Category: Easy and/or Fast

my mother said i should eat an ice cream cone

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I love ice cream so much. Maybe it’s that extremely cold food is more exciting, maybe it’s that the creamy chillyness is the ideal taxicab to drive a million different flavours to your tastebuds, maybe it’s that particular melty smoothness.

Maybe it’s that ice cream reminds me of good times growing up. So many of my ‘birthday cakes’ were a tub of vanilla ice cream sprinkled with Smarties or jellybeans and spiked with sparklers, which were then set alight for extra glamour. Mum would put a scoop of ice cream in a cup and top it up with Coke or Fanta to make ice cream sodas for everyone which I thought was very cool. (Some kids got lovingly baked cakes but not everyone’s mum has the foresight to combine Tip Top and gunpowder.)

So… I love ice cream. And one of the best, best, and once more best recipes in the world is one that I’m sharing today. I can’t remember where I absorbed it from, it just mysteriously became part of my frozen repertoire. I’d like to say “I absorbed it from my own brilliant mind” but that’s just not true. What I did invent was this particular version – a completely vegan, two-ingredient, relatively instant and completely delicious-ful ice cream.

Confession: I don’t usually serve my ice cream on a bowl-within-a-plate thing. And I never eat it with second-hand commemorative spoons. It was all done so the photos would look nice. Between that and the precisely situated forkful of risotto last week, this blog has become an offal pit of visual lies! To force some honesty into the situation, I made myself eat that bowl of icecream using only the decorative spoon which has a palm-tree embossed cavity of 2cm. It took roughly forty minutes.

Anyway! That’s a lengthy bit of emotional baggage for such a quick recipe. I first made this last year using delicious cream but not only does coconut milk make it vegan-tastic, it also lends a fluttery flavour of its own. How this works is – I think – as the food processor blades reduce the frozen fruit to rubble, the liquid is forced through at great speed, turning it into a kind of instantly frozen puree thing which resembles actual ice cream. It’s not perfect – you have to eat it on the spot as it loses its texture if refrozen – and it’s not overly sweet, so pour in sugar if you like. I chose blackberries because they were cheapest at the time – the seeds to get in your teeth a bit but between friends it’s no biggie, plus their tart berryishness and beautiful colour makes up for any of that.

Blackberry-Coconut Ice Cream

2 1/2 cups frozen blackberries (or other)
250ml/1 cup canned coconut milk (or cream, or yoghurt)


Put everything in a food processor. Add some sugar if you like. Blend. Be warned: it will make a racket. Use a spatula to scrape down the sides and process again till it looks like magical ice cream. Scoop into bowls and sprinkle with coconut if you like (or any kind of sprinkly thing, really).

I’m not sure how many this serves – only you can look inside yourself and find the answer – by which I mean Tim and I finished this but it probably could have been divided between four people. It tastes sparklingly and singularly of the fruit that went into it, with a clean, softening hint of coconut. It comes together in seconds, so if you have a can or two of coconut milk in the cupboard and a bag of frozen fruit in the freezer you’re only ever moments from ice cream. Which is a very good feeling. 


Spontaneous dinner party? Spontaneous children appear? Spontaneous vegan children appear? Spontaneous simple desire for ice cream? Sorted.


On Thursday night Tim and I went to the Whitireia Performing Arts School’s first year performance of Godspell, a musical by Stephen “Defying Gravity” Schwartz, who wrote the bulk of the music when he was only in his early 20s. The cast themselves on Thursday night must have been around 19 and they were brilliant – there were some beautiful voices, sure, but the humour was sharp and the ability to grab props and change character out of nowhere was fairly mind-boggling. I ended up sitting next to this woman who knew my dance teachers from when I was growing up south of Auckland, miles and miles away from Wellington. Small world, isn’t it…It was funny in the intermission, they played a karaoke version of Wicked. You could hear pockets of girls in the audience singing along quietly. In these post-Glee days it’s more cute than anything else but a couple of years back I probably would have gone and introduced myself with a qualifying “Oh my gosh you know who Idina Menzel is”.
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Title via: The philosofly girl Coco Solid in another incarnation as Parallel Dance Ensemble with their song Weight Watchers, which won best video at Handle The Jandal awards last year. I was there – imagine those donuts and psychedelic licorice allsorts writ large across the Embassy cinema screen in psychedelic colours. Lip-smackingly delicious both to watch and listen to.
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Music lately:


Michael Franti and Spearhead, Sometimes, from their 2001 album Stay Human. Nice as this song is, I love the acoustic version, although the fact that I learned a dance to it at a workshop a few years back may have cemented it in my mind – sometimes it’s impossible not to love the music you learn dances to, no matter how bad. Not that this is bad. This is gorgeous.

By My Side from the aforementioned Godspell. We used to sing this in choir sometimes, it’s satisfying for an alto like me. Such a beautiful, beautiful song, I can’t believe it was the pretty but abrasively earnest Day By Day that instead made it onto the Billboard charts when Godspell came out in the 70s. The video I linked to is the film version featuring an astonishingly good-looking young Victor Garber as Jesus. (FYI, he’s in the Superman tshirt). The harmonies aren’t as clear as I’d like but it’s one of the better versions available on Youtube. Plus, Victor Garber, hello!
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Next time: I think this is the third time I’ve put off the Grumble Pie. With a name like that I can’t keep denying it a blog post…

give peas a chance

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So long since my last update – sorry you were stuck with that badly-exposed brisket for ages. I was in Hamilton over the weekend for the Smokefreerockquest finals and arrived back in Wellington on Sunday afternoon feeling very tired and still a bit blah that I’d missed Tim’s birthday on Saturday. I really wanted to stumble into bed, but dinner needed sorting and after a weekend of hastily grabbed dinner (specifically: pineapple lumps and a packet of ready salted chips) I didn’t want to get take-out. Tired, uninspired, and with not much in the cupboard, I turned to Nigella’s seminal text How To Eat, feeling instinctively (and maybe a little overdramatically) that it would provide the answer.

