Achtung: I’m STILL hyping myself up about being nominated for CLEO magazine/Palmolive Wonder Woman (Read more about it here.) There’s still time to help out – just email cleo@acpmagazines.co.nz with WONDER WOMAN in the subject line and “voting for Blogger: Laura Vincent” in the body of the email. (FYI – you can only vote once) I should change my name to humbleandfrozen because of how nice so many people have been about this – whether or not I get anywhere, it has still been a fun wave to flutterboard on.
Tag: Ingredient: Chilli
looking through a glass onion
It is so, so freezing in Wellington lately, that straight-through-your-clothes harsh chill which makes getting out of bed in the morning that much more aggrieving. I was in Christchurch and Dunedin over the weekend for work which was also an intensely cold experience, not to mention pretty exhausting (can’t say I’ve been sleeping well recently, and sitting in clenched frustration for an hour and a half on a plastic chair in the Dunedin airport where there is nothing to do while waiting for your flight, followed by a further hour and a half’s wait at the Christchurch airport will take it out of you. This is New Zealand, not the mighty plains of Canada, I don’t see why we need flights with stop-overs.) Hence why it has been a while since I’ve blogged.


tuna or later
I really don’t eat a lot of kaimoana, which is a bit stupid since I live in a long thin country surrounded by healthy salt water. The fish are plentiful. With the weight of a thousand magazine articles about how Omega-3 will solve all your problems and also a feeling that I was some kind of useless lover-of-food if I wasn’t cooking fish occasionally, I went to the counter at Moore Wilson’s and confidently pointed at a slab of ruby-red tuna.

I was inspired by a recipe that I read on Lori’s Lipsmacking Goodness for soba noodles with salad, the particular eye-catcher being the peanut sauce that went with it. The further I read into the list of ingredients the hungrier I became and I felt like the salty, chilli flavours in the sauce, plus its richness, could stand up well against the heavy, oily tuna. After flicking through a couple of my Nigella Lawson cookbooks I decided to coat the tuna in a rubbly mix of roughly crushed peppercorns before searing them in a hot, hot pan, figuring that the sharp heat of the pepper would provide a further contrast to the fish beneath it.
Seared Pepper Crusted Tuna with Soba Noodles and Peanut Sauce
Thanks to Lori for the peanut sauce recipe and inspiration!
Serves 2
200 – 300g fillet of tuna
2 tablespoons mixed peppercorns
Salad leaves and soba noodles for 2 people
Roughly crush the peppercorns in a pestle and mortar. Do this carefully, as the little suckers will ping out all over the place. Sprinkle half of them over one side of the tuna, pressing them in gently. Meanwhile, heat a nonstick pan till it’s good and hot. Slide the tuna, pepper side down, onto the hot pan and let it cook for a couple of minutes. Sprinkle the rest of the pepper on the other side of the tuna. Once you’re satisfied with how cooked it is, carefully flip the tuna over using a couple of spatulas or a fishslice or something, and sear on the other side. Remove to a plate and cover in tinfoil. Cook the soba noodles in plenty of boiling water – this shouldn’t take long.
Sauce
1/2 teaspoon red chilli paste
4 tablespoons tahini
2 tablespoons rice vinegar
3 tablespoons rice bran oil
3 tablespoons soy sauce
3 tablespoons smooth peanut butter
2 tablespoons sugar
2 tablespoons Hoisin sauce
1 tsp ginger, finely chopped
Whisk all the ingredients together. This makes quite a lot – I halved it. I also had no Hoisin sauce so I left it out, and added a little garlic instead.
Assembly:
Arrange a bunch of mixed salad leaves on two plates, and top with the soba noodles. Thinly slice the tuna – about 5mm-1cm thick. Arrange the slices on top of the soba noodles, spoon over the peanut sauce, and top with sesame seeds or coriander if you like.
Feeling as though Nigella, across the other side of the world, would instinctively shudder without knowing why if I overcooked the tuna, I made sure to keep it fairly rare. With its red interior and seared crust it may resemble a steak, and certainly has the meatiness, but its texture is a lot softer and it is definitely richer than any of its four-legged counterparts. As I’d hoped, the tuna, the hot pepper, and the nutty sauce all worked together seriously well. The leafy, noodly base gave further, completely welcome textural contrast without competing too much flavourwise.
