if you want my gravy, pepper my ragu

I guess the food I grew up on wasn’t fancy. Things like 2-minute noodles, boiled potatoes, microwaved frozen mixed veges were standard. I’ve probably said it before, but for a long time we mostly ate just microwaved food (sure, Mum had this amazing golden syrup sponge pudding recipe, but there’s definitely a reason why ‘Microwave Gourmet’ cookbooks are always over-represented at op shops and book fairs). Anyway, we ate just fine, and I should count myself lucky to have got regular meals anyway. But I wonder if it’s a product of my non-fancy upbringing, plus maybe some general deep-seated New Zealand backwards-in-coming-forwards-ness that I sometimes feel a bit bashful with fancy sounding recipes. Just realised I’ve said fancy about twelve times now. Anyway, the reason I got to thinking about this was that I have a recipe for Ragu Di Piselli – Italian for Pea Ragu – and for some reason my mind automatically went “well I’ll just call that peas and tomatoes”. Why? False modesty? At what? It’s not like I have to worry about Tim not eating his dinner because it doesn’t sound familiar (ha!). It’s not like you readers can’t handle some culinary Italian language.

Really, you can call this what you like, although it’s nice to acknowledge the lineage of something, food or not. I found this recipe in a Cuisine magazine (September 2005) and if nothing else, the Italian name cleverly masks the fact that this sauce is just peas and tomatoes. Maybe the sort of person who would sneer at an unrecognisable name for their dinner would also sneer when they found out that their dinner largely consists of two vegetables. Maybe these people can deal with it and learn something – it’s seriously delicious. From my own experience, Italian food can be aggressively simple. It’s good to just go with it, rather than be nervous that what you’re serving isn’t ‘enough’. (as I learned with the Peaches In Muscat back in February.)
Ragu Di Piselli/Pea Ragu/Peas and Tomatoes

From the September 2005 issue of Cuisine magazine

50g butter
1 T olive oil
1 onion, finely diced
100mls white wine
200g frozen peas (or fresh, but frozen is mostly how they arrive)
400g can cherry tomatoes or whole peeled tomatoes
One teaspoon tomato paste
Salt, pepper, parsely and Parmesan to serve

Melt half the butter with the olive oil in a pan. Saute the chopped onion till translucent, pour in the wine and allow it to fizz up and evaporate slightly. Now, add the peas and tomatoes. If you’ve got cherry tomatos, handle them carefully so they stay whole, but if you’ve got bigger tomatoes mash them up. Add the tomato paste, simmer on a low heat until the sauce thickens slightly. Stir in the remaining butter and serve.
Notes:
  • Canned cherry tomatoes are getting easier to find. But the usual whole or chopped ones are fine.
  • One teaspoon of tomato paste is an annoying measurement. If you don’t have any, just leave it out.
  • I’ve made this before with sake when I didn’t have any white wine. It was awesome.
  • I added some frozen soybeans along with the frozen peas here.
  • If you just use olive oil and leave out the Parmesan (which I hardly ever have anyway) you’ve got yourself a vegan dinner. If you want to take things in the other direction, chorizo or bacon could be added.
  • The recipe apparently serves six, but…nahh. This amount fed two of us.
  • I served it on a huge pillowy pile of polenta, which I’m a bit obsessed with, but pasta is obviously good and what the original recipe recommends.
Simple, sure, but also amazingly delicious. The tomato becomes sweet and soft and intensified, the peas give texture and bite, while the wine imparts a mysteriously good flavour once it makes contact with the hot pan. Something about the vibrant colours and juicy tomatoes means that it doesn’t feel like you’re just eating two vegetables stirred together (a bit like the soup from last time). Whatever you want to call it, this dinner can be made entirely from stuff at the back of your cupboard and freezer, which is really awesome for when you want to make dinner but feel like there’s nothing around. Sometimes I do run out of frozen peas and canned tomatoes…that’s not fun.
The conference last week up in Auckland went really well – my presentation bit was hitch-less, I learned heaps and I had an amazing lychee shake at a Vietnamese restaurant in Panmure that I really want to recreate. I got back on Friday night absolutely exhausted though, so even though I had grand plans to head out again, I ended up quickly faceplanting, unfortunately missing the fireworks. Luckily people round Wellington have interpreted this as “Guy Fawkes Season” rather than sticking to the actual night itself, and so there have been plenty of lit-up skies. I love fireworks (and still have a soft spot for sparklers) so it was a shame to miss the big show on the waterfront. The weather on Friday night was particularly brutal though, so I was happy as to just flag it and go to bed. Either way, it felt so, so good to be back in Wellington.
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Title via: The cast recording of Chicago (Chita Rivera, Gwen Verdon, Jerry Orbach, hello!). The 2002 film soundtrack I can hear in its entirety just by closing my eyes thanks to an aunty who played it a lot (something I can totally understand.) From it comes the beautiful Queen Latifah’s portrayal of Matron Mama Morton, whose big number When You’re Good To Mama is where this title comes from.
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Music lately:
I know I mentioned her last week, but whatever. On Saturday night we saw Ladi6, back in New Zealand after some significant creative time in Berlin, at San Francisco Bath House. She was amazing and I wrote some thoughts here at 100s and 1000s. Her punchy ode Like Water from new album The Liberation Of… has been rippling persistently through my mind ever since then.
Gomez, Bring it On, from their album Liquid Skin. I’m not sure how consistent these guys are but there’s a lot of amazing stuff on this album – maybe I’m a bit biased as I listened to it a lot back when I was in England – I love the mix of layered, bluesy sounds and voices.
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Next time: I’ll probably start panicking about how close to Christmas it is. I’ve found some photos from the first recipe I made from Nigella Kitchen (apple cinnamon muffins) so I should really blog about them sooner rather than later…

one night in bangkok makes a hard man crumble

Crumble has got to be some of the the best kind of food in existence, among the comforting-est of all the comfort food. In Nigella Express, there is this very cool idea where you make up some crumble topping in advance and freeze it so if you ever want pudding, but the thought of actually having to cook makes you weepy, you’re still good to go. I mean, there’s a bit of initial effort that goes into it. But that’s the good thing about Nigella – there’s options. Whether you’re in the mood for a seven layer trifle where you make your own sponge and custard by hand, or something more or less instant but not so instant that you’re sitting on the couch ejecting a can of whipped cream into your mouth, she’s got you covered.

That said, I can’t help being suspicious of crumble recipes, and will often think “that’s not nearly enough butter!” as I read the list of ingredients. I definitely trust Nigella Lawson, the woman who taught me that 250g butter in one cake is just fine, but even so when I saw that her recipe was for four servings, it took effort to stick to the 50g she stipulated. Worrying, maybe, but true. No one wants wafer-thin crumble coverage.
Turns out 50g was all good, and there was no need to get so hand-wringingly righteous over it. That said, when you divide 50 between 4 that’s only like…less than 1 tablespoon of butter per person. That’s practically nothing. But go with it, you somehow end up with just the amount of crumble you need. Nigella calls this “Jumbleberry Crumble”, which is just an olde English term for “whatever berries you have”. I had the end of a packet of frozen blackberries, plus some cranberries leftover from last Christmas. While I held back from exaggerating the topping quantities, I did add some dark chocolate chunks to the fruit. It felt right, but then adding chocolate to things usually does…right?
Jumbleberry Crumble

From Nigella Lawson’s Nigella Express

For the Crumble Topping:
50g butter
100g flour
1/2 teaspoon baking powder
3 tablespoons brown sugar

Rub the butter into the flour and baking powder, till it resembles coarse crumbs (with some inevitable floury dustiness). Stir in the sugar, and then tip into a freezer bag till needed.

