Category: Easy and/or Fast

it’s all grand and it’s all green

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So the best place to buy tofu as far as I can ascertain is the vege market on a Sunday. I branched out this week and went for soft tofu instead of firm; the name doesn’t lie. It near on falls to pieces if you look at it sideways. I guess it’s kind of the minced beef to firm tofu’s rump steak.

I ended up with a whole lot of root vegetables that needed eating on Sunday night. Usually my fallback option in this situation is some kind of pseudo-Moroccan would-be tagine-esque thing, which is seriously what I thought I was cooking last night until I realised it had actually shifted direction altogether into a curry. It’s a fine line – all that cumin, tumeric, coriander… suddenly I found myself wondering whether I should add more tomatoes and feta cheese or biff in a can of coconut milk. Coconut milk won out and I suddenly had this rather gorgeous vegan curry on my hands.

I defrosted some unshelled soybeans (I go through bags of them these days) and popped the beans within into the stew for a little colour contrast…to stop it being overwhelmingly like a braised curtain from the 70s (or, in fact, the curtains I remember us having at home while I was growing up – I have distinct memories of some yellow and brown floral motif…Mum?) The soybeans were awesomely elphaba-green against the earthy vegetables, their colour softened by the coconut milk.

While licking the lid of the coconut milk tin, to catch the sneaky extraneous cream that gathers there, it occurred to me that chocolate ice cream made with coconut milk could potentially be mindblowingly nice. Especially with chunks of milk chocolate and toasted coconut shreds, like a posh version of the Choc Bar ice creams of my youth (and occasional nights in town – for some reason I always crave ice cream if I’m out and about of an evening, you can keep your kebabs and pies thank you). If you haven’t had a Choc Bar it’s basically the above but in a $2.50 icecream-on-a-stick form and laced with palm oil (yeah, I went there. And while I was there, through rigorous testing, discovered that Whittaker’s white chocolate is comparitively amazing.)

The recipe for this suddenly-curry is chilled out, the only thing I measured out with any strict attention to detail was the rice. Nevertheless I’ll tell you exactly what I did in case the idea takes your fancy. It made a fantastic relaxed Sunday dinner. Warming and hearty, the creaminess of the coconut milk soaking into the ridiculous amount of vegetables (seven veges – eight if you count the tofu, which you might as well.) You basically can’t get it wrong which is also nice.

Root Vegetable Curry with Tofu and Soybeans

1 Onion
3 garlic cloves
1 swede (is Swede a root vegetable?)* diced
1 carrot, diced
1 parsnip, chopped
1 kumara, diced thickly
1/2 a cauliflower, chopped into small florets
Good handful soybeans

2 teaspoons cumin seeds
2 teaspoons coriander seeds
2 teaspoons tumeric
1 teaspoon ginger
1 red chilli, seeded and chopped (optional if it’s not your thing)
Zest and juice of a lime
1-2 teaspoons of honey

1 tin crushed tomatoes
1 tin coconut milk
As much tofu as you like

Chop onion and garlic finely and gently saute in a wide pan. Once it has softened a little, add the spices, chilli, honey and lime juice. This will caramelise the onions slightly, you want to keep stirring it so the spices don’t char.

Add the vegetables at this point and stir thoroughly to coat them in the spicy onion mixture which by now will be quite dry. Tip in the tin of tomatoes, half fill the tin with water and swish it into the pan. Stir, cover and allow to simmer till the veges are tender (the swedes are the slowest to kick into action I’ve found).