 
Sure enough, after some aimless page-flipping her Pea Risotto stopped me. Rice. Frozen peas. Got them both. Not to mention, Nigella quite often bangs on about the soothingly zen properties of exhaustedly stirring a risotto into starchy submission, which significantly adds to the glamour of making dinner while half asleep.
 
I didn’t have any of the required parmesan cheese, so instead I added a few strips of lemon zest and a handful of peppery rocket to provide a similar kick. I normally feed my risottos with butter, but with the lack of parmesan I decided instead to use extra virgin olive oil instead and make the whole thing vegan. I’m pretty sure the fact that I met an incredibly good looking vegan on the weekend has nothing to do with it – but who knows what decisions are secretly made by our subconscious.
 
 
My subconscious is reminding me that I can’t lie: these photos was taken the next morning before I went to work. Once I’d finished snapping I scraped all the cold rice into an empty Tupperware container and took it to work for lunch. I even placed that pea deliberately on the fork. It’s just that we were watching a documentary when I was making the risotto the night before and the lights were all off – not healthy photography settings. So the next day I recreated our dinner from the leftovers. If my photography can’t be honest, at least I am, right?
 
This is a very simple dinner but devastatingly good – creamy rice, bright green peas bursting with their pea-flavour (can anyone effectively describe the flavour of a pea? At this stage: not I). Yes, there’s a lot of stirring but think like Nigella and wallow in the romance of it all.
 
As well as removing the dairy aspect of this risotto, I also made a few other slight tweaks. I had no fresh nutmeg so left it out. Instead of heating up stock, I crumbled in half a porcini stock cube (my favourite, all-purpose flavour) and had a pan of hot water simmering next to the pan of rice. Rather than pureeing the peas I just divided them into two small bowls, mashing one half with a fork while leaving the other plain. I had no vermouth or white wine so went daringly cross-country and splashed in some Sake instead, which worked perfectly – its warm, ricey depth of flavour naturally complementing the rice it was absorbed into. I can’t pretend like I don’t think good carnaroli rice tastes a million times nicer than the bland gluggy Sun Rice arborio from the supermarket but I’m also lucky enough to be in a position to choose between rices (don’t get me wrong – good rice isn’t cheap, but there are other areas I don’t spend my money…so.) You do what works for you.
 
 
Pea Risotto
 
Adapted from Nigella Lawson’s How To Eat
 
60g butter (or more! Or olive oil)
150g frozen peas
Approximately 1 litre stock
Freshly grated nutmeg
1 small onion or shallot
200g arborio or Carnaroli rice
80mls white wine or vermouth
lemon zest and rocket, to serve 
Melt half the butter in a pan and add the peas, cooking for a couple of minutes. Remove half the peas, and to the pan add about half a cup of stock. Simmer till the peas are very soft, remove and puree along with a tablespoon each of parmesan and butter and a pinch of nutmeg, or if you don’t have the energy, mash roughly with a fork. You should now have an empty pan and two small bowls of peas, one solid, one not.
 
Finely chop the onion and melt some more butter in the pan. Cook the onion, stirring occasionally, till golden and soft. Add the rice and stir “till every grain glistens with the oniony fat” as Nigella says. Pour in your wine – or sake! – and allow it to absorb. Now here comes the commitment. Add a ladleful of hot stock (or hot water if you’ve crumbled in a good stock cube like me) and continue to stir till absorbed. Repeat. And again. And then some more. You can’t rush it, you can’t walk away. Just keep stirring, watching the rice slowly expand and absorb all the liquid. After about ten minutes, return the whole peas to the pan and continue to slowly add hot liquid. When you’re satisfied that it’s done (taste as you go) stir through the pea puree and as much butter or extra virgin olive oil as you want. Divide between two plates and sprinkle with parmesan if you like, or lemon zest and rocket as I did. 
 
 
As I said, this is simple food, but very, very good – soft, dense granules of rice studded with Elphaba-green peas. Very easy to eat curled up in a chair, feeling better about the world with every mouthful. The scent of sake hitting a hot pan is something else – I can almost taste its savoury, buttery aroma just thinking about it. The porcini stock cubes add a subtly earthy flavour and the peas have their green sweetness. And it’s all absorbed by the rice. Positively meditative stuff. 
Title via: John Lennon’s Give Peace A Chance, I know it’s a sorry pun but I’ve got the “I’m tired” card and I’m putting it on the table right here. Plus, you really should give peas a chance. They’re awesome as far as vegetables go.
Music lately:
 
Spotted a tweet from the mighty DJ Sirvere on Sunday inviting people to share their favourite Jay Z guest spot. Not an expert on this but my mind immediately presented me with his appearance in Mariah Carey’s Heartbreaker. Which then spiralled into hours of unproductive inactivity. Oh sure I blame the tiredness, but I haven’t listened to Mariah in years and with one click of the mouse I was riding the Mariah Carey Love Train all the way through youtube. Highlights included the delicious Can’t Let Go, Honey (Bad Boy Remix) this reminds me of when MTV Europe was briefly on our TVs, One Sweet Day with Boyz II Men (slathers you with emotion like I slather butter on toast) and Thank God I Found You with Nas and Joe. I don’t often like power ballads, and endless impressing upon the listener about how in love they are isn’t usually my thing either but what can I say. Mariah is flawless.
 
I Aint Mad At Cha by Tupac, from All Eyez On Me. Yesterday was 14 years since Tupac was shot. There’s no right age to have someone take your life…but he was only 25.
 
