my behalf. Some Jewish food I love (Challah at me!) some is a little more challenging, but I definitely see eye-to-eye with the way that food seems so central to everything.

The first recipe I tried from this charming book was a Honey Cake, which rather delightfully contains four different types of sugar. Not in major quantities, but it’s still fun to say it out loud to shock passers-by. The cake filled the house with the warm fragrance of spices and honey, in fact for the duration of its time in the oven it was rather like living inside a giant scented candle. I managed to wait till the evening to enjoy this cake with a large mug of scalding but astringent green tea; it was a perfect combination. This cake is quick to make, dairy-free, and flipping delicious.

Honey Cake

From The Jewish Princess Cookbook

225g plain flour
115g caster sugar
1 teaspoon cinnamon
1 teaspoon mixed spice
50g clear honey
115mls golden syrup (a slightly difficult measurement to come to, roughly 1/3 of a cup plus 2 tablespoons)
50mls oil – I used rice bran
2 eggs
1 teaspoon baking soda
80 mls smooth orange juice

Preheat the oven to 170 C/325 F. Grease and flour a 20cm cake tin (I used 21cm, the cake batter didn’t notice) In a large bowl, mix together the flour, sugar, and spices. Pour in the honey, syrup, oil and eggs and beat well to a thick, smooth mixture. In another bowl, dissolve the baking soda in the orange juice, stirring well (it will fizz). Quickly add to the cake mixture, spread the mixture into the cake tin, and bake for 30 – 40 minutes. I ended up baking it for 50 minutes (with tinfoil covering for the last 15 minutes).

It tastes so good – almost chewy on top with moist, dense cake underneath. The honey and golden syrup gently add complexity of sweetness and the spices make it smell incredible. It’s one of those fantastic cakes that gets better after a day or two although naturally it’s a losing battle to make it last that long. This book is awesome for any food lover, especially as it’s an American book which has a UK edition using metric measurements – genius! Don’t doubt for a second that you’ll be seeing it more in this blog.

Fittingly, two of the public figures I most admire in this world – Nigella Lawson and Idina Menzel – are Jewish. Though, Idina famously documents her lack of Bar Mitzvah in haunting song while touring and Nigella, well look at all her pork recipes. She is not a lady who shies away from a cloven hoofed animal.

If I sound a bit all over the place it’s only because we’re heading up to Auckland to see the Dead Weather tomorrow night. I’ve got a whole lot of meetings tomorrow and Thursday but am finding it a little hard to concentrate…I said over dinner tonight that while I love the Dead Weather’s music, what’s really making my heart do a soft-shoe dance of its own is the fact that Jack White is in this band and we’re going to be seeing him. Tim agreed. No offense to the other deeply talented band members, Jack White is just pretty special. We watched White Stripes: Under Great White Northern Lights last night, it’s a beautiful and thrilling documentary which tracks their journey performing across Canada in 2007. By the end I was even more fascinated by Jack and Meg White and was wishing that they’d spend some time in the studio again. I guess releasing this DVD and their first live album is a step in the right direction.

Title comes to you via: That man with a vatful of talent Jason Robert Brown, and his song Shiksa Goddess from his musical Last 5 Years. It was originally sung by the truly loveable Norbert Leo Butz who here seriously resembles Dexter’s Michael C Hall, yes? Who also spent time as a hoofer on Broadway? Notice you never see them in a room together? Anyway, I don’t elevate myself to the lofty ideals of the song’s title but love it all the same. This musical is pretty heftily emotional and this song is nothing but welcome humour. And I like saying the word “shiksa”. Satisfying.

Music lately:

White Stripes, everything really, but for the sake of neatness let’s pin down one song: Let’s Shake Hands, from their tenth anniversary concert in 2007 in Novia Scotia…I love the way Jack says “let’s be friends, Meg”.

Stylo, the new Gorillaz song, featuring Bobby Womack and Mos Def. I’ve always loved this creation right from the start and this meditative, shuffling song is as engaging as anything they’ve ever done. From their new album Plastic Beach.

Megumi The Milky Way Above, from local Connan Mockasin’s album Please Turn Me Into The Snat. I’ve never ever been a real fan of the undoubtedly creative and talented Mockasin – his music almost makes me feel a bit queasy, like I’m spinning round too fast or like the sound is too floaty…or something. But what do you know, I really, really like this song. It’s a bit difficult to describe but it’s pretty lovely.

Next time: Tuna! In a fit of extravagance, coupled with a fear of having no omega-bla-bla-bla in our diet, I bought a juicy, crimson tuna steak and cooked it respectfully. Also you may expect a run-down of how the Dead Weather concert went…