Assembly:
Set your oven to 220 C. Get some ovenproof ramekins, fill with frozen berries (and a few dark chocolate chunks if you like), sprinkle over 1 teaspoon cornflour, two teaspoons sugar, and a couple of tablespoons (roughly 50-75g) frozen crumble topping. Bake for 15-20mins depending on the size of the ramekin – 125g ones for the lesser time, but 250-300ml ones will take a little longer.
I made these fairly late at night with both low lighting and low camera battery, not giving me a lot of room to move as far as getting quality photos. Next time?
These were delicious – the chocolate melting into the sharp juices released by the frozen berries as they stewed in the oven, creating a thick, rich sauce for the fruit. The crumble topping was highly satisfying despite my earlier nervousness – biscuity, sweet and gratifyingly crisp in places. Plus, because there’s only the two of us, I’ve got some crumble mix in a sandwich bag in the freezer, just waiting to be sprinkled over fruit on another cold evening. For all that I talked about Spring and skipping along in the mild sunshine with armfuls of asparagus bushels in my last post, the weather in Wellington is so variable (and it varies heavily towards the murkier, chillier end of the scale more often than not. This is a pain, but there is an upside when it means you’re more likely to be in the mood to eat crumble.)
Title via: One Night In Bangkok from the musical Chess. Confession: I actually thought that my title was the lyrics but it turns out it’s actually “makes a hard man humble”. Whatever. I love this song – the strange, theatre-plus-rapping that became a chart hit despite having perhaps seriously Top 40-unfriendly lyrics and concept. Adam Pascal’s take is pretty fabulous, from the 2008 concert with Idina Menzel and The Wire’s Clarke Peters, but is cruelly unavailable on Youtube. You’ll just have to buy the DVD…Nevertheless Murray Head’s original has its dubious charms also. I did a jazz dance to this many, many years ago, I can still remember bits of it to this day.
 
Music lately:
The Little Things by TrinityRoots. We saw them on Sunday night at the Opera House on their ‘reunion’ tour. They seemed so comfortable with each other – spinning a tune out for ten minutes and then with a collective nod seamlessly bringing it back down to earth. All three of them are wonderful to watch – Warren Maxwell looking calm and spiritual, Riki Gooch’s boyish face belying his monster talent on the drums and Rio Hemopo providing welcome bass in both guitar and voice. They were supported by Isaac Aesili, who is hugely talented in his own right, and Ria Hall, who I’d met before when she emceed the Smokefree Pacifica Beats, and has an absolutely stunning voice. It was a beautiful night.
What’s Going On, Marvin Gaye, from the album of the same name. Tim got some Marvin Gaye on vinyl and this song is just up there with the very best of all music, like crumble is among the best of all foods.
Next time: As I said last time, I have some options, so it all depends on what I feel like…by the way, I’ve tinkered round and added the option of a Facebook ‘like’ button just below, in case you’re all “I don’t like change!” I don’t even really like Facebook so am a bit unsure about actively letting it invade my blog but wanted to give this ‘like’ thing a whirl. Considering how rubbish the photos are this week it possibly isn’t the best place to start and will probably put any new readers off, but anyway, if you don’t know, now you know…

and all shall fade, the flowers of spring

Whenever Spring rolls round again (I know it’s boring to insist how fast the year seems to be moving but: the year seems to be moving fast) there’s this flurry of asparagus-loving that goes on in the food-related media. Which is fair enough since it’s really delicious and takes its sweet seasonal time getting here and, importantly, its arrival means we’re getting closer to summer. Somehow I haven’t really embraced asparagus much this year – it’s nearly November and this is the first time I’ve cooked it. I’ve been travelling round a bit lately and had a few late nights that slow down my ability to get to the vege market, and while “social life > asparagus” looks good on paper…it’s good to finally have some in the fridge.

I couldn’t fight the inexplicable need to take lots of is-it-isn’t-it-focussed photos of it first.
This would have been a lot more dramatic if I’d had more asparagus, but whatever.
The reason I don’t have more asparagus up my sleeve to take fancy photos of is because I used half my stemmy green bounty earlier this week in something that Nigella calls “Sweet Potato Supper” – a roasting dish of chopped kumara, stems of asparagus, and chopped bacon, sprinkled with thyme and drizzled with oil then baked for an hour. So good.
With the remainder, once I’d finished snapping it from high and low angles, I made a recipe from the Floriditas cookbook. Floriditas is a restaurant down the road and the sort of place that I find myself gazing wistfully at as I pass. Similar to how, if we were ever at the Warehouse in town, I used to ask salespeople to find out how many Spice Girl polaroids there were left in stock, and how much one cost. When they came back and told me I would then sigh and say “okay, thanks” and just stand there, looking wistful. I don’t know why, I guess I was hoping some eccentric millionare would be wandering through the Pukekohe Warehouse and take pity on me or something. Anyway, Floriditas is so, so nice. I’ve only ever been in there for coffee and cake as it’s a bit out of our reach but their elegant cookbook allows it to come closer to home.
It’s divided into months, beginning with December, and recipes reflect the seasonal produce and mood of each time of year. It assumes you know a lot – recipes tend to be sparsely worded – and it could have done with a bit of subediting, but there are a lot of beautiful things to be made, gorgeous pictures and a lovely introduction from Julie Clark and Marc Weir, both of whom can often be seen through the windows serving diners. I only really wish that it had more baking recipes in it – but then as their cakes are so amazing maybe they don’t want to play all their cards at once.
My main reason for attempting their Asparagus and Tarragon Spaghetti with Garlic Crumbs was that I’d spontaneously bought a giant tarragon plant from those stands selling herbs at the supermarket because it felt like a good idea at the time. This recipe not only helped out with that but also is a decent showcase for the asparagus spears sitting in the fridge and the idea of ‘garlic crumbs’ was pretty alluring. It’s a recipe for two people but you fry the breadcrumbs in 100g butter. It’s like they were thinking of me, specifically, when they were writing this.
Asparagus & Tarragon Spaghetti with Garlic Crumbs

Adapted slightly from Morning, Noon and Night, the Floriditas cookbook.

For the crumbs:
1/2 a loaf fresh ciabatta
8 cloves garlic, finely chopped
100g butter
2 tsps olive oil

Tear the ciabatta into chunks (I left the crust on, despite being told to remove it) and use a food processor to chop the bread into fine-ish crumbs. I should have done this, but couldn’t be bothered getting out the food processor for one job, so instead I hacked and sliced the crumbs into submission with a serrated knife. In a large pan, melt the butter and oil together, then add the crumbs and garlic, stirring regularly till they are golden and crunchy and starting to colour slightly. It might look a bit terrifying to some at this point but the bread absorbs all that butter very quickly. Anything you steal from the pan at any stage will taste amazing.

For the spaghetti:

100g spaghetti (I upped this to 200g for the two of us – 100 seemed too little)
1 bunch asparagus
olive oil
1/2 cup fresh tarragon leaves
4 T freshly grated parmesan
Optional: I added a handful of frozen peas to the pasta during the last five minutes of the cooking time. With all that butter I wanted a bit of extra vegetable.