So, The Good Fun were the winners of the Smokefreerockquest on Saturday night – check out footage of them performing their song Karaoke for the sell-out crowd. I liked all the finalists in their own way but The Good Fun definitely have an out-of-nowhere zany awesomeness – I hope they go far.
Next time: It’ll be the Grumble Pie that I promised for this time round. Photographed at night right before it was eaten, even. Also, right now: Happy birthday, Mum! 

let’s have a ball girl and take our sweet little time about it

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My nana is seriously fantastic. She’s the only person in my life who will txt me to say that RENT is on TV and that she’s going to tape it, while also being able to identify buttonholing and stitching on a opshop dress of mine as dating it back to the 1950s. She was one of the very first readers and supporters of this blog back in 2007 and has always been a positive presence in my life. As if all that weren’t enough, a while back she commented on a tofu-centric post on this blog with Tofu “Balls”, a recipe she “used heaps over 20 years ago.”

I guess the title isn’t overly inviting – anything with inverted commas seems a little hesitant. That said, these literally are balls of tofu – just because there’s not any meat doesn’t make these any less, erm, ballsy, so there’s no need for them to cower behind quotation marks. Amusing thought they may be.

All hesitancy aside, they’re really, really delicious. I did kind of tweak the recipe – I love tofu, I love rolled oats, but I don’t think I can face them together. The combination belongs back in the shadows of “over 20 years ago”…for everyone’s sake. That said, if you’re game, then certainly go ahead and use them instead of the breadcrumbs/ground almonds.

Tofu “Balls”

With thanks to Nana for the heads-up.

In a food processor, mix the following till a crumbly mixture forms.

1/2 cup chopped peanuts or cashews
1 finely chopped onion
2/3 cup soft breadcrumbs, or 1/2 cup ground almonds
1 egg (optional – leaving it out makes these vegan)
2 tablespoons chopped fresh basil
2 Tablespoons Shoyu or soy sauce
1 block firm tofu (I used half, or two squares, from those four-packs of firm tofu you get from the vege market)

Roll into balls, not too large – about the size of the old 50c pieces, or a walnut. The second time I made these I rolled them in ground almonds which was rather nice, but the world won’t fall apart if you don’t do it. Heat a little rice bran oil in a wide pan, and cook till the balls are crisp and browned on all sides.

Nana also recommended a sauce made by bringing peanut butter, lemon juice and water to the boil in a pan while stirring with a spatula, although I imagine any kind of dipping sauce you have to hand would work with these – chilli sauce, for example…

Forget your fear of tofu and maybe your further fear of well-meaning vintage recipes involving tofu. These are so good! A crunchy without, nutty and mouthfilling like peanut butter within. The tofu has a really lovely fresh flavour which balances out the richness of the nuts, but the softness of the texture means that they really slow you down – which is why you don’t want to roll them too large. They went brilliantly with a crunchy green salad of sliced cabbage, sugar snap peas and avocado, plus soba noodles, slippery and cool with sesame oil and soy sauce. Because tofu is so awesome and kind of holds everything together you can afford to toy with these as you wish. If you wanted to you could also add into the food processor a number of ingredients…sesame seeds, tahini, sunflower seeds, lemon rind, chopped ginger, garlic…As well as being a very filling main meal, you could make them even smaller – like bonker marble sized – and serve with toothpicks and a variety of dipping sauces at your next soiree.
Busy times lately – Tim and I spent both Thursday and Friday night at the cocoon of body heat that is the San Francisco Bath House firstly to see Brooklyn – as in New York – band Dirty Projectors, then local sensations Mint Chicks last night. Dirty Projectors have this unusual, intriguing sound – kind of minimalistic, with wonky time signatures, chunky drumbeats and flutey harmonies that take the role of instruments in places. Occasionally the sound got a bit repetitive, (and all those “ehhh-ohhhs” make me think of the Tellytubbies) although if I could sing like the gorgeous ladies in the band I’d probably do the same thing over and over too. They all looked really happy though which tends to endear me to performers, and damnit if I haven’t been humming the stunning No Intentions constantly. I’m glad we went and saw them – there’s some extraordinary talent within the band, I just wonder where they’re going to go from here with their sound.
Two of the Dirty Projectors. They looked so young, and for some reason the more the girl on the left – the main female voice – belted, the younger she looked…
The Mint Chicks’ set last night was fantastic although so loud that I occasionally felt nauseous. A compliment? More than any other local band I can think of they always feel like A Big Deal whenever they roll into town. That said, the audience – largely composed of new-in-town or returning students – seemed a little disengaged. Like the couple who spent 90% of the time pashing extensively next to me. Why even leave the house! Hopefully it was a good experience for the Mint Chicks themselves, they all looked completely impassioned while onstage but who could know? The sound quality seemed decent, so the scrawlyness of their music translated really nicely into a live setting and didn’t turn into a incomprehensible blur of noise. Their older songs sounded as brilliant as ever and their newest track Bad Buzz was maybe my favourite moment – it’s such a ridiculously fantastic song as I clumsily tried to explain here. I hadn’t seen them live since 2006 so it was wonderful to catch them again, hopefully they stick around and keep on creating…
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Title brought to you by: Ball and Biscuit from Elephant, the album you probably own if you’re a casual White Stripes fan. Casual we are not.
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Music to blog by:

The Dirty Projectors’ No Intentions, as above, from their album Bitte Orca. See? Intriguing! Hummable!

I Cut Like A Buffalo from the Dead Weather’s debut album Horehound. The music video for this is compelling stuff. I hope sincerely that Jack White recreates that dance on stage when we see them live on the 17th. I don’t think I’ll be that functional on the 16th. 2005 seems a long time ago.

Patti LuPone singing Rainbow High – say what you will about Andrew Lloyd Webber, but the music to Evita is stunning, and this cabaret performance from LuPone at Les Mouches in 1980 is particularly ferocious. Makes me want to grab a microphone and snarl “so Christian Dior me!” too. Wish someone would stage a version of it here.
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Next time: we’re having a combined Wellington Phoenix pre-game get-together/Rod Stewart Appreciation Day thing tomorrow (long story…actually no, that explains it all really) which I’m catering (self-imposedly) and the menu is growing more and more dizzying in proportions…no doubt I’ll have plenty to blog about. Like Nigella’s Girdlebuster Pie. Do you not want to know more with a name like that?

slice of heaven

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Marvel at the joy that is butter and sugar mixed together.

