Category: Easy and/or Fast

Chocolate Caramel Rice Bubble Slice | hearts a-bubble in the rubble

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This is my last blog post [dramatic, Harold Pinteresque pause] from Wellington for a while as I have relocated myself back to my parents’ place for an indiscriminate quantity of time, it is in fact where I’m writing this from, having arrived home yesterday. (And kudos to my parents for driving down, calmly arranging my belongings Tetris-like in the back of the car, and driving back up the island with me.) Now initially I was like “okay I’m probably going to leave by the end of April” and my best friends Kim and Kate were like “wait…no” and I was like “well okay fair enough” because that’s the kind of agreeable person I am. But you and I both know that there had to be an end point to my freeloading gleefully off Kate and Jason who I’d been hitherto living with since the last time I talked about all this, and so now has come the time for me to finally take responsibility for myself, by freeloading off my parents instead.

Unlike the aforementioned pause, my exit from Wellington was neither dramatic nor Pinteresque, purposefully so. On Friday I had an Aunty Mena’s curry noodle with Kim and Kate. Two nights earlier I made dinner for my dear friend Charlotte (who you may remember from such hits as sternly making me get rid of half my clothes and advising me to make snacks and joining me in ageing into a new tax bracket back in April called “Old Enough To Be Paul Giamatti’s Hag Ex-Wife In An Indie Film“) and that’s where this recipe comes in. It’s not what we had for dinner, (though I wouldn’t have a problem if it were) but was served as a cute post-dinner sweet thing for us two cute post-dinner sweet things.

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This recipe is one of those easy no-bake slices where you melt some stuff and cram some existing processed foods into that stuff and press it into a tin and then walk away hoping for the best. It’s a legit genre that is gleefully fun to both make and eat; the sort of thing you imagine showing to your eight year old self being all like “look! I’m an adult and I can eat this whenever I want! Golden syrup in chocolate!” and then eight year old me would be like “I eat golden syrup sandwiches almost daily though” and I’d be like “well now there’s a housing crisis and the earth is boiling alive!”

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This particular slicey thing (I feel increasingly unable to refer to it with normal words, Charlotte and I were all like “cronch” and “crosp” back and forth at each other in regards to it in a manner that I can only assume was charming and humourous) is a humectant and sticky amalgamation of chocolate, golden syrup, coconut oil and peanut butter with the weightlessly crisp rice bubbles. It’s definitely sweet but it’s tempered by the bite of sea salt, the almost peppery intensity of the golden syrup, and the cocoa bitterness of the chocolate. (That being said I used the most mellow dark chocolate I could find as I don’t think that the hardcore 80% stuff would be served well here.) It evokes the chocolate crackles — as they were called — of childhood high days and holidays and there’s something marvellous about the contrast between the pure aerated crunch of the rice bubbles and the thin, snappish crunch of the chocolate on top. The peanut butter, though present in small quantities only, absolutely makes the whole thing taste like peanut butter and if you’d understandably prefer a more mild richness then by all means substitute almond butter or similar. I like it served as cold as possible to counteract that boisterous sweetness, but on the other hand, it has this amazing gooeyness as it approaches room temperature. Basically there’s no bad way to eat this. Have it for dinner, even.

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Chocolate Caramel Rice Bubble Slice

A recipe by myself

  • 1/2 cup golden syrup
  • 1/2 cup sugar
  • 2 tablespoons peanut butter or almond butter
  • 4 tablespoons coconut oil
  • 150g dark chocolate (I used Whittakers 50% Cocoa Chocolate)
  • 3 cups rice bubbles
  • 1 teaspoon sea salt

Line a regular size baking tin — the sort that you might bake a batch of brownies in, or indeed, use to make a slice such as this very recipe here — with baking paper. One day I will actually measure what size this tin is so I can just give you the size of it rather than describing it vaguely but today is not that day.

Bring the sugar and golden syrup juuust to the boil in a saucepan and then immediately remove from the heat. Add the coconut oil, peanut butter and 100g of the chocolate, stirring rapidly till the oil and chocolate has melted, and then tip in the rice bubbles, folding them through the mixture thoroughly. Spatula this mixture into the baking tin and use the back of a spoon to press it down into an even layer. Refrigerate for 15 minutes, then melt the remaining 50g chocolate and drizzle it over the top, then sprinkle over the sea salt. Return to the refrigerator, and slice into squares once cold.

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I’ve been doing lots of writing and planning while staying at Kate and Jason’s but now that I’m in the middle of the countryside surrounded only by further countryside I’m going to really head into overdrive; I’m waiting to hear back from a post-graduate paper in editing that I’ve applied for (despite what these blog posts might suggest, I actually……..love editing people’s writing and I’m good at it) and I’m applying for jobs that I can do remotely and I’m just going to make things happen in an unencumbered manner! As I said, I exited the city in a low-key manner which is maybe weird because leaving Wellington after thirteen years should seem momentous but it doesn’t quite feel like anything’s significantly happened since I still don’t have a fixed abode, it’s like I’ve managed to rip a hole in the cosmos and discover a new timeline outside of time (and then freeload off that too.) I mean, as I said to Kim: “just because I’m moving myself and all my belongings home to my parents’ place 700 kilometres from Wellington doesn’t mean I don’t live in Wellington anymore!”

P1180819(did someone say the word “crisp” in an unnecessarily mangled way?)

P1180818(sounds like a job for — once more with feeling)

P1180823(GHOST!) (I’m going to miss this guy.)

Lastly, thank you as always to my Patreon patrons who have been supporting me from the ground up, you are wonderful people with shrewd business acumen. If you, too, wish to have shrewd business acumen then I suggest signing up to my Patreon yourself. In doing so you will be able to receive all my gratitude and all the exclusive content written just for you.

title from: Barbed Wire Love by Stiff Little Fingers, sweet and snarly.

music lately:

Synthy’s 1981 remix of O Superman by Laurie Anderson. The original is one of my favourite songs but this remix is perfection, retaining that soft quizzical mood of the original while mixing in this airily digital-sounding and decidedly rumpshakingly appealing beat. I first heard it when TV Disko played it at Laundry bar and I nearly blacked out from how hard I was frantically trying to express that I appreciated his music-related decision-making.

Love’s Not A Game, from the TV show Crazy Ex-Girlfriend, sung by David Hull and most of the cast. It’s drawn pretty directly from Luck Be A Lady Tonight and yet I think it’s actually genuinely better than Luck Be A Lady Tonight? David Hull’s little wink and shoulder pops and Donna-Lynn Champlin’s enthused tap-dancing and Gabrielle Ruiz’s fouettés and the cast chanting “Odds! Sixes! Dice! Monogamy!” If any of these words have aroused your curiosity (there’s got to be someone out there) then you may enjoy this piece I wrote comparing and contrasting Fleabag, (also a TV show) with Crazy Ex-Girlfriend.

Ooh, by De La Soul feat Redman, the sound is so warm and everyone sounds so charismatic and self-assured and I just love this song so much!

if I’m butter then he’s a hot knife

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I normally put this bit at the end but thought I’d be creative and start with it this time: Patreon! Thank you to my patrons who have been supporting me from the ground up, you are amazing and important and powerfully astute. If you’d like to be included in such praise (and I could go on) then by all means sign up to my Patreon as well, and in doing so you will be able to receive all my content written for your eyes only.

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My relationship with butter is a well-trod path on this blog, from the ten-ish years I spent smothering my personality with it to suddenly pivoting without warning to veganism last year. In October I talked about buying non-dairy butter for the first time (I don’t know why I’m weird about the word margarine but there’s just something so defeatist about the way its spreadably soft consonants sag in the mouth) and to be honest with you, since then I’ve used it very, very little, because though it tasted fine, and was okay in recipes where its flavour could be heavily masked (like Champagne Passionfruit Buttercream or Nanaimo Bars) it did not become exciting or inspiring in and of itself like butter was to me.