Cook the spaghetti as per packet instructions in a pot of boiling salted water. Meanwhile, slice the ends off the asparagus then slice the stems diagonally. Heat a little olive oil in a pan and saute the asparagus till it turns bright green and is cooked through and a little darkly crisp in places. Once the pasta is cooked, drain it and toss into the pan with the asparagus, mixing gently to disperse (never very easy, to be fair). Add the tarragon leaves, parmesan and crumbs, mixing gently again, and then divide between two plates.
I knew if I made the crumbs first I’d end up eating them all while the pasta was cooking. So, to save the crumbs and also to save on washing up, I sauteed the asparagus first, set it aside, then made the crumbs in that same pan in the last five minutes of the pasta cooking. I thought this was a good thing but it turned out to highlight how my good intentions don’t always turn out right. Nothing dramatic, I just forgot that I’d set the asparagus – one of the central, yay-it’s-Spring-already ingredients – to the side. It wasn’t till I’d finished taking photos and we’d sat down to eat that I remembered.
So there’s the asparagus, hastily
It was incredibly good – the grassy, slightly scorched sauteed asparagus against the deeply buttery crumbs and intense garlic flavour. It possibly doesn’t sound like much of a meal – bits of vegetable and bread on spaghetti – but it’s not only filling, it also tastes somehow luxurious but comforting, with the smell of fried bread as you stir the crumbs…it’s a fantastic way to celebrate one of the nicest Spring vegetables, but even if you don’t have asparagus you could make this with just peas, or maybe courgettes, to give green juiciness against all that butter and crunch.
Last night Tim and I went to see Sage Francis at San Fransisco Bath House. I’m very glad we went along – it’s supposed to be the last tour he’s ever doing. We’ve seen opening act Alphabethead once or twice before and he was as alarmingly dynamic as ever, deftly throwing in So So Modern’s Berlin (a couple of the band members were in the audience) and doing things that I can’t even describe on the turntables but they looked very complicated. And he seemed really happy to be doing it, which is awesome. Sage Francis appeared draped in a flag bearing the logo of his record label and gave us his fired-up, powerful and occasionally humorous material, (at one point ripping off a toupee) delivered with amazing flow – the way he twisted words and rhymes around rhythms was awe inspiring. Tim and I hung back, curious and interested observers, but it was cool to see many in the crowd obligingly throwing his own lyrics back to him whenever he lifted the needle on the track. He finished with the stunning, spine-tingly The Best of Times, which, even if you aren’t sold on my description of the evening, I urge you to check out. Then he jumped into the crowd and started shaking hands and taking photos. We left the true fans to it, feeling like we’d seen something seriously special.
Speaking of turntables, Tim got home from work yesterday holding one. We’ve been together for five years now (‘anniversary’ sounds a bit uncool but there it is) and he decided to get it as a present for us, even though we don’t really ‘do’ presents. I guess it was more of an excuse than anything, but to be fair he did secretly bus to Petone to one particular second-hand music shop to find me some old Broadway records. It’s exciting times – there’s all these ancient recordings and they’re so cheap. I’ve been listening to the original Broadway cast recording of Hair more or less non-stop. Not that we’re going to replicate our music collection on vinyl, it’s more of a case-by-case thing (or for me, a caseload-by-caseload of Broadway thing). Although, now that I’ve fleeced Real Groovy and Slowboat, it might be time to look further afield…especially if I want Sondheim…
Finally in music-related stuff, my dad’s band Apostrophe has their first music video for their song The Skeptic – I’m proud as, especially as I know all the work that went into it. Bear in mind it was all made during whatever spare time was available, with zero funding and relatively unfancy technology. Feel free to check it out by clicking —> HERE.
Title via: Spring Awakening‘s finale, Song of Purple Summer. A beautiful song with some gorgeous harmonies. Going more ‘thematic’ here since there just isn’t a wealth of songs about asparagus.
Music lately:
Amongst the Streisand and the Liza and the (unfortunately skippy) Godspell and so on, we picked up this amazing collection of 38 Bessie Smith songs. All gold, but If You Don’t, I Know Who Will is one of my favourites.
Typical Girls by The Slits. Ari Up, aspirational woman who formed The Slits when she was only 14, died on the 20th aged 48.
 
Next time: I am in a rare situation where I’ve ended up with a ton of things to blog about so it could be anything depending on what I feel like writing about when I next get some spare time – but my money’s on that crumble.

she likes her hair to be real orange

I made Nigella Lawson’s Chocolate Orange Loaf Cake yesterday and I gotta say, I absolutely love it, for all that I was never massively sold on Jaffas as a kid. Not that we ate lollies all the time, or that I would have turned Jaffas down given the chance. But when the rare money I came across coincided with a trip into town I would tend towards a dollar mixture, or those sherbety fizzy lollies, or, eventually, showing my Spice Girls influnce, chupa chups. What I bought most of all though was Grape Hubba Bubba bubble gum, fifty cents a packet if I remember right. I loved that stuff. The combination of fleeting, fake-grape flavour (a million years removed from the wasp-guarded vine that grew – then withered away – on our wire fence) plus the bonus time-passing activity of blowing bubbles was pretty heady. Especially since casually snapping gum and consuming grape-flavoured things seemed very American, which was pleasing since I was so obsessed with Baby Sitters Club books. Erm, anyway Jaffas were never that high on my list. Although I’ve since realised that they’re probably not the best example of the two flavours anyway, I doubt that any actual oranges or decent chocolate suffered in their making…

Reading through Nigella Lawson’s new book Kitchen, which continues to make me want to cook everything from its pages, her Chocolate Orange Loaf called out to me (not literally…though give it time). Plain, dark-brown, oblong, it’s nothing fancy to look at, and in fact I was almost about to make her Blondies which has cool stuff like chocolate chunks and condensed milk in it. But then fate, or maybe something way less dramatic, like me just making a different decision, intervened. And I’m not even that fussed because I’ll probably make the blondies too before the weekend is out. Either way I’m glad I went the way of the chocolate-orange combination, forgoing my Jaffa-indifference, because the result was pretty stunning.

 

Chocolate Orange Loaf Cake

From Nigella Lawson’s Kitchen

  • 150g soft butter
  • 2 x 15ml tablespoons golden syrup
  • 175g dark brown or muscovado sugar
  • 150g flour
  • 1/2 teaspoon baking soda
  • 25g best-quality cocoa (I tend to buy Equagold, nothing else seems to taste as good
  • 2 eggs
  • zest of 2 oranges and the juice of one

Set your oven to 170 C/340 F and butter and line a loaf tin (or hunt down a silicon one). Beat the butter, golden syrup and sugar together. This is the hardest part, really – it tastes so good. Nigella asks you to alternate the dry ingredients with the eggs but I didn’t have the energy and I’d somehow already made a ridiculous mess so I just beat in the eggs – which makes the mixture much lighter and aerated – then folded in the dry ingredients with a metal spoon (more control than a fling-y spatula), followed by the orange zest and juice. Don’t fear if it looks a little curdled at any stage. Pour into the tin and bake for around 45 minutes.

I was worried that I’d overcooked mine – it looked a little ‘solid’ round the edges. I considered doing my usual cake-rescue method of making up a syrup to pour over, but after curiously slicing off a sliver, it turned out the loaf was just fine. Better than just fine, even.

The orange flavour isn’t overpowering, more fragrantly suggested than in-your-face, but what’s there is completely delicious. The citrus and the caramelly golden syrup seem to pick up something good in the dark, dark cocoa, giving the cake an almost gingerbread intensity of flavour even though it’s very light-textured. It’s seriously good with a cup of tea and I reckon it would be amazing spread with cream cheese but unfortunately I didn’t have any in the fridge to test this theory.