When left to my own devices of a weekend I tend to start baking without even thinking. Ginger Crunch or Ginger Slice or even Ginger Crunch Slice if you want to be equal-opportunistic, is something of an example of traditional New Zealand baking and for some reason it has been top of my to-do list for a while…I guess since I last baked something. Sometimes I can be thinking about baking something but also excitedly anticipate the next thing I’ll bake after that – special, huh.

Google Ginger Crunch and you will be met with roughly the same recipe from all the usual reliable channels – Edmonds Cookbook, Alison Holst, Chelsea Sugar (who I am deeply suspicious of now that they’ve released chocolate-flavoured icing sugar – I hate the term ‘nanny state’ but that’s what, of all things, sprang to mind when I saw it on shelves) etc etc. I can now say with confident confidence, that the Ginger Slice I made yesterday improves greatly upon anything you will find on Google. I say ‘improves’ not ‘is vastly superior and practically perfect in every way’ because in all fairness, I simply added a few crucial elements to the various traditional recipes floating round everywhere and would not have come up with it in the first place were it not for what has been set in place by Edmonds et al.

Ginger Crunch Slice

Base:

  • 250g soft butter
  • 1/2 cup dark muscovado sugar (or brown sugar)
  • 2 teaspoons ginger
  • 1/2 cup rolled oats
  • 2 tablespoons bran (optional, I just happened to have some in the cupboard)
  • 2 cups flour
  • 2 teaspoons baking powder

Set the oven to 180 C. Grab a regular sized square or rectangular brownie/slice tin – you know the kind I’m talking about – and tip in the rolled oats. Put this tin in the oven for a couple of minutes while the oven is heating till the oats are nicely toasted but absolutely not burnt.

Using a wooden spoon or spatula or some other kind of utensil that takes your fancy, beat the butter and sugar together till light and creamy. Muscovado sugar is a little dense and crumbly so fear not if some of the sugar remains in lumps. As I said, brown sugar is fine too, and is what I generally use if I see muscovado sugar asked for in a recipe. But muscovado was cheap at the local supermarket…

Tip in the toasted oats (putting a sheet of baking paper into the now-empty brownie tin), bran, flour, ginger and baking powder. Stir together carefully till it looks like biscuit dough, soft and clumpy. Tip this mixture into the brownie tray, pressing down with the back of a spoon. Bake for 15-20 minutes till nicely golden on top.

Icing

  • 100g butter
  • 3 heaped tablespoons golden syrup
  • 2-3 teaspoons ground ginger
  • 2 1/2 cups icing sugar

This is one of the simplest and loveliest icings you can make. While the base is baking, gently melt together the butter, golden syrup and ginger in a small pan over a low heat. Once it comes together in a golden spicy puddle, remove from heat and stir in the icing sugar. As soon as the base is cooked, pour the icing over it, still warm and smooth out if necessary. Refrigerate for 1/2 an hour or so before slicing into fingers.

I lined this photo up all carefully on the benchtop and then realised that I couldn’t see into the viewfinder and that the icing was moving faster than I could take photos and this is why you see the icing being poured from a mysteriously hovering vessel with no-one apparently holding on to it. But the price is right.

Ah, the cutesy things we do with our food for the sake of our food blogs.

Anyway: this stuff is quite ridiculously amazing. Adjectives fail me.

Not to sound like the girl who cried ‘ridiculously amazing’, I admit I say this about lots of things that I blog about, but I guess this means I only cook stuff I really like to eat, right? The base is thick and biscuity, with a slight nutty quality from the toasted oats. The icing is incredible, fudgey and dense and throat-warmingly gingery. So delicious you’ll want to pour it all over your own head. Together? Faintmakingly excellent. There’s something about the caramel qualities of golden syrup and dark brown muscovado that provide the perfect vehicle for ginger’s heat and fragrance. Kindly don’t just take my word on this – make it immediately! It’s so easy and quick and you’ll have people simply falling at your feet with gratitude. If it was physically possible, I would have fallen at my own feet after eating a slice of this slice. As I said earlier though, it was entirely inspired by the original recipe that you will find in the Edmonds Cookbook and other stalwarts of New Zealand food-making that I duly salute here.

It’s actually currently Labour Day weekend here in New Zealand, which means that drearly melancholy Sunday afternoon feeling that can sometimes set in is bypassed by a happy Monday off work. My weekend is a mellow one but I’ve got a few ailments that I’m trying to fight off so it’s nice to just have time to chill out. On Friday night Tim and I had the immense joy of seeing Little Bushman combining their considerable talents with that of the New Zealand Symphony Orchestra at the Town Hall, for an evening of incredible, incredible music. The sound ranged from the deepest psychedelic rock to the most hushed of gentle ballads, amplified by the full-on orchestra surrounding them. Our tickets were a bit of a last minute acquisition but I’m so glad we went.

No thanks whatsoever to Ticketek though, who made us pay $8 extra for “venue pickup”. After waiting 20 minutes in line at the venue we were told that we had to go to the Ticketek office down the road to get the tickets. While I’ve got my ranty hat on, can someone who falls under the category of ‘powers that be’ please enlighten me – why on EARTH are theatres built with seats from which you may be hidden behind an enormous pillar or can’t actually see the stage? And then tell me why companies like Ticketek can charge enormous amounts for “restricted view” seats? It makes no sense. By the way, we’re going to see Elaine Paige. Or at least, we’re going to hear Elaine Paige while seeing an enormous pillar’s dramatic interpretation of Elaine Paige. Maybe we can stick a cutout of her face on the pillar? (I don’t actually know if we’re literally behind a pillar, and it is admittedly my fault for not buying tickets sooner, but my point stands: why? Also: I hope she does Nobody’s Side! Am currently listening to Chess like there’s no tomorrow.)