Stir in the podded soybeans, tofu, and as much coconut milk as you like. Allow to simmer for ten minutes or so. Serve over rice (or ree-cheh if you will)

Serves 4

This was delicious. The vegetables (and inevitably, my entire face) all stained yellow by tumeric, the coriander seeds providing bursts of subtle citrus to complement the lime, the strident warmth of the spices cutting through the creamy coconut…the emerald-bright soybeans doing no wrong as per usual…
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overheard in our kitchen
Me: Do fish bleed?
Tim: …………………..Yes.
Me: Yeah, but when you cut into them…there’s no arteries…they’re not like, say, sheep, which are basically built like humans in that they’ve got leg bones and muscles and…
Tim: They’re just like sheep. They bleed.
Me: Yeah, but you cut open a fish and there’s the skeleton, but it’s just…surrounded by fish fillets.
Tim: I was thinking more like fish fingers.
Me: Yeah. Tightly woven fish fingers.

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Tim and I went to see Wizard of Oz at Embassy cinema yesterday afternoon. It was wonderful seeing it on a big screen, partying like it was 1939. The technicolour made me gasp and the Wicked Witch was still as terrifying as I remember from my youth. But, this is the first time I’ve watched this film since reading the jaw-dropping Wicked and making a connection with the musical of the same name. And it was impossible to remove that context, to view it without that lens. Why does no one show sympathy when the Wicked Witch’s sister has died? Why did the Wizard get away with lying like that? How is Glinda so ‘good’ when, let’s face it, she appears to be on valium? She can hardly connect with Dorothy’s feelings of fear – although let’s also face the fact that the film wouldn’t have been so satisfying if, 23 minutes in, Dorothy was safely assisted back to Kansas.)

I actually cried during Somewhere Over The Rainbow (Judy Garland – so tragic! And it’s a beautiful song). And again when the Witch dies – it’s an emotionally fraught moment! I couldn’t help but imagine Glinda somewhere behind a curtain or pillar watching it happen a la the musical. Or the Witch being frantic by lack of sleep and an inability to communicate effectively a la the book. And I might have cried again when Dorothy said goodbye to the Tin Woodsman, Scarecrow and Cowardly Lion. (Who, in retrospect, are deeply camp, yes? Also: Fiyeeeeeeeroooooo!) I really never cry in films or books or things like that so I’m always a bit interested to note when I do. And…I really want to see Wicked now. I know, it’s so done by all the cool people already but as I’ve said many times, it’s not as easy when you’re in New Zealand.
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On Shuffle whilst I type:

Die, Vampire, Die by Susan Blackwell and the rest of the cast of [title of show] from the cast recording of [title of show]. Had a slight epiphany Monday morning while unable to sleep (I woke up at 5:00am! And remained awake! It’s not fair!) that I could so do the role of Susan Blackwell. It’s like it was made for me (except it was made for the real Susan Blackwell. Confused? Maybe you should be. But if you’ve made it to this segment of the blog unsullied by confusion then you’re doing pretty well, all things considered. Also, Wikipedia it, my children.)

Rez, by Underworld. It’s on this compilation from the nineties that I found. I wish I’d had this compilation back in the actual 90s because it would have made life a lot easier. Instead I lay awake at night with my ear pressed to the radio and its hopelessly crackly signal, waiting for Flagpole Sitta – back in the days before the internet when I didn’t even know what the song was called, but the lyrics “the agony and the irony they’re killing me” seemed so meaningful to a 13 year old – or something by Radiohead to come on. Anyway Rez by Underworld is incredible – like what I imagine the fairies from Shirley Barber’s beautiful picture books would dance to if they went to a rave on a lily pad. See?

Galang by MIA from Arular. Have been a fan of hers since I saw the video for Bucky Done Gun in a hotel room in Germany in the summer of 2005. Didn’t realise music was capable of sounding like that.

Is it bad that I have this urge to make some kind of dish (probably ice cream, my default flavour-carrier) heavily featuring galangal so that I can use galangalangalang as my blog post title?

The title for this post is bought to you by: One Short Day from the musical Wicked, where Glinda and Elphaba travel to the emerald city for the first, fateful time…pausing only for a kicky song-and-dance number.