And though I like to frame my choice to be vegan in terms of all that I have, and not about what I lack (I mean, I’ve never eaten so many cashews in my life, I couldn’t say that a year ago!) I do miss that capitulation-makingly perfect meeting of flavour and texture and possibility that is real butter. Everything else I’ve happily let go of, and no longer sense any petulant longing from my tastebuds for cheese or bacon or steak or whatever, but butter…butter I sometimes still think of wistfully, y’know, in the form of a montage of the good times we had with Happy Together by The Turtles playing overtop. (Okay I also miss white chocolate and I know it’s not cool but it’s my favourite and I do get sulky over that sometimes. The only vegan stuff I’ve found is inexplicably like $9 and tastes like coconut, change my mind.)

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I had accepted that this was something I was going to just live with as a result of my own choices, which is totally fine, but then I found, or rather, re-found, a recipe for homemade vegan butter that had been sitting on my internet browser since last year. (Yeah, I have 72 tabs open on my browser at all times, which, let’s blame on my ADHD, like when I was a kid and found it impossible to clean my room and theorised that the system worked because everything was on the floor where I could see it, a theory which held no water because with everything on the ground it was of course impossible to find anything, a standard I unfortunately still live by but at least no longer try to justify. Naturally, with this many tabs shoulder-to-shoulder I often forget for weeks, months on end, what I’ve actually got open.) So I re-discovered this tab just last week and decided that the recipe, on a site called The Virtual Vegan, looked as promising as it did upon first click: it claimed to be spreadable, meltable, useful in cooking, and most important, it said it would taste actually buttery.

The key things holding this together are a combination of olive oil and refined coconut oil, by which I mean — and the recipe stresses the importance of this — it’s been treated to taste neutral rather than coconutty, plus ground almonds which somehow dissolve into the liquid but also help give it body and texture. I made a couple of tiny changes: I didn’t have any nutritional yeast and decided to just push ahead anyway, I used red wine vinegar instead of the stipulated cider vinegar because I feel like the former has a certain layered richness to it, and I added a tiny pinch of sugar for balance. It’s easy enough to make — just give the ingredients a good hard blend and then pour it into a jar and wait for it to solidify in the fridge. So I did.

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And…it tastes really, really good. It’s not butter, but it’s a whole lot closer than anything I’ve hitherto tasted. It has that kind of fluttering, mouth-filling sweet richness, that full-bodied tangy creaminess, it just has something that I’ve been missing. Genuine deliciousness! I made toast for the first time all year and spread the butter across and topped it with some Marmite and I can’t remember the last time I enjoyed that simple, unimpeachable pairing.

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Homemade Vegan Butter

Adapted slightly from this recipe at A Virtual Vegan.

  • 1/2 cup ground almonds
  • 1/2 cup + 2 tablespoons almond milk or similar (not soymilk or coconut milk, the former is prone to curdling, the latter tastes like coconut)
  • 1 teaspoon red wine vinegar
  • 1 cup refined coconut oil, melted
  • 1/2 cup olive oil
  • 1 teaspoon sea salt or 1/2 teaspoon regular salt, to taste
  • 1 small pinch caster sugar
  • a pinch of turmeric for colour
  • optional: two teaspoons nutritional yeast (this will add to the buttery flavour, but I didn’t have any both times I made it and it’s still extremely delicious so don’t you stress if you can’t find it!)

Place everything except the oils into a blender – ideally a high-speed one – and blend the hell out of it till it looks smooth and creamy. Add the coconut and olive oils and blitz till it’s very thoroughly combined. Pour into a large clean jar and refrigerate for a few hours till it’s solid.

I recommend going and reading the recipe at A Virtual Vegan first, as it has heaps of information and recommendations.

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I feel like I want to say sorry to the non-vegans for going on about being vegan and sorry to the vegans for complaining about wanting butter, (I also feel that so much of how I talk about myself is done with an apologetic inflection: I’m trying to be a writer (sorry!) I’m vegan (sorry!) What’s this I’m listening to? Uh, it’s a Broadway musical (sorry!) And let me stop you right there, I hear what you’re thinking: these apologies are both necessary and justified.) If you personally are okay with eating butter then honestly you should probably just keep doing that for as long as you can stand it, but if you don’t eat butter for whatever reason, well, I was highly impressed by this recipe and have gone through two jars of it already. It’s so straightforward to make, the ingredients are all recognisable, it makes a great white sauce, there’s something pleasingly Enid Blyton-ish about butter in a jar, and most importantly, it’s genuinely, properly delicious in its own right. The chorus of Happy Together is getting fainter (and I can now close one of those 72 open tabs.)

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Ghost can’t believe it’s not butter.

(One more thing about being vegan that is possibly not as universal as I initially thought: I am a dewy-eyed sucker for vitamins and supplements but it seems now ever more so and while dissociating at the supermarket I bought this stuff called pea protein which is made from fermented lentils and Kate was like “what’s that for” and I was like “I’ve got to get my fermented lentils somehow Kate!!!”)

title from: Hot Knife by Fiona Apple. This song is extraordinarily good, soft and sharp at the same time with ominous rumbling drums and assertive piano and sparse production and chattering, layered, syncopated harmonies, I love it so much.

music lately:

I recently watched Passing Strange, a film by Spike Lee of the final performance of the eponymous Broadway show in 2008. It comes across more like a rock concept album than a traditional musical, written and narrated by musician Stew about a young Black man’s journey of self-discovery in the late 1970s. The plot is so tightly woven into the music that it’s hard to pick out songs that stand alone but the Act 1 climax Keys/It’s Alright is amazing – it has this big, classic sound and I love when it gives way from the conversational, circular preamble to the massive, long-tail Hey Jude-type finish, I’ve listened to it so many times. The penultimate song, Passing Phase, showcases lead actor Daniel Breaker’s incredible voice as it harmonises with Stew’s and the music just sounds so big and warm and fulsome. If you enjoy stuff like Pink Floyd’s The Wall or 2112 by Rush then you can absolutely handle this.

Quality Seconds, by Orbital. If you’ve ever been like “what does it sound like inside Laura’s brain?” this song pretty much covers it.

Orinocco Flow by Enya. Hear me out, this song is like being serenaded by a friendly cloud, it’s what raindrops put on their sexy playlists, it’s a whale leaping triumphantly into the air in music form, and I was smacked about the head yesterday with the need to dance passionately around the lounge to it like I was in the final scene of a masterfully bittersweet TV series about an unlikeable yet disconcertingly compelling female lead, and let me tell you, Ghost was not impressed, but then I cupped his face and looked into his eyes and sang “sail away sail away sail away” and I think he understood.

I make spaghetti with tomato sauce because that’s all I can make

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Vegan tomato spaghetti

Every now and then I get jolted by the fact that 90% of the recipes in my cookbook (yes, my cookbook, Hungry and Frozen: The Cookbook, 2013, Penguin, a highly underground cult item by which I mean it was aggressively discontinued less than a year later) were only tested once, which was entirely due to financial reasons (I didn’t anticipate the responsibility of paying for ingredients and resources for testing 150+ recipes falling to me) coupled with a certain clinging need to make it seem as though everything was fine and this is definitely what I expected from the process, and nothing to do with my lack of dedication to recipes that are proven to work.

Indeed, if looking up the word “science” on Wikipedia, ctrl-F searching for the word “test” and then immediately closing the tab without reading any of its content is anything to go by, making something once isn’t even technically testing it, you’re just, you know….making it once. I’m fortunate in that I can usually trust my oddly innate recipe-creating abilities but I nevertheless keep a place in my brain solely dedicated to housing the fear that someone will email me all like “I made that cake in your book and it wouldn’t rise and the centre was all gluey and undercooked and the flavour had little to recommend it and my wife cited it as grounds for our subsequent divorce proceedings which were fast-tracked with shoddy paperwork and little emotional closure.”