I’m not sure how long this would last for but it seems to be one of those Bernadette Peters-style cakes which just keeps getting better and better as the days go by.

Title via: The Flaming Lips’ sweet tune She Don’t Use Jelly from Transmissions From The Satellite Heart. Which cavalierly rhymes “store” with “orange”. Whatcha gonna do?

Music lately:

I’ve been on a bit of a Sondheim kick, although it’s more like a Rockettes kickline than a solitary burst of commitment…I’ve been listening to so many interpretations of his music on youtube lately that linking to just one is a bit misleading but feel free to enjoy the late Eartha Kitt’s I’m Still Here from Follies.

Yesterday we bought Aloe Blacc’s new album Good Things, and the title doesn’t lie. It is a bit gloomy towards women but if that’s the experiences he had prior to writing these songs, well I guess fair enough, and it’s nicely balanced by the lump-in-throat inducing Mama Hold My Hand. The bouncy, catchy I Need A Dollar would be his best-known track but I love his slow-paced, sultry cover of Michael Jackson’s Billie Jean, which isn’t actually even on the album. Go find Good Things, it’s very easy to like.

Next time: I have so much Nigella going on right now that I’m probably going to have to hold up before I end up reproducing her entire book here on this blog. I’ve also made and loved her Apple Cinnamon muffins and crustless pizza and so they’ll no doubt end up on here soon.

 

bangled tangled spangled and spaghetti-ed

Firstly, sorry for the lack of blogging over the last week – I’ve been busy all over the place and was basically out of the house every single night. Presuming the lack of updates concerns people, I’ll try not to let it happen too often.

I was very, very lucky to be sent a copy of Nigella Lawson’s brand new book Kitchen which I’ve finally been able to spend some quality time with. The book fell open on the page with a recipe for Spaghetti with Marmite. I know it sounds like a kinda weird combination but as soon as I saw it, I was reminded of the million marmite and cheese sandwiches I must have eaten as a kid before ballet classes. Well, it was either that, or a Big Ben pie, or a 2-minute noodle or one of those dusty pasta snacks – if it could be microwaved, I would eat it. My specialty was stacking up about four pieces of white, heavily buttered toast bread, all spread with marmite and layered with slices of cheese, then microwaving it till the cheese was melted and bubbling fiercely in places. Marmite was my staple but sometimes I’d swap it for tomato sauce to make a kind of low-rent lasagne. With that in mind, the idea of stirring Marmite into pasta doesn’t scare me. Not much could, after that kind of after-school snack.

Anyway, Nigella attributes this recipe to Anna Del Conte and compares it to the Italian practice of spaghetti tossed with butter and a stock cube, so with that in mind this dish is practically high-class cuisine.

Spaghetti with Marmite

From Nigella Lawson’s Kitchen

  • 375g dried spaghetti
  • 50g unsalted butter
  • 1 teaspoon Marmite, or more, to taste
  • Freshly grated parmesan cheese

Cook the spaghetti in plenty of boiling, salted water. When it’s nearly done, melt the butter in a small pan and add the Marmite and a tablespoon of the pasta cooking water, mixing well. I don’t know if NZ Marmite is a bit special but it didn’t blend too easily – I had to use a mini whisk and stir hard to get it mixing. Although I’m sure it doesn’t really matter too much. Drain the pasta, reserving a little of the water, and pour the Marmite mixture over the top, stirring carefully to mix it through and adding a little of the reserved water if needed. Serve topped with plenty of parmesan.

Parmesan is too expensive – or at least, it’s one of those things that I always set out to buy, but then can’t bring myself to pay upwards of $7 for a tiny triangle of yellow matter. So I just grated regular cheese using the smaller holes to make it look fancier.

Tim reckoned I was too cautious with the Marmite but once it’s done it’s done – it’s not like I could smear more on the cooked pasta once the sauce was distributed. So with that in mind, don’t be too nervous with the “antipodean ointment” as Nigella typically and charmingly over-names it.

It tastes fantastic – but then buttery, slightly salty pasta will, right? It was admittedly a bit unusual on the tastebuds but overall fantastic. That savoury, salty-sweetness of Marmite is a perfect match with salty, rich butter (as years of experience have taught me) which is absorbed by the starchy pasta and only enhanced by the topping of cheese. Of course, you’re welcome to use Vegemite in this recipe – I hate the stuff but when you take a step back they’re both pretty freaky, and I can see how it’s just a case of personal taste.

For what seems like the first time, in Kitchen Nigella acknowledges that not everyone sweats money like her. She talks of cheaper cuts and substitutions and of her luxury of choice. She also seems a little defensive of any sugar content in places, but I think people just like to look for what they want to see – she has a huge variety of recipes in her books. So, it’s interesting charting the development of Nigella through her books, but this one is just as exciting as any of her others – the sort of thing where I flick through and think “I want to cook EVERYTHING! I love you Nigella!” Like the more grown-up equivalent of listening to Mariah Carey and wondering how she manages to put your feelings into song form.

So as I said, it’s been a busy time. Cool for me, this busyness included seeing two musicals and flying home to catch up with my family. Last Tuesday I saw the Toi Whakaari second year students’ production of Stephen Sondheim’s Company. I’ve been listening to this musical on high rotation recently so it was an awesomely awesome coincidence that I suddenly got to see it in real life. Overall, the performance was polished, sharp, clever and beautifully acted and sung – I absolutely loved it and wished they’d had a longer run.

On Saturday morning Tim and I flew up to Auckland to see 42nd Street with my family. Tim and I caught the shuttle into Queen Street then walked to Ponsonby Road to observe. Unfortunately, when Mum, Dad and my brother met up with us we somehow intuitively picked what had to be the worst cafe on the whole road for lunch, but that aside it was awesome to see everyone again, considering I hadn’t been up since RENT in April. 42nd Street was brilliant – although – the plot is definitely not as sharp as it seemed to me when I saw it nearly 20 years ago…the tap dancing and the singing was wonderful though, and it was great to see Derek Metzeger as Julian Marsh when I’d seen him about 15 years ago in Me and My Girl. The music is amazing and has so many brilliant lyrics that it makes me wonder how the dialogue got to be so bad. Fortunately it wasn’t long between tap dances.

It was an awesome 24 hours at home – five seconds in the local supermarket and I’d run into half the whanau, found out that my aunty had got the most votes and was elected to the local council, and had my plans rejigged to take in a dinner quickly organised at my Nana’s. The next day we took my cousin (age 7) round visiting even more people, before zooming back to the airport. I’d been up in Auckland already that week for meetings so I was pretty zonked by the time I got back to Wellington – but nothing that some spaghetti with Marmite can’t fix…

Title from: The musical Hair’s title song. Amazing as revival-star Gavin Creel is in so many ways, I do seriously love the way James Rado says “gimme” in the original Broadway cast recording with such conviction. Thinking about Hair has reminded me of something else I hate about the film adaptation – they cast Annie Golden, who has such a sweet voice, and didn’t get her to sing by herself once

Music lately:

Southside of Bombay, What’s The Time Mr Wolf? Last week news came that Ian Morris had died. His was one of those names I’d seen and heard around a lot but it was admittedly not until people began to share their thoughts that I became fully aware of his contribution to New Zealand music. Originally a member of Th’Dudes, he went on to produce some of our best music, including this song by Southside of Bombay, a band with a name that I’ve always liked because of its geographic relatability to where I grew up. A sunny tune with a questioning chorus that gets stuck in the mind….