The sauce was a total revelation – thick, rich, amazingly nutty and spicy and delicious. I imagine it would be amazing poured over any number of other things – beef skewers, tofu, plain noodles, rice, or as a dipping sauce for sliced vegetables, spring rolls, rice paper rolls – seriously, it was wonderful stuff. Thank you Lori! Will I be cooking more fish? I guess I’ll try. The tuna ended up being pretty expensive but it was delicious – light years apart from the stringy, grey chunks of fish that you get in cans which are actually really expensive themselves. What’s with that? Nigella has so many recipes that I want to try, which is a good push in the direction of the fish counter. As long as I don’t have to look at the crayfish in their tank. Call me a hypocrite, I mean I eat meat, but the sight of those knock-kneed, sad-eyed crowded creatures makes me want to fall on the floor and sob. It’s true.
Speaking of, on Wednesday night Tim and I had the massively good fortune to see the Dead Weather live at the Powerstation in Auckland, afterwards I was wanting to fall to the floor and sob at Jack White’s BRILLIANCE. Please don’t expect this to be a definitive review – I feel like the more I talk about this gig the less I really say. What a line up – Queens of the Stone Age’s Dean Fertita, Jack Lawrence of the Raconteurs and Alison Mosshart from the Kills comprise the rest of the band and were, you know, really good. But as the song goes, I only have eyes for yooooooujackwhite. Friends, he was sublime. The Dead Weather’s music – heavy, sludgy, intense and metaphorical – sounded wonderful in the venue, particularly I Cut Like A Buffalo. Tim and I managed to negotiate a patch pretty near the front of the stage, but the crowd wasn’t the most fun to be in, especially these girls on our right who may or may not have been on P, judging by the way they were dancing so aggressively in such a tiny space. Narrowed eyes and a “huh?” expression don’t go very far in the dark. They continued all night, inciting more and more hatred in me as their heads swung round. The girl on the left continuously tried to push in front of me – we were so tightly packed that I have no idea where she thought she might end up. Apologies for getting caught up in the negatives but it was irritating to be in the presence of such an exciting band and for everyone to be so focussed on themselves. Am I secretly a naive yet curmudgeonly old man? Anyway!
Stripped of his eyebrow-waggling White Stripes persona, Jack White was as enigmatic as ever and completely amazing as a musician – switching from drums, to guitar and vocals and back to drums again. As I said the crowd was very full-on and afterwards my neck was actually twitching – I think I got carpal spine just from trying to stay upright in the seething mass of overexcited teens. Once it was all over, Tim and I, with no shame whatsoever, waited as close to the stage door as possible (flipping miles away, in case you’re wondering, but the security were nice guys and let us stay) and waved at Jack White as he was driven away in a large white van. He grinned, knocked on the window and waved back. It was a stupidly exciting moment considering what it amounted to really. I know I go on about lots of different things but Tim and I really, really love the White Stripes and all Jack White’s inspired tangents so to get the chance to see him performing again was incredibly special. Hence the dorky photo above outside the Powerstation.
I didn’t waste time while up in Auckland, going to lots of work meetings with plenty of lovely people. Maybe it’s a throwback to my rural upbringing but Auckland always seems a bit exciting no matter how many times I go there. I do love Wellington though and it is great to be back, despite the mountain of work that piled up in my absence. This weekend I am catching up with my best friend from school, we hardly ever see each other so I can’t wait. May even break out the girdlebuster pie which is still sitting quietly in the freezer…
Title brought to you by: Bob Dylan’s song One Of Us Must Know (Sooner Or Later), and yes, sometimes on reflection it feels a little lazy to squeeze awful puns out of his back catalogue but the carpal spine I contracted while trying not to die in the audience for the Dead Weather has prevented me from doing anything cleverer. I didn’t mean to treat you so bad…
Music these days:
Billy Porter, King Of The World, from At the Corner of Broadway and Soul. Unfortunately no youtube video exists of him executing this song but you can listen to it at that link (it’s worth it – the ending is amazing!) I have recently reconnected with the astounding voice this man possesses. Watch him sing Beauty School Drop Out. Seriously. I think he discovered a new octave.
David Dallas, Big Time, the gorgeously mellow single from his album Something Awesome. Along with a whole bunch of other New Zealand artists, Dallas is at SXSW in Austin, Texas, and hopefully his sound resonates with that audience because – for what it’s worth coming from me – it feels like he could go so far. Not just saying this because I had a crush on him back when the remix for Scribe’s Not Many came out years ago.