Next time: Considering this post bears little resemblance to what I promised would be happening I’m not sure if it matters what I write here. Truth be told I’m a bit terrible at snappily rounding things off so this is like an ‘out’ for me. Like on Whose Line Is It Anyway when Colin Mochrie would pretend to faint so that he didn’t have to come up with a verse in an impromptu hoedown. Does anyone remember the vastly superior British version of that show? Whatever happened to it?

complainte de la bundt

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It’s a truth universally acknowledged that cakes look more exciting and complicated if they’re baked in a fancy tin. It just seems more impressive if it’s shaped like castle turrets or a giant rosebud or the Trevi Fountain. I mean, it’s not like you actually painstakingly sculpted the cake into this particular form with a palette knife while wearing a beret. But there you go.

I was predictably excited to buy on sale recently a good sized silicone bundt caketin. I feel as though a bundt tin falls comfortably between practical and largely dust-gathering on the kitchenware scale. It’s really just another cake tin, not as usable as a 23cm springform but not as confoundingly quixotic as, say, a madeleine tray (nothing against madeleines – every time I make them I end up wondering why humans haven’t evolved to make small, honeyed cakes a staple food). A bundt cake just looks so majestic with its undulating curves and waves and towering hilltop form, so much more than your perfectly serviceable but normal looking regular round cake.

I was initially going to make a fabulous sounding orange cake from Annabelle White’s Annabelle Cooks, which sported a large, fetching image of an orange bundt cake. However the recipe specified a 26cm springform tin and the disparity between instruction and image made me far too nervous. Not on my first bundt.

Instead I went for an equally lovely sounding Spice Cake from my charmingly eighties (if it moved, they set it in gelatine) Best of Cooking For New Zealanders cookbook by Lynn Bedford Hall (look for it in your local charity shop – I could use it every single day). As well specifically requesting a ring tin, it also used less eggs than the spurned orange cake. It was all going just peachy. You know me, always happiest when messing around with cake batter. I piled the cinnamon-spiced, nut-spiked batter into the tin, put it in the oven, marvelled as the house filled with the warm, happy scent of cinnamon…Oh how wrong I was. Fate (and possibly Annabelle White) were standing behind me, pointing and laughing the whole time.

Because then this happened.

What now? That’s just not fair. You know how there’s that saying? Pride goeth before a fall? Well with me it’s excitement goeth before a fail. If I had a dollar for every time… Seriously, I don’t know what went wrong. Half the cake just decided it wasn’t ready to leave home yet. Any guesses from seasoned bakers out there? The tin was silicone and everything. I wonder if I didn’t leave it long enough before turning it out? Maybe I left it too long? I’m in a quandary!

Aesthetics aside, the cake itself is really delicious though and very, very easy to make. Whatever I did wrong – presuming it was my fault at all – I definitely won’t take it out on the recipe itself. If you want to recreate this psyche-damaging disaster in your own home feel free, may you have better luck than I had…

Spice Cake

2 tsp baking powder
350g brown sugar
2 eggs
450g flour
345mls buttermilk
250ml (1 cup) plain oil, like rice bran or grapeseed
2 tsp nutmeg
1 tsp cinnamon
1 tsp ground cloves
2 tsp baking soda
175g sultanas (I used currants)
125g chopped nuts (I used walnuts)

Set the oven to 180 C (350 F). Place all the ingredients except for the nuts and sultanas into a large bowl and mix with electric beaters for one minute.

If you don’t have electric beaters (like me), mix together the oil and sugar, then the eggs, then everything else till it’s incorporated good and proper. Then, fold in the nuts and sultanas.

Spread this thick mixture into a bundt tin and bake for an hour, covering loosely with tinfoil if it starts to darken too much. Stand for five minutes (which I did!) before inverting onto a cake rack.

As you can probably tell from the ingredients this makes a large, moist, delicious cake that keeps well and has a gentle warmth from the spices used. Which means I can overlook the fact that it had a total breakdown in front of me. And I will carry on bundting.

For my sake at least, so I don’t feel completely like what the French call les incompetents, here below is an example of something I actually achieved without a hitch.