Vegan tomato spaghetti

But this recipe, this recipe I made three times and am thus immensely satisfied that it’s neither fluke nor failure – no seasoning with plausible deniability here, confidence is my condiment. Yes, I’m genuinely embarrassed at myself for writing that out, and yes, no, I’m not deleting it.

The reason I made it so many times was the reason for its existence in the first place: it’s a very, very cheap recipe, a real something-from-nothing, flying by the seat of your pants that are currently being worn by the rabbit you pulled out of a hat type thing. The sum is greater than the whole of your pants: a mere onion, a lone tomato, a charmless can of tomato puree, the most off-brand dried spaghetti the supermarket can procure, it all comes together under the heat of the oven to evoke the taste of hours of toil and multitudes of ingredients. It somehow suggests the flavour of tomatoes that have been plucked in most reverent silence in the holiest of Roma’s hills while also hinting at the thickly-sauced comforting promise of canned spaghetti, I’m talking old school canned spaghetti that exists in my memory and not anymore on the supermarket shelf because I know they’ve changed the recipe to make the sauce cheap and watery and the noodles structurally unsound but in the early nineties when, you have to bear in mind, there were only like four different things that had been invented to eat, canned spaghetti was genuinely ultimate and tasted of abundance.

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The key thing here is that you roast the absolute living daylights out of the ingredients. That’s all there is to it. Without that level of heat the tomato puree will taste like expired iron tablets and the onion will be bitter, but under the oven’s blaze it all melts and bubbles and gets sticky and crunchy and charred around the edges, hence the word caramelised in the title since that’s precisely what you’re aiming to do.

It’s incredibly delicious, which is the other reason I’ve returned to it repeatedly, just so immensely full-throatedly rich and intensively tomato-ish and hearty and messy and somehow really buttery and it’s even amazing cold — but then I always did favour the spaghetti unheated, straight from the can — so your opinion of this habit may colour the value that you place on that last opinion.

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Now generally I like to give many options and segues of other ingredients you could include but honestly this is perfect as it is, and because there’s so little going on each ingredient is proportionately crucial. The only leeway I would offer is that if you can’t get hold of a whole tomato for whatever reason it’s not the end of the world, but it really does add texture and body and I assure you, even the most anemic-looking middle-of-winter tomato can be transformed by this recipe. The canned tomato puree must ideally be puree — not canned chopped tomatoes, not passata, not paste — for it alone hits that absolute sweet spot of thick texture and liquid sauciness. If you’re considering reducing the olive oil, first of all, grow up, and second of all, if anything, add more. The olive oil is central to the caramelisation and the richness and the texture and the flavour. While I’m being a fusspot I really feel like this sauce lends itself directly to actions like dramatically twirling pasta round your fork and then dramatically lifting the fork higher than your head before dropping the pasta into your open mouth getting sauce on your chin and laughing heartily yet attractively like a free-spirited character in an arthouse film or a prestige drama about a family of tension and tradition in equal measure and you can really only get that with spaghetti but if all you’ve got to hand is penne it’ll be like, literally fine.

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Spaghetti with Caramelised Tomato Sauce

A recipe by myself. (It’s much simpler than the length of the recipe makes it look, I’m just explain-y.)

  • 1 onion
  • 1 tomato
  • 1 tin tomato puree
  • 100g dried spaghetti or other long pasta of your choice
  • 3-4 tablespoons olive oil, but allow for more
  • salt and pepper
  • very optional but nice: herbs (eg thyme, basil) and chopped almonds to garnish

Set your oven to 220C/440F. Peel and thinly slice the onion into half-moons, and roughly chop the tomato. Get a small roasting dish — for example, the sort that you might bake brownies or a slice in but also would make yourself a small quantity of roast vegetables, you know, those standard smallish rectangular tins — and place the onions and tomato on one side/half of the roasting dish and tip the can of puree onto the other half. Drizzle everything liberally with the olive oil and sprinkle generously with salt and pepper. Don’t stir it yet.

Roast it for about thirty minutes, stirring one or two times during this time only once the onions and the tomato have collapsed and got a little browned/crisp around the edges. If it looks like it needs more — and it well might — return it to the oven for another ten to twenty minutes, but continue to keep an eye on it as there’s a fine line between crispy and straight-up burnt. With this in mind, I usually start the roasting dish on the top shelf and move it to the bottom shelf towards the end.

While all this is happening bring a large pan of salted water to the boil (which I always do by boiling the jug first and then pouring that into the pan rather than heating up the water on the stovetop, it’s much faster) and cook the spaghetti until it’s tender — twelve minutes or so should do it.

When you’re satisfied with the done-ness of both the sauce and the spaghetti, remove the roasting dish from the oven and use a pair of tongs to transfer the spaghetti from its pan into the roasting dish, and to mix it all together. You could drain the spaghetti in a sieve or a colander and then dump it into the roasting dish but using tongs helps retain a little of the cooking water on the spaghetti strands which in turn helps the sauce to cohere better.

Spatula everything onto a plate, scraping as much of the sauce and any crunchy almost-burnt bits as you can from the roasting dish (I sprinkle a tablespoon or so more pasta cooking water into the dish and swirl it round to pick up every last bit of sauce) and then garnish, if you like, with fresh thyme or basil (or both!) and chopped almonds, and perhaps, one last drizzle of olive oil.

Serves 1, although I think you could quite comfortably get away with making this serve two by using 200g pasta but keeping everything else the same.

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I asked Ghost what he thought about pasta and first he was just like “PASTA” over and over again but then he was all, “as August de LaCroix said in 1842, ‘the flâneur is to le badaud what the gourmet is to the glutton,”‘ and “the badaud was later defined as ‘curious, astonished by everything he sees, he believes everything he hears, and he shows his contentment or his surprise by his open, gaping mouth.'” And I was like “Ghost, that’s exactly what I would’ve said, in that order!” (As you can see from the photo, Ghost and I are often of one mind. One…at best.)

As always, thank you to my important Patreon patrons for supporting my writing. If you have made it through this genuine nonsense and you’re like, this gal’s really going places and I want to ride those coat-tails to the top then you too, should become a patron! A mere handful of your dollars per month directly influences my ability to write and live and I might be able to create a cookbook with recipes tested more than once. You receive exclusive content in return. Signing up is easy and my gratitude is real.

title from: Brimstone and Fire, by Cyndi Lauper. Is this one of her best songs? Honestly, I think no. But it is fine, and she does talk about spaghetti in an alarmingly relevant way. 

music lately:

Falling, by Xiu Xiu, from a commissioned series they did of covers of music from Twin Peaks. This is atmospheric and foreboding, with powerful momentum dripping in slow motion like honey from a spoon, I love it. (This album was described as one of their most listenable and you know you’re really on a level when using material by David Lynch makes you more accessible.)