Electric Blues from the Original Broadway Cast Recording of Hair. I know, would I stop talking about it already? I just keep getting more and more obsessed with this music. Every time I think I’m cool, I’m cool, I’ll see one tweet by Gavin Creel and then I want so bad to go to London to see the Broadway Cast transfer over there.
Next time: I’m not just going to invite my best friend round for dinner so that I can finally eat this girdlebuster pie, but if it does happen, y’all will be the first to know about it. Promise!
it looks like you’ll stay, as the days go by
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On the 13th my blog will be two years old. Considering the blinding speed in which the internet turns around, in which networks are signed up to enthusiastically and then never updated, and also the fecklessness of youth (well, I’m only 23 and therefore highly likely to be lacking in feck) it’s a pretty tidy achievement all round. Two seems like such a tiny number to measure the amount of time that this blog has been existing. But I guess it’s likely to be a lot more significant to myself than, say, anyone else on the planet. I also guess that this gives me a free pass to bake something ridiculous and unnecessary in the name of celebrating my blog’s anniversary.
Funnily enough I used a recipe the other night that I last used exactly a year ago – Rendang Asparagus and Shallot Curry, from Simon Rimmer’s pretty awesome book The Accidental Vegetarian. Incidentally the photos I took last year were much better than the photos you’re going to see today, which shows that no matter where I live, there is always potential for uselessness. Asparagus is one of the few things I’m happy to wait around for. Well, it would be choice if it was available for the eatin’ all year round, but it’s not, and it’s usually worth the wait. If I’m eating asparagus it means that the weather is getting better and Summer’s on the way.
This recipe is so good, even if the original is a little deranged in terms of volume of sugar, coconut and chilli. Simon Rimmer writes an excellent recipe, but we don’t see eye to eye on what ‘mild’ is. Simon Rimmer thinks nothing of flinging eight chillies into a recipe for general consumption. His tastebuds must be made of asbestos-reinforced concrete roofing tiles. This is truly delicious though, and the combination of soft, caramelised buttery onions and juicy green asparagus is pretty fabulous. I’d go a little easy on the amount of brown sugar you use, between that and the coconut milk it can be almost like eating pudding if you’re not careful.
Rendang Shallot and Asparagus Curry
50g butter
75g brown sugar (I used less)
20 banana shallots
400g asparagus
400ml tin coconut milk
3 T toasted dessicated coconut
Coriander to serve
Melt the butter in a pan, add the sugar and when it starts to dissolve throw in the shallots, peeled but left whole. Turn down the heat and cook slowly for at least 20 minutes, (he recommends 45 but they were more than fine with less). Blanch the asparagus and refresh in cold water. I sliced them into two-inch lengths.
Curry Paste:
1 onion, roughly chopped
2 garlic cloves
1 inch piece of fresh ginger, peeled
3 red chillies, or however much you desire
1 tsp ground coriander
1 T tamarind paste (or substitute lemon juice)
1 t tumeric
1 t curry powder
1 stalk of lemon grass
pinch of salt
Whizz the lot together in a food processor, or chop and mix everything well like I did using my mezzaluna. This results in a chunkier but no less flavoursome paste. Heat a little oil in a pan and gently fry the paste, carefully, and stir in the coconut milk, letting it bubble away and thicken slightly. Add the now magically caramelly shallots and the blanched asparagus, letting it simmer for about ten minutes. Finish by stirring through the toasted coconut and chopped coriander. If you like, add a handful of frozen peas or soybeans to beef it up (as it were). Serve over rice. This should feed four easily.
On Thursday I realised I hadn’t cooked any chicken in a long, long time. In fact that I hadn’t really eaten meat in ages. A trip to Moore Wilson’s quickly changed this, and I had a go at Nigella Lawson’s Slow Roasted Garlic and Lemon Chicken from Forever Summer.
I’d bought a couple of Maryland pieces (ie thigh and drum attached together) because it was cheaper than buying just thighs. I figured I could cleave them in half, capable-modern-lady style with one of the many enormous knives we have in our kitchen. But, could not cut them for the life of me, even using this ridiculously sharp knife and putting all my body weight on it. They remained uncloven. Strains of Alice Ripley and Emily Skinner singing I Will Never Leave You from Side Show ran through my head.