I’ve made this caramelly, oaty slice before, blogged about it even, but whatevs. I’m calling upon it again. And at least you know it’s good.

Breakfast Bars

From Nigella Express by Nigella Lawson

1 can of sweetened condensed milk (roughly 400g)
250g rolled oats
75g shredded coconut
100g dried cranberries
125g mixed seeds (sunflower, linseed, pumpkin, etc)
125g unsalted peanuts

Preheat oven to 130 C, and oil a 23x33cm baking tin or throwaway foil tin. Warm the condensed milk gently in a pan till it is more liquid than solid. Remove from heat and then add the rest of the ingredients, stirring carefully with a spatula so everything is covered. Spread into the tin, even out the surface, then bake for about an hour. Let cool for about 15 minutes then slice up. I swapped the expensive cranberries for a handful of currents lurking agedly in the pantry and left out the peanuts because I just didn’t have any.

Nigella reckons this slice gets better with age and I agree – it just sort of settles into a chewier, nuttier, caramellier bite the longer you leave them. Super easy and good to have on hand to assuage any dips in blood sugar.

For what it’s worth, and I realise there’s little more nauseating than couples who start talking in their own cutesy language, but we’ve ended up pronouncing the word slice, as in oaty slice, “slee-che”, inspired largely by Dr Leo Spaceman (pronounced spa-che-man) from 30 Rock. It’s funny how many words you can start manipulating in this way. Face, place, rice, ice…it’s like a Dr Seuss book here sometimes. Actually I have a really bad habit of mangling words when speaking casually. Such as ‘whatevs’ instead of ‘whatever’ which is a bad enough word in itself. I like to lengthen the ‘i’ in chicken so it rhymes with ‘liken’ and drop the end of ‘decision’ so it’s just ‘decish’ and frequently substitute the letter ‘j’ with a ‘y’ or an ‘h’…it’s all a bit obnoxious really but I like to think of it as taking a simple joy in linguistics. Look at this, I haven’t even been tagged with an internet meme and yet I’m revealing a bizarre fact about myself. Is that allowed?
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The big news in our lives right now is that Tim is walking around looking all medieval, as while I was in Auckland one of his teeth just crumbled on him like an uncooperative bundt cake. He didn’t tell me till six days later when we met up again as he couldn’t figure out how to explain it in a txt message. Fair enough, I guess. As per usual the dentists want him to mortgage the tooth against our house with his liver as bond (ooh, I’m typing all heavily just thinking about it, the prices dentists charge get me all fired up.) Because he couldn’t afford a root canal and I couldn’t even afford to support him for it, he instead paid a smaller (but still hefty) sum to have the tooth pulled altogether. It’s causing him no small amount of pain, and we’ve been eating very soft, liquidy dinners over the last couple of days – soup, long-simmered, falling apart stews, that sort of thing. Luckily it’s not an entirely visible tooth but nevertheless, I’d like to think he has the panache to pull off looking like a Renaissance-era minstrel.
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On Shuffle whilst I type:

Amen by Jolie Holland from Escondida. We were lucky enough to see her in a beautiful, intimate gig earlier this year. If the idea of Appalachian folksy blues appeals to you then you would do well to look her up. This particular song is simply stunning.

John The Revelator by Son House from The Roots of The White Stripes, a compilation of the original blues and folk songs that the White Stripes have covered either live or in albums. Sounds tacky as hell but it’s not – it’s a fantastic listen packed with gems both dust-covered and well known.

Why Can’t I Be Like The Boss a song cut from the 2006 Tom Kitt musical High Fidelity. I kinda love this song, especially when the Bruce Springsteen character really gets going.

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This blog title is bought to you by: Rufus Wainwright
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Next time: I got it in my head that ice cream flavoured with palm sugar and kaffir lime leaves would be pretty sassy. So I think I’m going to make that this weekend. Hopefully Tim’s teeth, or lack thereof, are up to it. And one day, I will make another bundt cake.