The Sweetest Girl, by Scritti Politti, I just adore this song, all woozy and dreamy and sinister and lovely and highly amenable to listening to on a loop about twelve times before it even registers that the song hasn’t ended yet.

breakfast on incandescent, built to chew, dream to find another world

5 Comments

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I often say (and prove) that it takes a village to raise me, as is the case with today’s recipe. I was gently prompted by my wise friend Charlotte to get snacks (that was actually essentially the entire advice but I was like my god, a fresh and bold perspective from a true maverick, which tells you what kind of baby the village is dealing with here. But also: having snacks on hand is useful! I mean, did you know that, without someone telling you?) And then, acting upon this advice and making myself a large batch of granola — cheap, filling, nutritious, snacky – I was suddenly panicking that I wasn’t going to get it photographed before darkness fell and my wise friend Kate was simply like “why don’t you take a little out of the oven and put it in a bowl and photograph that while you carry on cooking the rest” and I was like my stars, a genius walks amongst us, lo and behold her shrewdness meant I was able to take the photos you see here in the last fifteen minutes of workable light that the day held, and in doing so I realised I’d actually forgotten when I’d even put the granola in the oven in the first place, and it was in fact extremely ready to come out anyway. This all might sound really stupid but I’ve been experiencing higher than usual anxiety (I’m fine and my higher-than-usual anxiety is way lower than the everyday-anxiety of a few short years ago but it still comes around, you know?) and when it’s there it means my brain is less able to put one foot in front of the other than usual and my usual is honestly not that impressive anyway, and having things slowly spelled out to me still feels like I’m trying to sit an exam that I haven’t studied for, and what looks like a simple conclusion seems like the most staggering realisation.

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I have made a lot of granola in my time, and I confidently assert that this is one of my best. To expound the “get snacks” advice — now that I’m not working, I (a) have resumed a relatively normal body clock and so am actually eating breakfast, (b) am not getting fed at work and so need way more of those aforementioned snacks, and (c) I’m not earning any money so it behooves me to make something at home in large quantities rather than recklessly just buy food when I’m hungry. Granola is a tidy solution. It’s simple to make, it lasts for ages, it’s not too expensive to put together, it’s nutritious, and it tastes good at any time of the day.

Caramel Walnut Granola

A recipe by myself

  • 4 cups rolled oats
  • 1 cup desiccated or shredded coconut
  • 1 cup walnuts, roughly chopped
  • 1/2 cup sunflower seeds
  • 1/2 cup linseeds
  • 1/2 cup rice bran oil or similar plain oil
  • 1/2 cup date syrup
  • 1 cup dates, roughly chopped
  • 1/2 cup chia seeds
  • 1 tablespoon ground cinnamon
  • 1 large pinch sea salt, to taste

Set your oven to 150C/300F, and get out your biggest roasting dish — the sort that’s the size of one of the entire oven shelves ideally — and line it with a large piece of baking paper.

Pour the oats, sunflower seeds, walnuts and linseeds directly into the paper-lined roasting dish, and stir to combine — or just use your hands to shuffle everything about. Drizzle over the oil, then the syrup — and I recommend it in this order so that the syrup slides easily out of the now-oiled measuring cup — and stir it in, or again, use your hands. Place on the lowest shelf of the oven and bake for 45 minutes to an hour, stirring once or twice partway through, till it’s golden and toasty and browned. Allow to cool, then stir in the dates, chia seeds, cinnamon, and salt, then taste some to see if it needs anything extra. Store in an airtight container. This makes a lot.

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This recipe is very comfortingly low-key — the caramel flavour comes from the date syrup, which helps give that requisite crunchy clumpiness to the oats as it crystallises under the oven’s gentle heat, plus actual dates, which taste like little chewy nuggets of toffee. Date syrup is relatively easy to get hold of these days but if you can’t, golden syrup or maple syrup would be fine instead. It’s worth hunting for though — date syrup has this almost liquorice intensity without being too overtly sweet, I really love it. The slowly toasted walnuts, buttery and soft, mesh so well with the date flavour but obviously granola is one of the easiest things to go off-course on to suit your own tastes, needs, and accessibility. You could consider adding almonds, brazil nuts, cashews, hazelnuts, pumpkin seeds, sesame seeds, I’m just naming nuts and seeds now but you get the idea, dried apricots or dried apples or dried cranberries or figs, you could leave out the coconut or add heaps more, you could leave out the chia seeds or find an even more expensive superfood to add. I went with lots of 1/2 cup measures to make things easier but if you’ve got more or less of any ingredient that’s totally fine.

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By this point, your finished product might end up being several times removed from mine, but I only came up with this particular recipe because I wanted to use up as many ingredients as possible that I already owned, so why shouldn’t you? And the point is: we’ll both have snacks.

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If you’d like further granolae of mine to consider, I recommend my recipes for Lux Maple Granola, or this Buckwheat, Cranberry and Cinnamon Granola (both gluten-free for what it’s worth) or Strawberry Jam Granola which I blogged about the last time I was staying with Kate and Jason almost five years ago (as well as taking a village it also took a village, and Kate and Jason are such village people.)

PS: As always, thank you in particular to my Patreon patrons for supporting me and my writing, you’re literally so immensely important. A mere handful of dollars per month directly influences my ability to write and indeed, snack, and gets you exclusive content in return, like book and film reviews or what star sign I believe each character from Gavin and Stacey is or a recipe for the best vegan scones. Signing up is easy and my gratitude is real.

title from: Metropolis, by Janelle Monáe, one of her very, very early works, I’m talking literally a demo album from 2003 — although its spaciously lush r’n’b sound and conceptuality feels amazingly recent.

music lately:

Waiting Room, by Fugazi. I just love this lurching, shambling song with its oddly sanguine call-and-response. (Credit where it’s due: I was reminded of this song after listening to an excellent Spotify playlist from La’Shaunae, one of my favourite models, for Tunnel Vision, one of my favourite fashion companies.)

My Sweet Lord, by George Harrison, look, it’s just very twinkly and uplifting and I have a real thing for songs that appear to start in the middle of the chorus and then just stay there, simply keep giving you more and more chorus, bigger and bigger, it lends them a weirdly addictive urgency of sound.

Mein Herr, by Liza Minelli, from Cabaret. Such a fantastic number — there’s something so satisfying about the way the lyrics travel across the beat in Minelli’s rich voice — “it was a fine affair, but now it’s over, and though I used to care, I need the open air” — and that exquisite, deliberating Bob Fosse choreography, so much about the negative space, with the bodies almost frozen in place but for a wiggling finger or rotating ankle, until it explodes into the floor-slapping finale.

feeling like a bowl of spaghetti, not knowing what to give

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Look I’m telling you right now that this doesn’t taste exactly like parmesan but it evokes a certain mood that if you’re generous and tilt your head to one side and you haven’t eaten actual parmesan in like nine months so your doltish tastebuds don’t know any better, is generally very pleasing. As you can tell by the equally generous “”””” around the word parmesan in the recipe’s title, like I’ve climbed up a small step-ladder before launching into exaggerated air quotes. I am just a firm believer in being honest with you and making sure that you have all the information you could possibly need and indeed all that you absolutely don’t need as well before you consider embarking upon this recipe!

It’s also extremely and sincerely delicious. I’d had this recipe shuffling about my brain for a week prior but could never seem to square up actual convivial times to cook food (eg 2pm, 6pm) with when I was actually ravenously hungry (always around 11.48pm or 1.20am for no good reason at all!) This detail is, I grant you, extremely not interesting, but I needed to get it off my chest because it was literally just a whole week of me being like “I’m satisfied with a small bowl of cereal for lunch” and then hitting the hay at midnight suddenly unable to think about anything other than this pasta and it was highly frustrating! In all honesty there was some self-discipline involved in me making it at last; one afternoon I’d walked back to Newtown from my friend’s house in Brooklyn — one suburb over — following the maps app, which sounds straightforward but may I remind you how simple tasks like this cause my brain to warp like an old cassette tape and I rapidly got very lost, or at least it felt like it, I was in truth a mere handful of metres away from recognisable land when I fell into this predicament, and there’s no real way to convey the fear I felt and before you ask yes, I was looking at the map app and yes, for some reason it was now refusing to tell me where I was, possibly for haunting-related reasons, and no, it wasn’t Google maps, and yes, going off-brand is perhaps to blame for the misinformation, and no, I didn’t realise that the app that came with my phone wasn’t Google maps already, and yes, it took an hour and twenty minutes to do a walk that was, according to the off-brand maps app, supposed to be thirty two minutes, and after enduring that I really just wanted to lie down but I was like Laura, you’ve got to get this recipe idea out of your head and onto a plate and to the people, and so that’s what I did and now you too can finally relax because I’ve finished telling this necessary yet wholly pointless preamble.