Resigned to the fact that we were going to be eating enormous pieces of chicken for dinner, I arranged the ingredients artfully in this fancy schmancy roasting tin I bought from Briscoes that made me feel very Nigella – it’s one of those deep, rectangular dishes with metal handles that she’s always flinging about. It was also about 20cm too wide for our oven. Aaaaargh. By this stage I was tempted to biff the lot out the window. But, I patiently transferred the contents into a smaller dish and left it to roast for the requisite two hours – one of the nicest things about this recipe. You have a large window of time to chill out.
Ever more and always, we’ll be one though we’re two (Seriously, watch the clip. It may well blow your mind.)
This is a really simple recipe but what’s there works wonders. Soft cloves of garlic and chunks of lemon, a slosh of wine and some olive oil all relax into a deliciously juicy sauce, and the slow, slow cooking of the chicken renders it ridiculously tender.
Slow-Roasted Garlic and Lemon Chicken
From Nigella Lawson’s Forever Summer.
This is Nigella’s recipe with her proportions – scale it down or up as you like.
1 chicken cut into 10 pieces
1 head garlic, separated into unpeeled cloves
2 unwaxed lemons, cut into chunky eighths
Small handful fresh thyme
3 tablespoons olive oil
150mls white wine
Preheat oven to 160 C.
Put everything into a roasting tin. A roasting tin that you know will fit into your oven. Make sure the chicken is skin side up. Cover with tinfoil fairly tightly, place in the oven and leave for 2 hours. Once this is up, remove the foil, raise the heat to 200C, and cook uncovered for another 30 or so minutes till everything is nicely browned and crisp. Serve straight from the roasting tin. Serves 4-6.
Not having eaten meat for a while, particularly roasted chicken, I had completely forgotten how strong it is, how that oiliness can be really heavy in your stomach. I’d also forgotten how amazing it smells as it roasts and how good the pan juices taste drizzled liberally over rice. So there you go. I can see how people could go vegetarian, but then I could also happily eat a steak on a daily basis.
Speaking of things ornithologian, on Saturday I had the privelege of seeing the Imperial Russian Ballet performing Swan Lake at the Opera House. I went with Tim and my godsister, Hannah, and we had fantastic seats. There were a LOT of children in the audience, which I don’t have a problem with – I’m all for encouraging nippers to go to the theatre – in fact it was the adults in the audience who were more fury-inducing. Some idiot behind me decided to rustle a wrapper or chip packet of some sort right in the middle of the swans’ dancing. For about 45 seconds. I have no idea what was so important in their life right at that moment that they had to rustle this plastic so incessantly. Meanwhile, another person behind me was keeping time to the music by tapping the floor heavily with their foot and slapping their knees. Why? What can tiy possibly add to the experience? The only other negative I have to get out of the way is that the Opera House isn’t the nicest location. It looks like a shadow of its former grandeur. The fact that the sound came from speakers, not an orchestra, dulled the majesty somewhat.
The dancers, however, were absolutely stunning. Swan Lake, Nutcracker and Romeo and Juliet are three ballets which don’t so much tug at my heartstrings, as blow them up and make a balloon animal out of them. The music is just so achingly beautiful and it was beautifully captured by the dancers. The girl playing Odette/Odile had a mournful featheriness with a steely reserve that showed exactly why she was chosen as the leader. The prince was leggy and leapy and could express pain and happiness and that’s all you really need. The costumes were gorgeous and the whole thing was just intensely riveting. I know I go on about Broadway a lot but while I was brought up on a fairly equal diet of musicals and ballets, dance was my first love and it’s always a pleasure to see it live.
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On Shuffle whilst I type:
Saturday Getaway from Rookie Card by PNC featuring Awa from Nesian Mystik. This guy is probably the best thing to come out of Palmerston North since Tim.
Nobody’s Side from the recording of Chess In Concert by Idina Menzel. I bought this today at Real Groovy and the very sight of it was so unexpected and so exciting that I proceeded to tell the lady behind the counter how awesome it was and how ridiculously excited I was about it. Probably should have played it a little more cool. But seriously though, Chess is a nightmare to follow but the music is ridiculously good and Idina tears this song to shreds.
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The roundabout, kind of oblique (eh, it’s 10.30pm on a Sunday night) title for this post is brought to you by: Stephen Sondheim and his song Not A Day Goes By from Merrily We Roll Along. Bernadette Peters sings it and can’t be argued with, but predictably I’d like to offer Idina’s one-off take on it, worth it for the hatey youtube comments alone.
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Next time: Well, I probably will end up baking something frivolous in the name of celebrating my blog’s two-year existence.