Lullaby of Broadway from 42nd Street. Jerry Orbach (aka the dad in Dirty Dancing and the old guy in Law and Order) is typically fantastic originating the role of Julian Marsh on Broadway – this song is the first chance he gets to sing in the musical, at the start of Act 2, and he’s given plenty to work with, till it builds into yet another enormous song-and-dance number.

Next time: Definitely more of the same Nigella book – hard to tear myself away from it.

 

don’t have time for things unsaid, for baking bread

Stumbled across Delia Smith’s Complete Cookery Course book recently with the opportunity to take it home – someone was having a cleanout-of-stuff. While I was initially pretty taken with Ms Smith gazing mildly out at the reader from the cover picture while holding an egg aloft (I’m not even exaggerating), a quick flick through didn’t really show me anything hugely exciting (not even her recipe for ox kidneys) and my cookbook-shelf is both narrow and overflowing already – to have a book I wasn’t completely in love with lurking round trying to fit in would just be annoying. So I left it. But not without photocopying one recipe first.

Her Soured Cream Soda Bread made significant eye contact with me – I love the Jilly Cooperish way she calls it ‘soured cream’ which somehow sounds posher and more petulant than regular sour cream (not to mention “bicarbonate” which Nigella often calls it too, is this a British thing? I remember seeing it once in a book when I was younger and didn’t realise it was the same as baking soda, I pronouced it “bicker-bonnet”…anyway). Soda Bread is a traditionally Irish creation, and according to Wikipedia, it all kicked off when baking soda was introduced to Ireland in 1840. It doesn’t indicate who specifically had it in their head that what the Irish really needed in their lives was a boatload of raising agent pulling into their harbour, but nevertheless they ended up with it and this is what they cleverly made of it.


Like a giant scone, soda bread is quickly made and benefits from minimal handling and fast eating. Delia’s recipe is a bit unusual in that it uses sour cream instead of butter, and while I’m normally like “BUTTER WHERE IS IT WHY ISN’T THERE MORE IN FRONT OF ME” I was also a bit interested in what the sour cream would bring to the table.
Soured Cream Soda Bread


450g/1lb wholewheat flour (I used white, it’s all I had)
2 teaspoons salt
1 teaspoon baking soda
150mls sour cream
150mls water (plus maybe a little extra)

Set your oven to 220 C/425 F. Mix the dry ingredients together thoroughly, whisk together the sour cream and water and pour into the dry ingredients. Stir together with a spatula, adding a little more water if needed. Carefully, lightly knead, turn it onto a baking tray lined with paper or a silicon sheet. Slash a cross in the top with a sharp knife and bake for 30 mins. Cover with foil if it darkens too much. Cool a little first before eating – this will help it slice easier.



Delia very coolly tells you to knead the dough. What she doesn’t tell you is that it’s difficult to work with, to the point where you half-expect it to don a feathery leotard and insist Miley Cyrus-like that it can’t be tamed. By the time I’d finished attempting to shape it into something that resembled any shape – let alone the “round ball” with “the surface smooth” that she talks of – there was dough clinging to my arms and hair and I looked like the guy at the end of the Comfortably Numb segment of The Wall. Once you’ve got that out of the way though it’s delicious stuff – the soda and sour cream giving it a distinctively light, slightly tangy tang that goes mighty well with the salty creaminess of butter. It’s quite a dense loaf but – and I don’t know if this was just because I didn’t get the top smooth – quite crumbly round the edges. It goes quick – Tim and I basically ate all but a small remaining shoulder of the loaf for dinner with cheese, hot sauce and gherkins.

The next day a person I work with handed me a recipe they’d photocopied from a newspaper for American-Irish Soda Bread, which is apparently what happened to Soda Bread once people started arriving en masse from Ireland to American and looked distinctively sweeter, eggier and fruitier than its ancestor-recipe. I very unhelpfully left the recipe behind on the day I was determined to make it and managed to cobble together a rough recipe from what I could remember plus a bit of online research. Ended up with a completely different finished result to the previous bread – but still seriously delicious in its own way. Of course I didn’t write down the recipe I came up with so what follows is me trying to remember something I’ve already forgotten once before – you’ve been warned.



Irish-American Soda Bread

4 1/2 cups plain flour
3 tablespoons sugar
50g butter
1 teaspoon baking soda
1 tablespoon caraway seeds (I just happened to have these, but leave them out if you don’t)
70g currants, golden sultanas or just plain sultanas
2 eggs
1 1/2 cups milk
1/4 cup apple cider vinegar

Set your oven to 200 C. In a large bowl, rub the butter into the flour, then stir in the sugar, baking soda, seeds and fruit. Make a well in the centre and crack in the eggs, pour in the liquids and using a spatula, carefully draw it all together without overmixing to create a soft dough. This stuff really can’t be kneaded, so get a baking dish – the sort you’d make brownies in – and either sit a silicon sheet inside it or get put a piece of baking paper in it extending over both sides – and dump the dough into it. Dust the top with excess flour and try cutting a cross in it, although it probably won’t show at the end. Bake for around 30 minutes, although keep an eye on it – might need less or more time.
This is completely different to Delia’s recipe – it spreads out into an enormous loaf with a golden crust. The strangely anise-like caraway seeds pop up occasionally to stick in your teeth but give a sophisticated flavour to the loaf while they’re at it. The relaxed sweetness and dried fruit make it seem like a morning-with-cup-of-tea kind of creation, and it toasts well in a sandwich press or under the grill (and then spread with butter and honey!) which is just as well because it loses its springiness quick.
Tim was out on Tuesday night when I made this, and it wasn’t till a full 24 hours later that he tried it. To be fair, the loaf was most definitely on its way to stale-ville. His reaction was something to the effect of “Mmmm, this isn’t dry at ALL!” and I replied “Well if you hadn’t abandoned me and my unleavened bread,” and wasn’t sure where to go from there and even though neither of us were being overly serious I started laughing anyway because that’s not the sort of thing you get to yell at someone every day of the week.
Speaking of Tim, he and I saw Exit Through The Gift Shop on Friday night at Paramount cinema, it was in the Film Festival earlier this year and as time went by it racked up considerably positive reviews from people whose opinions I take notice of. Luckily Paramount has it on offer because we completely missed it first time round. It’s directed by difficult-to-pin-down artist Bansky and follows Thierry Guetta, a man who feverishly films everything around him, and his attempt to…well I don’t know, just get by and enjoy himself. Naive that I am, it didn’t even occur to me that it would be a hoax but theories are scooting round the internet from various reviewers that it’s all a giant fake. I don’t really care – it’s brilliant to watch whether it’s true or not, and if it comes to a neighbourhood near you I definitely recommend it.
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Title via: the incredible Idina Menzel singing Life of the Party from Andrew Lippa’s The Wild Party. It’s hard to talk about this musical without mentioning the rest of the amazing cast (Julia Murney, Taye Diggs, Brian D’arcy James) but this song is a big moment for Idina alone in the show. Feel free to humour me (but benefit yourself greatly!) by listening to the shinier album version as well as viewing footage of her actually performing it hard. The ending is mind-blowing.
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Music lately:

Cold War by Janelle Monae from her album The Archandroid. I love the urgency, and how the words in the chorus are repeated in different ways with emphasis on different parts, and also the whole thing. She’s doing well for herself, but how this lady isn’t the best-selling, most-awarded artist right now (along with Idina Menzel, naturally) is beyond me.