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So the sweet and nutty ground almonds have this wonderfully soft-yet-granular texture which truly emulates that of finely grated parmesan clinging to each al dente strand of the spaghetti as you twirl it round your fork like it’s a curly telephone cord winding around your fingertips; the fresh lemon cuts through everything with its golden shine but also echoes the acidic nature of that absent cheese; nutritional yeast is, I shruggingly concede, an obvious ingredient, bringing its crowd-pleasingly cheese-mimeographing savouriness. Don’t hold back on the olive oil, as it makes everything buttery and rich, and the splash of pasta cooking water brings with it the starches that have leeched out of the spaghetti itself, and helps emulsify the sauce and make it surprisingly creamy. You know, considering it’s just mildly floury water.

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I hate to be firm with, well, anyone really, but I really want to insist upon the importance of the thyme’s presence – you can use bottled lemon juice instead of fresh stuff, you could still have a good time if you don’t have nutritional yeast, absolutely use regular olive oil if that’s what you’ve got but the fresh thyme gives you everything: pugnaciously herbal savouriness…resiny richness…a far-off murmur of citrus…gentle sweetness…thyme flavour.

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Lemon “””Parmesan””” Spaghetti

A recipe by myself.

  • 100g dried spaghetti
  • 2 -3 tablespoons extra virgin olive oil
  • grated zest of a lemon
  • 3 tablespoons freshly squeezed lemon juice (or as much as you can get out of it)
  • 1/3 cup ground almonds
  • 2 heaped tablespoons nutritional yeast
  • 1/2 teaspoon mustard (any is fine, I used Dijon)
  • a pinch of sea salt
  • a pinch of ground pepper
  • a pinch of garlic powder (optional, but worth it)
  • 2 tablespoons fresh thyme leaves

Bring a large pan of water to the boil – it feels obvious to be explaining this to you but it always goes a lot faster if you boil the jug first and then pour that into a pan and bring that to the boil rather than just waiting for the pan of water to boil itself. Once it’s at a rolling boil tip in a generous pinch of salt (it’s hard to oversalt pasta water so don’t be scared) and cook the spaghetti for ten to twelve minutes or until it’s, you know, cooked.

Meanwhile, mix the olive oil, lemon zest and juice, ground almonds, nutritional yeast, mustard, salt, pepper, garlic powder and thyme leaves together in a bowl along with about a tablespoon of the cooking liquid from the pasta. The second time I made this I used bottled lemon juice and found that some extra olive oil counteracted the slight bitterness of the juice, I also just like a lot of olive oil. As with all recipes, taste to see what you think it needs more of.

Once the pasta is cooked, drain it thoroughly and mix it into the lemon-almond sauce. Drizzle with a little extra olive oil and sprinkle over some extra thyme leaves because why not, and then serve.

Makes enough for one.

P1180735(Ghost’s face, when I’m really firmly like “𝘩𝘦𝘺 buddyY, this pasta is for big boys only, not for small good boys, is that okay with you ??? ? ? ? big idiot boys only. . . .not gȏod flṻffy smâll boys. . . 𝕤𝕠𝕣𝕣𝕪 bëbé. . . but in this world — oh he’s göne.” )

Pasta is my favourite and this is my favourite kind of pasta — simple, elegant, a small amount of sauce quietly shadowing it but not overshadowing it. It’s perfect as it is, but it could, however, also hold its own while holding up something else on top — perhaps some sleekly roasted eggplant slices or a customarily meatball-shaped thing.

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Speaking of words like favourite and perfect, look at this stunner tattoo I got done with my perfect favourites Kim and Kate for my birthday by Jade at Sumi Tattoo, by which I mean, we all have matching tattoos now! It represents the Three of Wands tarot card which we all kept being unconsciously drawn to over the years and the collective interpretations of which read like a bullet-list of our journey together so far and it’s really pretty and we’re each like a supportive side of the triangle! I love stuff that’s symbolic and literal at the same time!

PS: As per and as always, thank you to my Patreon patrons for supporting me and my writing, you are each and every one of you seen and appreciated. Should you wish to join this perspicacious cadre of patrons yourself, then you may sign up here. A couple of dollars or more per month directly influences my ability to write more and gets you exclusive content in return, like book and film reviews or what star sign I believe each character from Gavin and Stacey is or a recipe for the best vegan scones.

title from: Casper, a sweet and woozy song by Daniel Johnston.

music lately:

Comfortably Numb, specifically from Roger Waters’ hilariously overblown 1990 concert performance of The Wall held on land where the literal Berlin Wall itself had fallen eight months prior, like a snake eating its own tail while frantically yelling “this is GREAT!” to anyone who will listen. When Pink Floyd cleft themselves in twain in the 80s you were left with the excellent, if occasionally ponderously dour songwriting of Roger Waters in one camp and the lovely singing voice, strong melodies but very bad lyrics, (and, I suspect, slightly sunnier disposition) of David Gilmore in the other. So what’s a scamp like Waters to do when faced with the concept of putting on an all-star concert version of the album that was the bombastic undoing of his very band: why, he went all-star. And so we have Van Morrison AND The Band in the David Gilmore vocals, and where Gilmore was icy, Van Morrison is like a heat pump warmly gusting towards you with The Band’s country-flavoured harmonies over that gloriously soaring chorus somehow creating the absolute sense that, despite this song actually being about swiftly-creeping dread, you are both safe and loved. To really drive this home they, in an uncharacteristically commercial bone-throwing exercise, give us another repeat of the delicious chorus at the end after Snowy White’s long and crunchy guitar solo. You bet Levon’s Helm’s trucker cap that I’ve listened to this pompous magnificence like twelve times this morning alone.

Sailin’ On, by Bad Brains, for a far more economical yet no less effective use of guitar solo. I love how scuffed up this track sounds and its headrush speed and the oddly adorable “ooooh” vocals that start in verse two, or are they saying “mmmm,” it’s hard to tell against all that noise, but still: oddly adorable.

I won’t remember your birthday, I won’t remember your name, just keep talking to me I’m not listening

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Something that I realised one second after I was told it by someone else, is that in most of life’s arenas my brain will melt down when faced with a task before I’ve even been told what the task is; then should I actually undertake the task (for example, getting on a bus to an appointment) I would often end up doing it wrong (getting on the wrong bus, going to the wrong place) and be afflicted with such brain-paralysis that I would not be able to work out a way to solve it, and worse, the only thing I’d feel capable of is messaging the group chat to drag them down with me on my panicked spiral about something entirely preventable. In all arenas of life! Except in the kitchen.

Like last week’s ice cream atrocity triad: not only was I diplomatically, breezily able to keep going in the face of persistent failure, but I also didn’t see it as a morally-weighted type thing that reflected upon me personally, I was all, I know I’m a good cook, regardless of this garbage. Whereas I still feel a quaking within my nether organs when I have to get on a bus to go like, honestly, anywhere.

(It was Kate that pointed this out to me after I’d been trying to use the oven in her and Jason’s kitchen, the heat/function markings of which are all rubbed off, and instead of lying on the floor and crying I just googled the oven model and found a picture of what the un-rubbed function and heat dials looked like and proceeded accordingly. Upon reflection I was like yeah, that was off-brandingly level-headed of me.)

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With that in mind it was simply no big deal to cook dinner for twelve people last week in honour of my birthday (which was on Wednesday the 17th, in case there’s the slightest bit of unclarity over what my star sign is) and somehow I just instinctively knew which order to make everything in and when to take everything out of the fridge and what could be dovetailed and how to make everything appear on the table at once and how to fix one tricky situation without it having a domino effect on the rest of the food (food can smell fear.) (It just can!)