Title of this post brought to you by: That perennially sunny song from Dave Dobbyn and Herbs, Slice of Heaven, from the Footrot Flats: The Dog’s Tale soundtrack. We had it on video (taped off the telly) when I was young and it was completely thrashed. I could probably act it out for you from start to finish I watched it so often as a wee nipper. After the movie was done it would fade into Mr Bean’s Christmas special which funnily enough we were also happy to watch year-round. I dunno if this song has also been thrashed – though not as much as some of Dobbyn’s tunes – but listening to it now still makes me feel happy

On Shuffle While I Type:

– Nature of Man from Little Bushman’s album Pendulum

– Welfare Mothers from Neil Young’s Rust Never Sleeps – was on a complete Neil Young kick today and while I’m not someone who chooses favourites, this amazingly good track is definitely up there with the other thousand favourite songs I have.

–Minuet by Idina Menzel from her debut album Still I Can’t Be Still. You won’t find this in shops but it’s a gem worth tracking down…seldom have I heard an album so full of personality, depth, honesty, so full of self as this, plus the mid-to-late 90s overproduction is adorable. It’s ideal for blasting loudly on a weekend morning.

Hope all the New Zealand readers have a peaceful, restful, generally super Labour Day break. And that everyone makes this ginger slice. It’s marvelous! Feel free to pronounce it ‘slee-che’, people will think you’re really sophisticated if you do.

 

I’d be surprisingly good for you

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First lovingly assemble your ingredients on a wooden board

I’ve had the weekend to myself, as Tim has been away in the South Island touring with his choir. I haven’t taken advantage of this absense to cook anything particularly idiosyncratic for myself (ie, mushroom-heavy). It’s all too easy these days to be tempted by grabbing cheap take-out from the squillion eateries dotting the landscape and twinkling in my peripheral vision. I tell myself it’s all in the name of keeping the economy alive. For lunch on Saturday I simmered some elderly tofu in half a jar of spaghetti sauce that had also seen better days as some way of counteracting the excessive time spent not in the kitchen.


Yesterday morning I bussed out to Brooklyn, one of the ‘burbs that huddle round the central city of Wellington, to see Every Little Step at the Penthouse Cinema. Every Little Step weaves two stories together – the inception of ground-breaking musical A Chorus Line in 1974, and the audition process for the revival of the same musical in 2006. A documentary about people auditioning for a musical about people auditioning for a musical. It was fascinating to see some more established Broadway names (oh hi, Amy Spanger, Yuka Takara, Charlotte D’Amboise, etc) learning choreography, waiting for phone calls, pacing back and forward, being told to repeat songs…The dancing was eye-popping and I was actually tearful in one audition scene where this beautiful young guy just nailed a ‘difficult’ monologue to the wall with his intensity. If you get a chance to see this, please do – I don’t think you need to be versed in musical theatre or dance to get a (ha!) kick out of it.

Seeing it really, really made me want to dance again. As I mentioned on Twitter, I was once told by some grand dame in a pashmina at a ballet workshop, that all passion and no talent can only get you so far – and all talent and no passion will get you even less. Unfortch I always erred on the side of “all passion”. That said, after ballet productions and recitals I would often get told by complete strangers that they loved watching me dance, perhaps because I looked so utterly happy to be twirling round on stage or something. It’s unlikely that there is an audience out there for an enthusiastic, past-a-prime-she-never-really-had dancer but I’ll keep my ear to the ground (which I can do surprisingly deftly, having maintained my dancer’s flexibility if nothing else).

With Tim’s impending return and the cake tin empty I thought a lazy Sunday afternoon would be as good a time as any to do some baking. Not that I’m some kind of 1950s housewifely type. No ma’am. To pluck an example from the air, I still can’t work a washing machine (just this evening my red sheets dyed yet another white tshirt pink) and Tim does 99% of the cleaning and dishes. But I’ll be damned if he ever has to cook himself a meal in his life. I guess it kind of balances out into something healthy-ish.

Speaking of healthy-ish, what I ended up making was a recipe that caught my eye from this Australian Women’s Weekly chocolate cookbook that I’ve had for a year or two now. I’ve been pretty good lately at not eating half the cake mix as I go but for this I really couldn’t stop myself. Cast your eyes over the ingredient list and nod in agreement with me. It’s marvelous stuff. It’s full of oats which I’m not even going to try and brightly joke makes it good for you, but it certainly can’t hurt. And chocolate is healthy in that spiritual way, so.

Chocolate Oat Slice

Adapted from Sweet and Simple: Chocolate, an Australian Women’s Weekly book.

90g butter
2 tablespoons golden syrup or condensed milk
100g milk chocolate
2 tablespoons good cocoa
2 cups rolled oats, lightly toasted
1/2 cup pistachios, toasted and chopped (I used walnuts)
1/2 cup dessicated coconut

Resist where I couldn’t, my children!

In a good sized, heavy based pan, melt together the butter, chocolate and golden syrup/condensed milk. Resist the urge to grab a spatula and chaperone it directly into your mouth. Stir in the cocoa, oats, nuts and coconut. Spread this mixture into a lined 20cm springform tin and refrigerate. It should set fairly quickly, and once it has, ice with chocolate buttercream if you want (and I did, as the song goes) and slice into triangles or whatever takes your fancy.

Might sound a bit strange, all those uncooked rolled oats just sitting there. But the oats soften up with all that butter and chocolate, and provide a fantastic chewy bite that makes it difficult to stop at one ‘test’ piece. The oats also soften up the sweetness somewhat. It’s not overwhelming, but this slice would be really good with a cup of thick black tea or strong black coffee to temper all the sugar. The Australian Women’s Weekly is renowned for triple-testing all their recipes, I can only imagine the sublime happiness emanating from the test kitchen during the writing of this particular book.