Benny Tones feat Mara TK, Firefly from Chrysalissilky soulful local goodness.
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Next time: I did not get ANY baking done this weekend. Partly because I ended up being kinda busy. But also for a very stupid reason, which I’ll probably tell you about again next time anyway, but the short version: I got the new Nigella Lawson cookbook, was so excited about my weekend revolving around it, and then I left it at work. D’OH! And next week I have something on every single night so it’s even further out of my reach. But the next thing I make in the kitchen will absolutely be from it.

johnny all she does is lies

If there’s one thing I’ve learned about cornbread (apart from the fact that I really really love it) it’s this: the only way to take an oven-hot slab of cornbread with a two-by-four sized slice of butter melting quietly on top and make it more fun, is to transform it into pancakes.

The mighty Nigella Lawson has this recipe for Johnnycakes in How To Be A Domestic Goddess, and while Wikipedia reckons the name of this American creation was adapted from ‘journey cakes’ I’d like to think there was an original Johnny, who wanted to blaze trails by combining the golden grittiness of cornbread with the circular fun-ness of a pancake. I was away up in Rotorua over the weekend (plus chasing the hour lost in Daylight Saving) but I managed to cobble these together without any trouble for a late lunch when I landed back in Wellington on Sunday afternoon. This recipe is forgiving – only a few Johnnycakes turned out bung, either buckling or sticking to the pan – the rest obediently slid onto the spatula and flipped over easily.

This one’s for you, generous, possibly non-existent Johnny.

Johnnycakes

From Nigella Lawson’s How To Be A Domestic Goddess.

  • 150g fine cornmeal/polenta
  • 100g plain flour
  • 4 teaspoons baking powder (gotta admit I was all “really? four?” about this, and put in only three teaspoons)
  • 2 teaspoons sugar
  • pinch salt
  • 2 eggs
  • 300mls milk
  • 30g butter

Stir together the dry ingredients in a bowl, then whisk in everything else till you have a thick, yellow batter (don’t worry about any small lumps.) Heat an oiled griddle or pan and drop tablespoons-ful into it. Once they’re thoroughly bubbled on top, carefully turn them over to cook on the other side. Transfer to a plate and cover with tinfoil till you’re finished.

When I was a kid I always impressed by those Disney movies where a character would have a whole stack of pancakes with butter and maple syrup on top, and then eat the stack all at once with a knife and fork. I’m sure it was Disney movies anyway, it must have happened a lot in order to stick in my brain like that… Johnnycakes are too stubby for this practice, so I unstacked them after these photos and ate them the best way – two sandwiched together with maple syrup.

While there’s absolutely nothing stopping you from making actual cornbread or actual pancakes, both being more practical in their own special ways, Johnnycakes are so good that it’s worth a bit of potentially dubious fusion (fusious?). The cornmeal gives a textural presence to the Johnnycakes which the average pancake sometimes lacks (like chewing through a foam rubber camping mattress if you’re unlucky) and you get a hearty jolt of bright yellow cheeriness without the need for pesky e-numbers, useful if you’re the sort of person who gets nervous around them. Their lightly perforated surface is an ideal conduit for ferrying lots of butter into the mouth. They’re slightly sweet and very light, and work with both savoury and sweet stuff on the plate. How To Be A Domestic Goddess is amazing – the Johnnycake recipe being just one example of the gems to be found within its pages. If you’re casually thinking about getting into baking intensely good food, you couldn’t do much better than finding this book.

Funnily enough when I last blogged about cornbread-related issues I was thinking about what my favourite food was in case I got asked in an interview with a cool magazine. A girl can dream, but nothing wrong with dreaming in a hubristically prepared kinda manner, right? Anyway this morning I had the mighty good fortune to have my first ever radio interview over the phone with Charlotte Ryan on 95bFM’s Morning Glory show. With the job I’m in I try to keep relatively non-partisan about NZ media but Morning Glory has most definitely been a favourite of mine for a while now. It was the first time I’d ever been on the radio (although I have this memory of requesting some Nirvana song from the late Channel Z years back) and I was nervous as, but Charlotte was so nice that I rambled away quite happily, sharing this recipe, my tooth-rattling nervousness while the endless intro song played through the phone forgotten. I’ll post a link to the podcast when it’s up so you can listen if you like. Just before I got the call I realised I might be asked what I love about cooking. I had this frenzied moment of panic where my mind blanked and the closest thing to a coherent sentence about why I loved cooking was “there’s so much deliciousness in this world and I like making it happen in front of me”. Luckily that specific question didn’t come up. An enormous thanks to Charlotte and bFM for having me on the show, the excitingness of it all can’t be underplayed, truly.

Title via: Salmonella Dub’s cautionary tale Johnny from their 1998 album Killervision. I have a feeling this was the first song of theirs I ever heard.

Music Lately:

Late Sunday afternoon Tim and I went to Embassy theatre to see a special screening of Hair. Having seen the movie before, I knew it’s pretty painful in places (and cuts out some of my favourite tracks – it’s gratifying to know that the creators of the musical it’s based on hated it) but I love the source music intensely, and I like having the opportunity to see a musical on the big screen. One flawless moment in all the awkwardness is Cheryl Barnes singing Easy To Be Hard. Heartfelt – not just belting for the sake of it (although if I could sing I’d be melisma-ing up a storm, daily) it’s one of my favourite recordings of this track. Apparently she did it in one take.

While we’re down the flawless lady/Hair road, and I’ve probably linked to this before, but here’s Nina Simone singing Ain’t Got No/I’ve Got Life, taking two songs from Hair and sieving them together to create something incredible. Her vibrato-y voice delivers the lyrics in her incomparable way (by incomparable, I mean I haven’t come up with a word to describe how good it is) over a fantastic music arrangement while her dinner-plate sized earrings sway.

Also: while I was up in Rotorua Tim went to see Lil Band O’ Gold at San Francisco Bath House. Apparently they played for two and a half hours and were seriously awesome.

Next time: I’m a Nigella lady to the core, but tried my first ever Delia Smith recipe last week, and that’s probably what I’ll put up next.

 

give peas a chance

So long since my last update – sorry you were stuck with that badly-exposed brisket for ages. I was in Hamilton over the weekend for the Smokefreerockquest finals and arrived back in Wellington on Sunday afternoon feeling very tired and still a bit blah that I’d missed Tim’s birthday on Saturday. I really wanted to stumble into bed, but dinner needed sorting and after a weekend of hastily grabbed dinner (specifically: pineapple lumps and a packet of ready salted chips) I didn’t want to get take-out. Tired, uninspired, and with not much in the cupboard, I turned to Nigella’s seminal text How To Eat, feeling instinctively (and maybe a little overdramatically) that it would provide the answer.

 
Sure enough, after some aimless page-flipping her Pea Risotto stopped me. Rice. Frozen peas. Got them both. Not to mention, Nigella quite often bangs on about the soothingly zen properties of exhaustedly stirring a risotto into starchy submission, which significantly adds to the glamour of making dinner while half asleep.
 
I didn’t have any of the required parmesan cheese, so instead I added a few strips of lemon zest and a handful of peppery rocket to provide a similar kick. I normally feed my risottos with butter, but with the lack of parmesan I decided instead to use extra virgin olive oil instead and make the whole thing vegan. I’m pretty sure the fact that I met an incredibly good looking vegan on the weekend has nothing to do with it – but who knows what decisions are secretly made by our subconscious.
 