The menu was as follows:

  • Viv’s Crackers (Make these! They’re so good!)
  • Olive Tapenade (recipe below)
  • Lentil Dip (It’s like. Hummus but with brown lentils and sumac. I just made it up as I went along.)
  • Muhammara (recipe below)
  • Pesto (I just made this up but used my mum’s trick of adding some tahini to it which makes it wonderfully rich, you almost wouldn’t know it was vegan)
  • Caramelised Onion Butter (recipe below)
  • Dukkah (from a recipe of mine from 2018 but I used cashews instead of walnuts)
  • Zucchini, Walnut and Thyme Salad (from Ottolenghi’s book Simple)
  • Marinated Mushrooms (my own recipe from 2012)
  • Cauliflower Tabbouleh (also from Simple)
  • Broccoli Slaw with Wasabi Lime Dressing (I made this up but it’s pretty much exactly how it sounds)
  • Rice Paper Rolls with Peanut Dipping sauce (made them up but again, pretty standard)
  • Roasted Butternut and Parsnip with Cardamom Seeds (I made this up but the title is pretty self-explanatory)
  • Couscous with Fried Eggplants, Olives, Sunflower and Pumpkin Seeds (I made this up but it’s just one of those couscous things where you stir lots of bits into it, you know what I mean?)
  • Blackened Corn and Rice Salad with Pecans, Almonds, and Nasturtium Leaves (based loosely on a recipe of mine from 2012, I added pecans and Chinese Five-Spice and nasturtium leaves from the garden and so on)
  • Fried Zucchini Orzo with Pine Nuts, Mint, Spinach, and Kale (This is just something I made up but it’s definitely based on some Ottolenghi recipe)

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For precisely one minute I was worried I hadn’t made enough and for one wavering semiquaver I was like “what if it’s all bad, just real bad food” but then I laughed at both notions and carried on blithely like I was neurotypically non-avolitional. Nothing actually went wrong but there was definitely plenty of calm yet sudden improvisation required, like when there was no bulgur wheat in the entire suburb of Newtown or when half the vegetables I originally planned for were out of season (it seems the only thing confidently in season in April is meat.)

It’s funny, the psychology of cooking for increasing quantities of people. Supposing I was like, okay, everyone’s getting roast beef and potatoes and salad, you’d be like yeah, three things per person, that’s a normal reasonable meal, all you need to do is make those three things. But the MINUTE you start thinking you’ll have a cosy, low-key, unstructured banquet where everyone just helps themselves to what’s on the table, you suddenly have to provide SO MANY COMPONENTS. Three bowls of salad is NOTHING. But then conversely, the more food there is, the LESS people eat. So a bowl of couscous stuff that normally would in no way stretch to twelve, will not only serve everyone when it’s part of a big table of food, but you’ll also inexplicably have leftovers for a week.

In The Wire, Bunk tells Kima that the one thing you need at a crime scene is “soft eyes…if you’ve got soft eyes you can see the whole thing.” I don’t even know how I came up with the menu in relation to the number of people, it wasn’t based on any actual calculation, I was just like, I’m at one with the food, looking at my proposed menu list with soft eyes, and I’ll just know when I’ve planned enough. And I did! Would I suggest this as advice for anyone else hosting a dinner party? Probably not. Would I suggest watching The Wire? Sure!

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The three recipes I’ve provided for you today were from the dips and sauces – my idea was to have, as well as big bowls of things, just a ton of stuff that could be stirred in to make everything even more interesting. The first recipe, Caramelised Onion Butter, was something I thought up, but let’s be clear: it’s just caramelised onions that have been put in the blender. Nevertheless they were immensely delicious, with that bordering-on-frustratingly slow cooking process slowly breaking down the onions and making them sweet and mellow and lush and somehow even more so once pureed into a creamy mush. Make it and have it on hand to stir into soups, stews, anything that needs an absolute fistful of flavour. The muhammara was something that I adapted from Ottolenghi, not because I thought I could do better than him but because capsicums are ferociously expensive at the moment and so I reduced the quantity a little and subbed in some tomato paste. I think it worked, and the finished result, this rambunctiously flavoured smoky spicy sauce, all nubbly from the walnuts and rich from the roasting process, is highly gorgeous. And as with the caramelised onion butter, I imagine it would be useful to have on hand to embiggen any other food you’ve made. Finally the olive tapenade, which I decided to rakishly make with prunes to boost its dark richness, is so fast to make – have it with bread, stir it through pasta, eat it with a spoon, whatever. If you’re uncertain about the prunes then maybe try blending them in one at a time to see how you go but their robustness complements the equally strident olives and rosemary and the sweetness gives depth rather than unbridled prune-ishness. All three of these recipes are so easy to make (although there’s nothing easy about how much chopping onions makes me cry) I’m sorry, however, that they all involve a food processor. I’m afraid that’s just how it goes when you’re vegan: you give up meat, you inexplicably start blending everything, no almond left unpulverised.

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Caramelised Onion Butter

A recipe by myself

  • 6 large brown onions
  • olive oil (regular, not extra virgin)
  • salt (ideally sea salt or other non-iodised salt)
  • 2 heaped tablespoons soft brown sugar
  • 1 tablespoon balsamic vinegar

Peel and slice the onions, in half and then into fine-ish half-circles. Heat two tablespoons of olive oil over a low heat in a large saucepan and tip the onions in. Sprinkle over a pinch of salt. Let the onions fry, stirring fairly often, letting them soften and soften and become lightly golden. This is not like frying onions normally, you don’t want them to catch and become brown, the idea is to just slowly, slowly, melt them down. It will seem at first like they’re never going to cook and collapse but they will! It just takes about twenty solid minutes.

Once the onions have really softened and turned into a golden tangle, tip in the brown sugar and the balsamic vinegar, turn the heat up to medium, and cook for another five or so minutes. This is the point where caramelisation is ideal so don’t stir them too much, and that way the sugar can really do its thing.

At this point, remove from the heat and allow to cool, tasting for more salt if it needs it. Spatula the onions into the bowl of a food processor and drizzle in another two tablespoons of olive oil. Blitz into a thick, creamy mush. If you use a high-speed blender it will become even more creamy but the chunkier texture from the food processor’s blades is also entirely desirable. Decant to a bowl and refrigerate. It’s best closer to room temperature so take it out of the fridge a while before you need it.

Muhamarra

Adapted slightly from a recipe in Ottolenghi’s book Simple

  • 4 red capsicums (peppers)
  • 6 fat cloves of garlic
  • 2 tablespoons olive oil (plus more for roasting the capsicum)
  • 50g walnuts
  • 1/3 cup (80ml) tomato paste
  • 3/4 teaspoon sweet smoked paprika
  • 1 tablespoon fresh thyme leaves
  • a pinch of chilli flakes
  • 2 teaspoons balsamic vinegar
  • salt, to taste

Set your oven to 220C/450F. Half the capsicums and remove the cores, stems and seeds. Place them cut side down in a roasting dish along with the peeled garlic cloves and drizzle liberally with olive oil. Place in the oven for 20 or so minutes, until the garlic cloves are golden brown and the capsicums are soft and their skin is starting to blacken a little.

Allow the capsicums and garlic to cool a little, then throw them into a food processor along with the remaining ingredients. Try to spatula/pour any oil and roasting juices from the pan into the processor as well. And just to clarify, “the rest of the ingredients” includes the two tablespoons of olive oil. Blitz to form a rough puree, taste for anything it might need – probably more salt – and then spatula it into a serving bowl or an airtight container and refrigerate till needed. Again, best at room temperature or gently warmed, so take it out of the fridge well before you need it.