Did you know I’ve been asked three times in the last week if I’m still in high school? For fear of making myself sound even younger I’ll try not to rant about it too much, but really. I’m 23. I have a degree. I have a job where I make important decisions for the greater good of the nation. I’ve traveled. I’m legitimately grown-up. (Except I can’t drive or operate a washing machine.) Yes, I am generally more ‘clunky pun-dropper’ than ‘intimidating sophisticate’ but the idea that I carry myself like a high school student, that I don’t exude worldly-traveledy-employedyness…is not so fun. But enough personality dialysis! Let us focus on the positive: living in New Zealand under a gaping ozone hole has not left me a withered crone older than my years. Also, in a few years I’ll no doubt look back on myself with and dismissively think “Oh, 23 year olds. So annoying,” as I overheard someone on the bus once saying. I thought 23 was a pretty decent age to achieve, but the lesson is there’s always someone older than you who will greet your every action with disdain. Unless you’re 90, in which case you can drink whisky and eat cake and talk disdainfully about anyone you like.

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On Shuffle whilst I type: (the other day, Tim said “I’m sure you just put whatever song you feel like talking about on here, not actually what’s on Shuffle. To which I sigh and say, “Oh 23 year olds. So annoying.”)

You Got The Love by Chaka Khan and Rufus, from Rags To Rufus. Chaka Khan. It’s always the right time.


Connection by Elastica from their eponymous album. This song is…very cool.


Something 4 the Weekend by Super Furry Animals from their album Fuzzy Logic. It’s a great song, I like that they’re connected to the Welsh language so strongly and their name always makes me think of bunnies and kittens and such. What a package.

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Title brought to you by: I’d Be Surprisingly Good For You from Evita, by the exquisite Patti LuPone. If you’ve got the time, you must check out this promotional TV ad for Evita. The voiceover! The fervour! The sass! Patti’s eyes at the end!
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Next time: Signs of Spring are popping up everywhere but I’m still yet to see asparagus at a satisfactory price. When I do you can be sure this blog will be overflowing with the stuff.

it’s all grand and it’s all green

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So the best place to buy tofu as far as I can ascertain is the vege market on a Sunday. I branched out this week and went for soft tofu instead of firm; the name doesn’t lie. It near on falls to pieces if you look at it sideways. I guess it’s kind of the minced beef to firm tofu’s rump steak.

I ended up with a whole lot of root vegetables that needed eating on Sunday night. Usually my fallback option in this situation is some kind of pseudo-Moroccan would-be tagine-esque thing, which is seriously what I thought I was cooking last night until I realised it had actually shifted direction altogether into a curry. It’s a fine line – all that cumin, tumeric, coriander… suddenly I found myself wondering whether I should add more tomatoes and feta cheese or biff in a can of coconut milk. Coconut milk won out and I suddenly had this rather gorgeous vegan curry on my hands.

I defrosted some unshelled soybeans (I go through bags of them these days) and popped the beans within into the stew for a little colour contrast…to stop it being overwhelmingly like a braised curtain from the 70s (or, in fact, the curtains I remember us having at home while I was growing up – I have distinct memories of some yellow and brown floral motif…Mum?) The soybeans were awesomely elphaba-green against the earthy vegetables, their colour softened by the coconut milk.

While licking the lid of the coconut milk tin, to catch the sneaky extraneous cream that gathers there, it occurred to me that chocolate ice cream made with coconut milk could potentially be mindblowingly nice. Especially with chunks of milk chocolate and toasted coconut shreds, like a posh version of the Choc Bar ice creams of my youth (and occasional nights in town – for some reason I always crave ice cream if I’m out and about of an evening, you can keep your kebabs and pies thank you). If you haven’t had a Choc Bar it’s basically the above but in a $2.50 icecream-on-a-stick form and laced with palm oil (yeah, I went there. And while I was there, through rigorous testing, discovered that Whittaker’s white chocolate is comparitively amazing.)

The recipe for this suddenly-curry is chilled out, the only thing I measured out with any strict attention to detail was the rice. Nevertheless I’ll tell you exactly what I did in case the idea takes your fancy. It made a fantastic relaxed Sunday dinner. Warming and hearty, the creaminess of the coconut milk soaking into the ridiculous amount of vegetables (seven veges – eight if you count the tofu, which you might as well.) You basically can’t get it wrong which is also nice.

Root Vegetable Curry with Tofu and Soybeans

1 Onion
3 garlic cloves
1 swede (is Swede a root vegetable?)* diced
1 carrot, diced
1 parsnip, chopped
1 kumara, diced thickly
1/2 a cauliflower, chopped into small florets
Good handful soybeans

2 teaspoons cumin seeds
2 teaspoons coriander seeds
2 teaspoons tumeric
1 teaspoon ginger
1 red chilli, seeded and chopped (optional if it’s not your thing)
Zest and juice of a lime
1-2 teaspoons of honey

1 tin crushed tomatoes
1 tin coconut milk
As much tofu as you like

Chop onion and garlic finely and gently saute in a wide pan. Once it has softened a little, add the spices, chilli, honey and lime juice. This will caramelise the onions slightly, you want to keep stirring it so the spices don’t char.

Add the vegetables at this point and stir thoroughly to coat them in the spicy onion mixture which by now will be quite dry. Tip in the tin of tomatoes, half fill the tin with water and swish it into the pan. Stir, cover and allow to simmer till the veges are tender (the swedes are the slowest to kick into action I’ve found).

