Pink grapefruit posset with white chocolate pumpkin seed mendiants

A sliced pink grapefruit on a green plate next to four coupes of grapefruit posset

There are a few load-bearing moments in my youthful journey towards becoming a food blogger slash person obsessed with cooking; the epiphanic first time ever I saw Nigella Lawson’s face and cooking show in 2001, winning the best cake award at the 1998 Calf Club, my childhood adventures in microwaving (largely borne from the fact that we only had a microwave, but). Another such signpost is the lemon posset recipe from a Cuisine magazine—I want to say it’s from April 2002 but regrettably I lost the hard copy years ago—being my signature dessert at family gatherings for several years in my teens. It’s one of those recipes that feels like magic, and for reasons I can only chalk up to time management and perception of time itself, this is the first time I’ve recreated this dish for my almost eighteen-years-old blog. Except, here I’ve hoisted up the citrus stakes by replacing lemon with bitter pink grapefruit.

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mint choc-chip ice cream

a blue ice cream scoop and a spoon resting on a tin of mint choc chip ice cream

I am quite happy to admit when I am incorrect, not least because I have so few opportunities to do so — culinarily, at least! Outside the kitchen it’s a nonstop onslaught of realising and abegnation — but today I contritely retract my claim that mint chocolate tastes like toothpaste has fallen into my dessert. Now, supermarket mint choc-chip ice cream is still vile, with its dusty pellets of solidified cocoa-tinted vegetable oil surrounded by puffy, indiscriminately sweet frozen dairy. But when a beautiful woman tells me it’s her favourite flavour, what am I to do but promptly make several batches of it? And it turns out that my mint choc-chip ice cream isn’t just relatively more delicious than the supermarket stuff, or even than my dim expectations, it is in fact singularly sensational. Indeed, it makes my churlish toothpaste claim feel akin to those people who look at modern abstract art and say “my toddler could do that”.

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