Olive Tapenade

A recipe by myself

  • 250g (or so) black pitted olives
  • 4 prunes
  • 4 tablespoons olive oil (extra virgin is good, but whatever you’ve got)
  • 1 teaspoon fresh rosemary leaves
  • 1 teaspoon capers (rinsed if salt-packed)
  • a small pinch of cayenne or chilli pepper
  • salt and pepper, to taste

Place everything in a food processor and blitz to form a thick, rough-textured paste. You may need to spatula down the sides a couple of times and then blitz again. Taste to see if it needs more of anything then spatula into a serving bowl or an airtight container, and as with all these recipes, it’s best at room temperature. Just get the cheapest pitted black olives you can find – they’re getting blasted together with all these other ingredients and you don’t want to be dicking around de-stoning them. On the other hand, if you do buy proper olives make sure you get more to account for the weight of the stones.

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Let me tell you, there was no greater birthday present than just sitting there watching everyone I love happily eating food I made. I wasn’t even hungry myself, I just wanted to behold everyone consuming what I’d made for them and now that I’ve said that it sounds a bit psychologically suspicious but I assure you, it’s mostly that if I’ve been cooking all day I’ve definitely been generously tasting everything as I go. For dessert, I did a tray of homemade butterfingers, dried fruit and dark chocolate and didn’t click till the next day that I’d completely forgotten about a birthday cake, but the entire night was perfect just as it was: by the time it devolved into an elaborate roasting of me, from the story of how I’d never changed a lightbulb to the story of how I dropped my phone down an eight-story lift shaft and pressed the emergency button because it was an emergency, well, I think it’s truly the most content I’ve been all year.

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The Ghost with the most.

And I’m still eating the leftovers: thirty-three feels good. Thank you to Jason and Charlotte who took photos of the food on their phones and sent them to me because I forgot to get my camera ready or to learn how to take photos at night (yes, I can organise a dinner party, yes, it will be at the expense of ALL OTHER THINGS that I might possibly need my brain for.)

title from: Planet Z from my Broadway idol Idina Menzel’s beautiful and occasionally bizarre 1997 debut album Still I Can’t Be Still. This boisterously energetic song is groaning under the weight of its production but it all works somehow, I listen to it and couldn’t imagine how it could possibly sound any other way. I love (and miss) her rough-yet-treacly five-zillion-miles-from-Let-It-Go voice.

music lately:

Kate and Jason and I watched Homecoming by Beyoncé last night and it’s absolutely gobsmackingly astounding viewing. Just trying to get my head around her vision, organisation, talent and monumental discipline, as well as the phenomenal production and execution in the stage show. The precision, the work, the drum line, the horn section, the fact that she was the first Black woman to headline Coachella and she went okay, then I’m gonna bring hundreds of Black women up there with me. Naturally, I’ve got her on the brain now and she obviously has nonstop hits but I especially adore Bow Down/I Been On, which she released online in 2013 and would later rework into ***Flawless for her self-titled album. The first part with its discordant Nintendo-sounding sample is so exciting and sinister and off the wall, she sounds so in charge and has these amazing growls in her voice, and then suddenly it slows down and she’s doing operatic soprano and then she starts rapping and her vocals all chopped and screwed now sound like a man’s deep voice, and it becomes this sludgy, slow-moving salute to her hometown and past and she sounds so great. Because she dropped this in such a low-key way online I was not expecting it to pop up on the setlist of Homecoming but she did it! Honestly, even if you’re not a fan, if you generally appreciate live performance, culture, musicianship, or simply a job well done, watch Homecoming.

Invitation to Love, TB. It takes a minute to warm up but once it gets going it’s an extremely lush track that samples Laura Palmer’s Theme from Twin Peaks — that most lush of tracks — that I had a very lovely time dancing to on Sunday night thanks to TV Disko’s DJ set at the Laundry staff party (what, just because I stop working at a place, I’m no longer staff? That’s not how jobs work.)

Today’s Your Day (Whatchagonedo), Fat Lip feat Chali 2na. Deliciously languid, the sound of sunshine refracting through golden syrup, and that chorus is so good.

PS as always thank you to my Patreon patrons, especially the new folks who joined in a birthday-related gestural fashion. It is by no means too late to still join my Patreon and have me think it’s something to do with my birthday, or to just join it because supporting me and my writing is — or could be — its own reward. Plus you get access to exclusive content from me, which is more literally its own reward.

little mean things we were doing, must have been part of the game, lending a spice to the wooing

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I started this week making some ice cream out of canned chickpeas based on a photo I’d seen on Instagram, and the whole process was kind of disastrous in that way where you start to wonder if your food is trying to tell you something, like, at first I tried pulverising the chickpeas in the food processor but they were still too chunky and granular so then I was like okay no worries I’ll spatula it into another bowl and use the stick blender, you know, the kind of thing you use to liquidise soups, and all that did was fling chickpea puree everywhere, and then I was like wait! There’s a smoothie blender in the house somewhere, one of those ones that will turn any quantity of vegetables into a silky-smooth and more or less potable liquid; at which point I accidentally misread the thrust of the fulcrum on the stick blender resting on the edge of the bowl by which I mean I flung chickpea puree across the kitchen floor, undeterred I spatula’d what was left into the smoothie maker, which finally did produce the absolutely smooth mixture I’d been seeking, uninterrupted by bits, then I made some cookie dough to stir in and added what I thought the rest of the ingredients should be (some oat milk, some golden syrup, some oil) and then put it in the freezer and realised I’d dirtied every single appliance in the kitchen, including the floor, including myself, and I did the responsible thing and burnt the house to the ground, no, I joke, I just cleaned it all up, and then when I went to taste the now-solidified ice cream six hours later I was like My God…it tastes like cold sugary hummus.

Luckily I had another recipe to blog about.

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But like, back to the ice cream for a second, the curious thing is that I couldn’t stop thinking about it and even though I was pretty convinced it was not the one, I nevertheless ended up eating the entire thing (in two sittings, don’t be aghast) in the hopes of working out if it actually tasted good or not, and honestly, I’m still not sure? Like it really tasted like cold chickpeas? But then somehow it tasted almost amazing? And I simply could not stop eating it? If anything I admire the ice cream for not handing itself to me on a plate, for making me chase it, but obviously “deliciousness is a subtext that you have to really work to find” is not what most people are looking for in a recipe so I have returned to the drawing board, I just love ice cream SO much and while I’m perfectly content being vegan, I really do miss the absolute ease with which I could make or access ice cream previously.

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Anyway, this week’s recipe for Chinese Five-Spice Panko-fried Eggplant really does hand it to you on a plate, the subtext is text, it’s straightforwardly delicious and deliciously straightforward. I saw a recipe on Food 52 for something they called Breaded Eggplant Cutlets and decided to make my own version. The main thing that I took from the recipe was the process of leaving the salted eggplant slices to sit for an hour, which is not the sort of time-consuming behaviour I’d normally indulge but it really does have a significant effect, meaning that when you come around to frying the eggplant, the flesh within gets quickly melting and tender while the panko crumb gets golden and crisp. Without the salting, there’s a good chance that the eggplant wouldn’t cook through and you’d end up with cotton-wool polystyrene.

The recipe on Food 52 suggests any number of ways that you can use these slices of eggplant but I chose to have them stuffed into a mustard-smeared supermarket roll with lots of rocket leaves: the sinus-clawing mustard and peppery greens counteract the fabulous oily richness of the eggplant and it’s a perfect lunch, where you’ve put in enough effort for it to feel like you actually care about yourself but it’s not so much effort that you end up crying from exhaustion once it’s done. Chinese Five-Spice powder is one of my favourite ingredients, it’s – usually – comprised of cinnamon, cloves, star anise, fennel, and Szechuan peppercorns, and has this warm, aromatic intensity to it that goes so well with the mildness of the eggplant. The aquafaba, which is literally just brine from a can of chickpeas, works perfectly as glue for the flour and panko crumbs but obviously, if you’re not vegan or whatever you could just use a couple of beaten eggs. Panko crumbs are these light, crunchy Japanese breadcrumbs, they really add to the crisp texture of the finished product and are pretty easy to find in most supermarkets, but if you can only find regular breadcrumbs it’ll undoubtedly still taste good because, well, everything fried tastes good.