Stir in the podded soybeans, tofu, and as much coconut milk as you like. Allow to simmer for ten minutes or so. Serve over rice (or ree-cheh if you will)

Serves 4

This was delicious. The vegetables (and inevitably, my entire face) all stained yellow by tumeric, the coriander seeds providing bursts of subtle citrus to complement the lime, the strident warmth of the spices cutting through the creamy coconut…the emerald-bright soybeans doing no wrong as per usual…
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overheard in our kitchen
Me: Do fish bleed?
Tim: …………………..Yes.
Me: Yeah, but when you cut into them…there’s no arteries…they’re not like, say, sheep, which are basically built like humans in that they’ve got leg bones and muscles and…
Tim: They’re just like sheep. They bleed.
Me: Yeah, but you cut open a fish and there’s the skeleton, but it’s just…surrounded by fish fillets.
Tim: I was thinking more like fish fingers.
Me: Yeah. Tightly woven fish fingers.

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Tim and I went to see Wizard of Oz at Embassy cinema yesterday afternoon. It was wonderful seeing it on a big screen, partying like it was 1939. The technicolour made me gasp and the Wicked Witch was still as terrifying as I remember from my youth. But, this is the first time I’ve watched this film since reading the jaw-dropping Wicked and making a connection with the musical of the same name. And it was impossible to remove that context, to view it without that lens. Why does no one show sympathy when the Wicked Witch’s sister has died? Why did the Wizard get away with lying like that? How is Glinda so ‘good’ when, let’s face it, she appears to be on valium? She can hardly connect with Dorothy’s feelings of fear – although let’s also face the fact that the film wouldn’t have been so satisfying if, 23 minutes in, Dorothy was safely assisted back to Kansas.)

I actually cried during Somewhere Over The Rainbow (Judy Garland – so tragic! And it’s a beautiful song). And again when the Witch dies – it’s an emotionally fraught moment! I couldn’t help but imagine Glinda somewhere behind a curtain or pillar watching it happen a la the musical. Or the Witch being frantic by lack of sleep and an inability to communicate effectively a la the book. And I might have cried again when Dorothy said goodbye to the Tin Woodsman, Scarecrow and Cowardly Lion. (Who, in retrospect, are deeply camp, yes? Also: Fiyeeeeeeeroooooo!) I really never cry in films or books or things like that so I’m always a bit interested to note when I do. And…I really want to see Wicked now. I know, it’s so done by all the cool people already but as I’ve said many times, it’s not as easy when you’re in New Zealand.
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On Shuffle whilst I type:

Die, Vampire, Die by Susan Blackwell and the rest of the cast of [title of show] from the cast recording of [title of show]. Had a slight epiphany Monday morning while unable to sleep (I woke up at 5:00am! And remained awake! It’s not fair!) that I could so do the role of Susan Blackwell. It’s like it was made for me (except it was made for the real Susan Blackwell. Confused? Maybe you should be. But if you’ve made it to this segment of the blog unsullied by confusion then you’re doing pretty well, all things considered. Also, Wikipedia it, my children.)

Rez, by Underworld. It’s on this compilation from the nineties that I found. I wish I’d had this compilation back in the actual 90s because it would have made life a lot easier. Instead I lay awake at night with my ear pressed to the radio and its hopelessly crackly signal, waiting for Flagpole Sitta – back in the days before the internet when I didn’t even know what the song was called, but the lyrics “the agony and the irony they’re killing me” seemed so meaningful to a 13 year old – or something by Radiohead to come on. Anyway Rez by Underworld is incredible – like what I imagine the fairies from Shirley Barber’s beautiful picture books would dance to if they went to a rave on a lily pad. See?

Galang by MIA from Arular. Have been a fan of hers since I saw the video for Bucky Done Gun in a hotel room in Germany in the summer of 2005. Didn’t realise music was capable of sounding like that.

Is it bad that I have this urge to make some kind of dish (probably ice cream, my default flavour-carrier) heavily featuring galangal so that I can use galangalangalang as my blog post title?

The title for this post is bought to you by: One Short Day from the musical Wicked, where Glinda and Elphaba travel to the emerald city for the first, fateful time…pausing only for a kicky song-and-dance number.

Next time: Considering this post bears little resemblance to what I promised would be happening I’m not sure if it matters what I write here. Truth be told I’m a bit terrible at snappily rounding things off so this is like an ‘out’ for me. Like on Whose Line Is It Anyway when Colin Mochrie would pretend to faint so that he didn’t have to come up with a verse in an impromptu hoedown. Does anyone remember the vastly superior British version of that show? Whatever happened to it?

complainte de la bundt

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It’s a truth universally acknowledged that cakes look more exciting and complicated if they’re baked in a fancy tin. It just seems more impressive if it’s shaped like castle turrets or a giant rosebud or the Trevi Fountain. I mean, it’s not like you actually painstakingly sculpted the cake into this particular form with a palette knife while wearing a beret. But there you go.

I was predictably excited to buy on sale recently a good sized silicone bundt caketin. I feel as though a bundt tin falls comfortably between practical and largely dust-gathering on the kitchenware scale. It’s really just another cake tin, not as usable as a 23cm springform but not as confoundingly quixotic as, say, a madeleine tray (nothing against madeleines – every time I make them I end up wondering why humans haven’t evolved to make small, honeyed cakes a staple food). A bundt cake just looks so majestic with its undulating curves and waves and towering hilltop form, so much more than your perfectly serviceable but normal looking regular round cake.

I was initially going to make a fabulous sounding orange cake from Annabelle White’s Annabelle Cooks, which sported a large, fetching image of an orange bundt cake. However the recipe specified a 26cm springform tin and the disparity between instruction and image made me far too nervous. Not on my first bundt.

Instead I went for an equally lovely sounding Spice Cake from my charmingly eighties (if it moved, they set it in gelatine) Best of Cooking For New Zealanders cookbook by Lynn Bedford Hall (look for it in your local charity shop – I could use it every single day). As well specifically requesting a ring tin, it also used less eggs than the spurned orange cake. It was all going just peachy. You know me, always happiest when messing around with cake batter. I piled the cinnamon-spiced, nut-spiked batter into the tin, put it in the oven, marvelled as the house filled with the warm, happy scent of cinnamon…Oh how wrong I was. Fate (and possibly Annabelle White) were standing behind me, pointing and laughing the whole time.

