I intended on publishing this on Thursday or Friday, but a ton of other things got in the way, and then Tim and I have spent the last 24 hours driving many, many, many and then some miles to visit his grandparents, having realised we hadn’t done it in a while and it was an important thing to do. I’m all good with family outweighing this blog, just as I’m cool with this blog outweighing my need to sleep and generally function. Let’s go, on with the show.
You know what I love? What really makes me want to hug myself but also not want to draw attention to it for fear of breaking the spell and then it’ll all be over? Spontaneous good times. I just wish I could schedule them into my life more often. Like, “You there! Closest friends of mine! Nothing’s happening this Saturday, so let’s all pretend like we’re going to do other things separately but actually we all secretly understand that we’ll meet at someone’s house at 9pm and then drink lots of whisky and stay up all night talking about our lives and feelings!” Obviously life doesn’t actually work like that, but I think if we all tried to maintain this pretense, it could be quite, quite rewarding.
But what about this chocolate cake already? It’s from Lucky Peach magazine, ‘a quarterly journal of food and writing’, exploring food with a kind of irreverence and fearlessness and coolness that hasn’t quite been done before, which in this everything-has-been-quite-done-before world is impressive. Like: David Simon, creator of The Wire and Treme, writes about his father’s love of sodium in this latest issue. By way of shorthand illustration of its coolth. (Also: coolth is a word. Cool huh!)
It’s not pretty, it’s occasionally kinda ugly, but the design is compelling and fun and the writing is generally super brilliant. It’s expensive but it’s only out four times a year and it’ll probably take me a quarter of a year just to read this issue. And it has this cake from pastry chef/musician Brooks Headley. It appealed to me – a plain, but excellent-sounding chocolate cake is what everyone needs up their sleeve (figuratively) and in their mouths (literally). The recipe is all in cups, being American, and in the magazine it was three times bigger than this – all I needed was one cake so I scaled it back. Forty-five minutes later when I finally figured out the mathematics of it all, I can attest that it is a fantastic recipe.
Life is strange. I buy really expensive cocoa which actually tastes like chocolate, and used that here, but I couldn’t bring myself to use a full 2/3 cup of also-pricey olive oil, so I went for 1/3 cup olive oil and 1/3 cup plain cooking oil. You do what you like.
1/2 cup cocoa
Brooks states that this recipe is “foolproof”. I am wary of this description. Getting your learner driver license is foolproof, they told me. Well this fool just failed, I replied, tearfully. It goes on. But this cake really is very straightforward. And importantly: delicious. Don’t be scared of the olive oil, it has its own nutty, buttery flavours that are perfect for chocolate and it makes for a long-lasting cake with a light crumb. I made this to augment the contents of the ‘snack table’ during some photoshoots this week and the final slice, eaten for breakfast yesterday before driving up to Tim’s grandparents’ place, was every bit as good as the first.
So thanks, Lucky Peach. Long may you be excellent.
Title via: How Lucky Can You Get, the Kander and Ebb song from Funny Lady, the sequel to Funny Girl. I love Barbra, but Julia Murney interprets it deliciously. As she does with everything.
Frank Ocean, Bad Religion. OBSESSED.
It’s not music, but I have been watching this video lots and crying nearly every time, which is what I tend to do with music anyway. Nadia Comaneci in 1976, getting – spoiler alert – a perfect 10 for her floor routine. I used to be so (here comes that word again) obsessed with her as a kid, and youtube has helped me remember just why.
Next time: Whatever it is, I’ll blog about it sooner this time, promise!