 
My subconscious is reminding me that I can’t lie: these photos was taken the next morning before I went to work. Once I’d finished snapping I scraped all the cold rice into an empty Tupperware container and took it to work for lunch. I even placed that pea deliberately on the fork. It’s just that we were watching a documentary when I was making the risotto the night before and the lights were all off – not healthy photography settings. So the next day I recreated our dinner from the leftovers. If my photography can’t be honest, at least I am, right?
 
This is a very simple dinner but devastatingly good – creamy rice, bright green peas bursting with their pea-flavour (can anyone effectively describe the flavour of a pea? At this stage: not I). Yes, there’s a lot of stirring but think like Nigella and wallow in the romance of it all.
 
As well as removing the dairy aspect of this risotto, I also made a few other slight tweaks. I had no fresh nutmeg so left it out. Instead of heating up stock, I crumbled in half a porcini stock cube (my favourite, all-purpose flavour) and had a pan of hot water simmering next to the pan of rice. Rather than pureeing the peas I just divided them into two small bowls, mashing one half with a fork while leaving the other plain. I had no vermouth or white wine so went daringly cross-country and splashed in some Sake instead, which worked perfectly – its warm, ricey depth of flavour naturally complementing the rice it was absorbed into. I can’t pretend like I don’t think good carnaroli rice tastes a million times nicer than the bland gluggy Sun Rice arborio from the supermarket but I’m also lucky enough to be in a position to choose between rices (don’t get me wrong – good rice isn’t cheap, but there are other areas I don’t spend my money…so.) You do what works for you.
 
 
Pea Risotto
 
Adapted from Nigella Lawson’s How To Eat
 
60g butter (or more! Or olive oil)
150g frozen peas
Approximately 1 litre stock
Freshly grated nutmeg
1 small onion or shallot
200g arborio or Carnaroli rice
80mls white wine or vermouth
lemon zest and rocket, to serve 
Melt half the butter in a pan and add the peas, cooking for a couple of minutes. Remove half the peas, and to the pan add about half a cup of stock. Simmer till the peas are very soft, remove and puree along with a tablespoon each of parmesan and butter and a pinch of nutmeg, or if you don’t have the energy, mash roughly with a fork. You should now have an empty pan and two small bowls of peas, one solid, one not.
 
Finely chop the onion and melt some more butter in the pan. Cook the onion, stirring occasionally, till golden and soft. Add the rice and stir “till every grain glistens with the oniony fat” as Nigella says. Pour in your wine – or sake! – and allow it to absorb. Now here comes the commitment. Add a ladleful of hot stock (or hot water if you’ve crumbled in a good stock cube like me) and continue to stir till absorbed. Repeat. And again. And then some more. You can’t rush it, you can’t walk away. Just keep stirring, watching the rice slowly expand and absorb all the liquid. After about ten minutes, return the whole peas to the pan and continue to slowly add hot liquid. When you’re satisfied that it’s done (taste as you go) stir through the pea puree and as much butter or extra virgin olive oil as you want. Divide between two plates and sprinkle with parmesan if you like, or lemon zest and rocket as I did. 
 
 
As I said, this is simple food, but very, very good – soft, dense granules of rice studded with Elphaba-green peas. Very easy to eat curled up in a chair, feeling better about the world with every mouthful. The scent of sake hitting a hot pan is something else – I can almost taste its savoury, buttery aroma just thinking about it. The porcini stock cubes add a subtly earthy flavour and the peas have their green sweetness. And it’s all absorbed by the rice. Positively meditative stuff. 
Title via: John Lennon’s Give Peace A Chance, I know it’s a sorry pun but I’ve got the “I’m tired” card and I’m putting it on the table right here. Plus, you really should give peas a chance. They’re awesome as far as vegetables go.
Music lately:
 
Spotted a tweet from the mighty DJ Sirvere on Sunday inviting people to share their favourite Jay Z guest spot. Not an expert on this but my mind immediately presented me with his appearance in Mariah Carey’s Heartbreaker. Which then spiralled into hours of unproductive inactivity. Oh sure I blame the tiredness, but I haven’t listened to Mariah in years and with one click of the mouse I was riding the Mariah Carey Love Train all the way through youtube. Highlights included the delicious Can’t Let Go, Honey (Bad Boy Remix) this reminds me of when MTV Europe was briefly on our TVs, One Sweet Day with Boyz II Men (slathers you with emotion like I slather butter on toast) and Thank God I Found You with Nas and Joe. I don’t often like power ballads, and endless impressing upon the listener about how in love they are isn’t usually my thing either but what can I say. Mariah is flawless.
 
I Aint Mad At Cha by Tupac, from All Eyez On Me. Yesterday was 14 years since Tupac was shot. There’s no right age to have someone take your life…but he was only 25.
 
So, The Good Fun were the winners of the Smokefreerockquest on Saturday night – check out footage of them performing their song Karaoke for the sell-out crowd. I liked all the finalists in their own way but The Good Fun definitely have an out-of-nowhere zany awesomeness – I hope they go far.
Next time: It’ll be the Grumble Pie that I promised for this time round. Photographed at night right before it was eaten, even. Also, right now: Happy birthday, Mum! 

swallow my pride, oh yeah

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The nice thing about Mum’s (circa 1971) copy of the “De Luxe Edition” of Edmonds Cookbook that she sent me as a birthday present back in April is…that while there are great recipes and all, just reading through it can be pretty fun in its own right. Beautiful and useful as many of the newer cookbooks celebrating old-time New Zealand cooking are, I like the unromantic straightforwardness of the original text itself.

I like how it informs you that Edmonds is manufacturer of such time-saving, of-the-era items as “Instant Chopped Onions”, “Start” (what even is that?) and “Pronto Instant Beef Tea” (with that kind of title, I can hardly fathom its speed of assembly.) How it coolly gives a recipe for “Grated Nut Cakes” when neither the act of grating nor presence of nuts are involved in the method.


On page 37 is a recipe called Walnut Pride and even though reading through it didn’t reveal anything fist-raisingly representative of being proud, I felt instantly and strongly drawn to making it. Probably so that if people came over and went to the cake tin to look inside (and they do) and asked what it was, I could say “Walnut Pride. Want some?”

Really, it’s just your average cakey slice, with some nuts thrown in. As it was, I used Brazil nuts because they were cheaper than walnuts, as a bonus Brazil nuts have a prouder sound to them than walnuts…right? There’s nothing outrageous about this recipe but it’s tasty, and easy to make, and non-threateningly good-looking, and as far as baking goes, sometimes there’s not much more you could ask for.



If anyone does actually know where the name came from, feel free to share. Without being overly simplistic, according to Wikipedia the first gay pride events in New Zealand were in the 1970s, so maybe this cake is what people ate to give them energy and to share amongst friends while marching..?

Brazil Nut Pride

Adapted from The Edmonds Cookbook.

120g butter
250g brown sugar
1/2 teaspoon vanilla extract
1 egg
1/3 cup milk

250g plain flour
1 moderate teaspoon baking powder
1/2 cup Brazil nuts (or, of course, the original walnuts)
1/2 cup sultanas

Set your oven to 180 C/370 F, and line a baking tin – not too big, not too small – with baking paper. Cream butter and sugar, then add the vanilla. Beat in the egg, then alternatively mix in the milk with the dry ingredients. Stir in the Brazil nuts and fruit. Bake for 40 minutes, then ice with lemon icing when cool and cut into squares. I mixed up some lemon juice with icing sugar till it was a thick enough to drizzle off a spoon onto the cake, but feel free to smear it with lemon butter icing as the recipe suggests.