Because then this happened.

What now? That’s just not fair. You know how there’s that saying? Pride goeth before a fall? Well with me it’s excitement goeth before a fail. If I had a dollar for every time… Seriously, I don’t know what went wrong. Half the cake just decided it wasn’t ready to leave home yet. Any guesses from seasoned bakers out there? The tin was silicone and everything. I wonder if I didn’t leave it long enough before turning it out? Maybe I left it too long? I’m in a quandary!

Aesthetics aside, the cake itself is really delicious though and very, very easy to make. Whatever I did wrong – presuming it was my fault at all – I definitely won’t take it out on the recipe itself. If you want to recreate this psyche-damaging disaster in your own home feel free, may you have better luck than I had…

Spice Cake

2 tsp baking powder
350g brown sugar
2 eggs
450g flour
345mls buttermilk
250ml (1 cup) plain oil, like rice bran or grapeseed
2 tsp nutmeg
1 tsp cinnamon
1 tsp ground cloves
2 tsp baking soda
175g sultanas (I used currants)
125g chopped nuts (I used walnuts)

Set the oven to 180 C (350 F). Place all the ingredients except for the nuts and sultanas into a large bowl and mix with electric beaters for one minute.

If you don’t have electric beaters (like me), mix together the oil and sugar, then the eggs, then everything else till it’s incorporated good and proper. Then, fold in the nuts and sultanas.

Spread this thick mixture into a bundt tin and bake for an hour, covering loosely with tinfoil if it starts to darken too much. Stand for five minutes (which I did!) before inverting onto a cake rack.

As you can probably tell from the ingredients this makes a large, moist, delicious cake that keeps well and has a gentle warmth from the spices used. Which means I can overlook the fact that it had a total breakdown in front of me. And I will carry on bundting.

For my sake at least, so I don’t feel completely like what the French call les incompetents, here below is an example of something I actually achieved without a hitch.

I’ve made this caramelly, oaty slice before, blogged about it even, but whatevs. I’m calling upon it again. And at least you know it’s good.

Breakfast Bars

From Nigella Express by Nigella Lawson

1 can of sweetened condensed milk (roughly 400g)
250g rolled oats
75g shredded coconut
100g dried cranberries
125g mixed seeds (sunflower, linseed, pumpkin, etc)
125g unsalted peanuts

Preheat oven to 130 C, and oil a 23x33cm baking tin or throwaway foil tin. Warm the condensed milk gently in a pan till it is more liquid than solid. Remove from heat and then add the rest of the ingredients, stirring carefully with a spatula so everything is covered. Spread into the tin, even out the surface, then bake for about an hour. Let cool for about 15 minutes then slice up. I swapped the expensive cranberries for a handful of currents lurking agedly in the pantry and left out the peanuts because I just didn’t have any.

Nigella reckons this slice gets better with age and I agree – it just sort of settles into a chewier, nuttier, caramellier bite the longer you leave them. Super easy and good to have on hand to assuage any dips in blood sugar.

For what it’s worth, and I realise there’s little more nauseating than couples who start talking in their own cutesy language, but we’ve ended up pronouncing the word slice, as in oaty slice, “slee-che”, inspired largely by Dr Leo Spaceman (pronounced spa-che-man) from 30 Rock. It’s funny how many words you can start manipulating in this way. Face, place, rice, ice…it’s like a Dr Seuss book here sometimes. Actually I have a really bad habit of mangling words when speaking casually. Such as ‘whatevs’ instead of ‘whatever’ which is a bad enough word in itself. I like to lengthen the ‘i’ in chicken so it rhymes with ‘liken’ and drop the end of ‘decision’ so it’s just ‘decish’ and frequently substitute the letter ‘j’ with a ‘y’ or an ‘h’…it’s all a bit obnoxious really but I like to think of it as taking a simple joy in linguistics. Look at this, I haven’t even been tagged with an internet meme and yet I’m revealing a bizarre fact about myself. Is that allowed?
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The big news in our lives right now is that Tim is walking around looking all medieval, as while I was in Auckland one of his teeth just crumbled on him like an uncooperative bundt cake. He didn’t tell me till six days later when we met up again as he couldn’t figure out how to explain it in a txt message. Fair enough, I guess. As per usual the dentists want him to mortgage the tooth against our house with his liver as bond (ooh, I’m typing all heavily just thinking about it, the prices dentists charge get me all fired up.) Because he couldn’t afford a root canal and I couldn’t even afford to support him for it, he instead paid a smaller (but still hefty) sum to have the tooth pulled altogether. It’s causing him no small amount of pain, and we’ve been eating very soft, liquidy dinners over the last couple of days – soup, long-simmered, falling apart stews, that sort of thing. Luckily it’s not an entirely visible tooth but nevertheless, I’d like to think he has the panache to pull off looking like a Renaissance-era minstrel.
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On Shuffle whilst I type:

Amen by Jolie Holland from Escondida. We were lucky enough to see her in a beautiful, intimate gig earlier this year. If the idea of Appalachian folksy blues appeals to you then you would do well to look her up. This particular song is simply stunning.

John The Revelator by Son House from The Roots of The White Stripes, a compilation of the original blues and folk songs that the White Stripes have covered either live or in albums. Sounds tacky as hell but it’s not – it’s a fantastic listen packed with gems both dust-covered and well known.

Why Can’t I Be Like The Boss a song cut from the 2006 Tom Kitt musical High Fidelity. I kinda love this song, especially when the Bruce Springsteen character really gets going.

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This blog title is bought to you by: Rufus Wainwright
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Next time: I got it in my head that ice cream flavoured with palm sugar and kaffir lime leaves would be pretty sassy. So I think I’m going to make that this weekend. Hopefully Tim’s teeth, or lack thereof, are up to it. And one day, I will make another bundt cake.