It tastes just fine – not faint-makingly delicious, but good and cakey, a bit flutteringly caramelly from the brown sugar, with the occasional creamy nutty crunch from the Brazil nuts lodged throughout. And in case you’re wondering what a “moderate teaspoon of baking powder” is, well so am I. My interpretation involved casually swiping a spoon into the box of baking powder while squinting with my head tilted to the side, then tapping the spoon slightly to remove any excess. You…you do what feels right.

I was home from work sick today with what I’ve called the proto-flu – my throat was all constricted and I felt shivery and very sensitive to the touch last night, but after a good sleep and lots of tea and water, I’m back to just having a sore throat again. So I’m basically fine. The fact that I felt like three bits of marmite and cheese on toast for lunch was a good indication. If I don’t want to eat, it usually means I’m sick. Sometimes when I get really crook, I end up sadly telling Tim, usually from the foetal position, “I guess I’ll just have to stop the food blog, I can’t even imagine why I wanted to talk about food in the first place”. As soon as it passes I start thinking about cheesecake and fried chicken and spaghetti that sort of thing again.

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Title via: To those of you who thought I might quote U2’s (Pride) In The Name Of Love…pshh. They’re all very talented people. I just don’t like their music enough to use a lyric as a post title. Now, the Ramones – I love their song Swallow My Pride, especially the way the chorus lurches surprisingly-but-pleasantly upwards. And it is they who bring us today’s title.
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Music lately:

Tim put on some Smiths this evening, haven’t listened to them in aaaaages. A favourite of mine is Shoplifters of the World Unite from Louder Than Bombs. The beginning always catches me off-guard with its directness, and Morrissey sounds typically wonderful.

Today I watched the 1993 film of Gypsy, one of the greatest musicals ever written, starring the awesome Bette Midler as Madame Rose. Also awesome was Mad Men‘s Elizabeth Moss in a small role as Baby Louise, and Tony Award winner Christine Ebersole playing burlesque stripper Dressy Tessy Tura. This movie is criminally under-represented on youtube, but check out Midler’s brassy and sassy Everything’s Coming Up Roses. I can’t even imagine how extremely amazing the recent Broadway production (with Patti LuPone, Laura Benanti, Boyd Gaines and Leigh-Ann Larkin) must have been.

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Next time: The brisket!

better yet oatmeal cookies, y’all just rookies to me

Oatmeal cookies, and the Chocolate Chip Cookies that they overlap with on the Venn Diagram of Cookie Genres (it might exist…) are nothing new, and there are roughly a million recipes out there for them, but still, even if you didn’t grow up with tins full of baking, there’s something old-fashionedly comforting about biting into a half-crisp, half-chewy biscuit, buttery and caramelly and a little nutty with rolled oats, maybe with some chunks of dark chocolate to luxe things up deliciously. They’re fast to make and relatively inexpensive and keep for as long as you can hold out from eating them.

They also, a lot of the time, involve creaming butter and sugar together. We don’t have a microwave and the butter conditioner in the fridge just sits there stubbornly making the butter colder, so anything with softened butter either requires wrapping it up in tinfoil and sitting it near the heater, on the coffee maker, whichever’s on, or back when we had our PC, on top of the hard drive. Or leaving the butter out overnight and hoping the kitchen is be warm enough to soften it into cream-able submission. Which means there’s generally a bit of a distance between myself and oatmeal cookies. Or at least there was, until I saw this recipe that I’m going to share with you…

I found this recipe on a blog called The Hungry Engineer. It awesomely uses oil which I could then take the liberty of switching with melted butter. Not that I have anything against oil. I just want butter in my life and I figure that they’re similar enough to not get fussed over. That said, if you stick to the original recipe, you’ve got yourself a mighty good dairy-free cookie. And I’ve got something that I don’t have to enter into a MacGyver-style assault to be able to actually make it.

And yes, there’s absolutely nothing wrong with the melted-butter based Anzac biscuits, but I didn’t want to go adulterating them with chocolate and brown sugar and stuff. Leave well alone I reckon, and this recipe below is a more than worthy solution.

Oatmeal Chocolate Chunk Cookies

With thanks to The Hungry Engineer blog

  • 150g butter, melted and cooled slightly, OR 3/4 cup plain oil (like Rice Bran)
  • 1/2 cup brown sugar
  • 1/2 cup white sugar
  • 1 egg
  • 1 cup flour
  • 1 cup rolled oats
  • 1 teaspoon baking powder
  • 1/2 cup – or as much as you like – dark chocolate, roughly chopped into chunks (I use Whittakers)

Set your oven to 180 C/375 F, and get out a couple of trays and line them with baking paper. Whisk together the butter (or oil) with the sugars and egg. Mix in the flour, baking powder, oats and chocolate. Scoop out spoonfuls of this (magically delicious) mixture and drop them onto the trays. You don’t really need to flatten them out – the heat of the oven takes care of that. Bake them for 9-12 minutes, swapping the trays halfway through if you like.

Let them cool a little before eating, because burning hot chocolate on the tongue is no fun at all.

These cookies are so good, for the reasons outlined earlier (as well as the obvious – it’s a chocolate chunk cookie, title speaks for itself, right?) The timer buzzer on our oven decided to join our butter conditioner and refuse to work, so these cookies were overcooked by about five minutes – this is the difference between chewy and crisp. They’re still really good, but next time I make them I’m going to be paying more attention, as I lean towards a chewy preference.

It’s a man with a cookie for a head!

FYI, that’s a jumper of mine under that gleefully ugly plate, and it occurs to me now that hopefully I don’t find any crumbs down my sleeves because that’s one of my least favourite things. And yeah, I do get crumbs somehow stuck in my sleeves enough to know I don’t like it (cookie crumbs hang around like sand once they get in your clothes, trust me.)

Yesterday Tim and I went to the extremely awesome Bookfair, put on by the Downtown Community Ministry who do heaps of good work in providing support to those in Wellington who need it. The Bookfair happens every year and it is so exciting. If you like books. Which I do. Tim and I scored some amazing finds this year. Like an ancient edition of Leonard Cohen’s The Favourite Game, the adorable 1952 edition of This Thing Called Ballet (“makes a plea for balletosanity as against balletomania” according to Daily Sketch), and a 1953 edition of Maori Grammar and Conversation, written with the Hon. Sir Apirana Ngata. Sure I can learn phrases and grammar from it, but as a slice of New Zealand history – for better or for worse – it’s a fascinating read. I also got a juicy stack of Cuisine magazines and am slowly filling the gaps in my collection from the past ten years. Feels so good.

Title via: De La Soul with Redman, Oooh, from their album Art Official Intelligence. I loved this song right away when I first heard it ten years ago – its mellow melody, awesome beat, and more-ish chorus.  

Music lately:

Leonard Cohen’s So Long, Marianne from Songs of Leonard Cohen. It’s relatively lengthy at six verses, and also relatively upbeat as far as Cohen songs go. But by the time you get to the “I see you’ve gone and changed your name again” line, you start to feel all desolate because the song’s nearly over. Devastating from the lapping strum to quiet finish.

Sleepy Man, sung by the amazing Idina Menzel in 1990, when she would have been around 19. It’s a side we don’t often see from her vocals, and while the lyrics to this song from The Robber Bridegroom are pretty painful I do love it, so it was a total treat to find the link to this performance – especially as she was from well before she was on Broadway.

Next time: On the one hand, I’ve got all these Cuisine magazines to plough through and be inspired by, on the other hand it could be time to crack out that quince brandy I’ve had chilling in the cupboard…