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Chinese Five-Spice Panko-Fried Eggplant

Inspired by this recipe from Food52.com

  • 1 eggplant, sliced into circles about 1cm thick
  • 2 teaspoons sea salt or other non-iodised salt
  • brine (aquafaba) from one drained can of chickpeas
  • 1 cup panko breadcrumbs
  • 2 tablespoons nutritional yeast
  • 3/4 cup plain flour
  • 2 teaspoons Chinese Five-Spice powder
  • 1/3 cup rice brain oil or similar, for frying
  • soft bread rolls, mustard, rocket or similar green leaves, to serve

Firstly, get two pieces of paper towel, and sit the eggplant slices on one of them on a plate. Sprinkle over the salt, lay over the second piece of paper towel, and then place a second plate on top to weigh it down. Leave the eggplant sitting for an hour, then remove the top plate and get rid of the paper towels.

Place the aquafaba in a bowl. Either in two separate bowls, or, as I did, in two piles on the plate that had previously been resting on top of the eggplants, mix the flour and Chinese Five-Spice powder together, and then mix the panko breadcrumbs and nutritional yeast together.

Dunk each piece of eggplant first into the flour, then the aquafaba, then the breadcrumbs, then repeat this process so each piece of eggplant has been twice-dunked in everything. It will be kind of messy and your fingers will get covered in gunk and I’m telling you now: don’t eat it, you’ll be tempted, but just don’t, it’s…not good.

Heat the oil in a good-sized saucepan and fry the coated eggplant slices for a couple of minutes on each side, carefully turning once they’re a deep golden brown colour. Remove to a plate lined with another piece of paper towel, then eat however you like: I chose to spread mustard on some soft white supermarket bread rolls and then stuffed them with the eggplant slices and a handful of rocket leaves.

The amount that this serves depends on how you serve it and how hungry you are, I had two bread rolls with four pieces of eggplant in it for lunch and was pretty content so I guess what I’m saying is definitely scale up if you’re cooking for other people.

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As for the chickpeas that are left from when you drain the can for its brine…just make hummus.

title from: I Surrender, Dear by Bing Crosby. This was one of his very first hits in 1931 and it’s just, you know, some really good rainy day crooner music.

music lately:

The Infinity Room, an album by 36. This is immensely dreamy and swoony, it makes me want to lie down and also get up and dance at the same time.

Old Town Road, by Lil Nas X with Billy Ray Cyrus. Look, this song is everywhere right now and it’s so catchy but in this way where I want to hear all the catchy segments of it at the same time all on top of each other, kind of like when I tried curly fries for the first time and I was suddenly panicky like, I need to cram all the curly fries into my mouth at once in order to truly understand their deliciousness, if I eat them only one at a time it’s too fleeting. It’s hard to imagine now, but curly fries were once quite the game-changer. Anyway, this song is good as hell and I hope it tops the country charts for a very long time. Yee, and I cannot stress this enough: haw.

Shallow Tears, Light Asylum. It sounds atmospheric yet thrilling, it sounds old yet new, I love those big drums and the singer’s big Depeche Mode-y voice.

PS: a special and heartfelt thank you to my Patreon patrons! I LOVE YOU! If you are not a patron, but you enjoy my writing and want me to be able to do it more, then indeed please consider signing up. A couple of dollars per month from you directly influences my ability to write more and gets you exclusive content in return.

you know that i liked you, jack

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Vegan Jackfruit and Chickpea Curry

This week’s blog post got completely sucked into the vortex that was, well, this week, on account of my working on Saturday and Sunday at Laundry bar in a cameo role (since I no longer work there for real) during the CubaDupa festival. I couldn’t tell you with any real certainty what CubaDupa actually is but I do know for sure that it means Laundry becomes about as crowded as a mid-level Balkan EDM festival except in a small licensed Wellington premises and as such my brief return was both required and, I hope, welcomed. I was also cat-sitting for a friend at the time and am now cat-and-dog-sitting for another friend, it’s all just been comings and goings and that’s why I completely missed writing a blog post, although to be fair it’s somehow already halfway through Friday and yet! I still have traces of a heat rash on my neck from dancing for many hours after my shift finished on Sunday while wearing a $2 shop choker? So I’m really no clearer on how linear time works at all.

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I made this curry for Jason and I — Jason, who also has a dog and cat but who is simply allowing me to stay at his house between other pet-sittings and heat-rash-gatherings, just to be clear — on Tuesday night. I’ve been finding myself drawn, of all things, to idle scrolling across the ebbing and flowing tides of Pinterest, I’ve also been oddly transfixed by sped-up faceless cake-decorating videos, even though the results all look inedibly dry and packed with fondant, there’s something strangely soothing in their anonymous competence. I think it’s a bit simplistic to surmise that in difficult times we seek the reassuring — true though it may be — I think it’s really just that I’m a bit weird and get obsessively hyper-focussed upon the most pointless things, and it’s the intense focus itself that’s calming, the subject doesn’t matter. But it just so happens that I found a recipe for a butter chicken-esque vegan curry while I was in one such state of tunnel vision, and while what I ended up making was different, I appreciate the jump-off point that it provided, and of course, the original butter chicken itself which inspired the recipe to inspire me. Much as I feel like Stacey in that scene from Gavin and Stacey where she’s like “Gav, will you laugh at me if I get a korma”, I freely admit that butter chicken sauce is just so good. It just is. And I was genuinely delighted at how much this recipe evoked it.

Vegan Jackfruit and Chickpea Curry

Jackfruit and Chickpea Curry

Inspired by this recipe from earthchick.com.au.

  • 1 can young jackfruit in brine
  • 1 can chickpeas
  • 1 can coconut cream
  • 1 can tomato puree (or tomato passatta)
  • 1 large onion, peeled and sliced thinly
  • 2 tablespoons rice bran oil (or similar)
  • 3 cloves garlic, crushed
  • 1cm thick slice of fresh ginger, peeled and finely diced
  • 2 teaspoons ground fenugreek
  • 1 teaspoon ground cumin
  • 1 teaspoon ground coriander
  • 1 teaspoon ground turmeric
  • 2 teaspoons mustard (wholegrain or dijon or American or whatever)
  • 1 tablespoon brown sugar
  • 3 tablespoons ground almonds
  • 1 tablespoon red wine vinegar (or lemon juice)
  • salt, to taste, but like, plenty
  • cooked long grain rice, fresh coriander, and cashews to serve

Heat the oil in a large saucepan and gently fry the onion till lightly browned, then add the garlic, ginger, and all the spices. Drain the can of jackfruit and — cutting up any larger pieces if need be — tip the entire thing into the pan. Follow this with the drained chickpeas and the tomato puree. Let it simmer away for fifteen minutes, stirring occasionally. Finally, stir in the vinegar, mustard, and sugar, followed by the coconut cream and ground almonds. Allow it to come to a simmer, taste to see if it needs anything more — salt? sugar? cumin? fenugreek? — then serve over bowls of rice, sprinkled with cashews and coriander leaves.

Feeds 2-3.

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I think the most important things in this recipe are as follows: firstly, if you don’t have fenugreek then go out and buy some, because it has this beautifully sweet-savoury flavour that is difficult to replace. Secondly, don’t leave out the sugar. If anything, add more. The sweetness gives balance and depth and ties all the spices together. Thirdly, try to let the tomato puree really caramelise in the saucepan, this will give you intensity and richness of flavour. Next, just keep tasting. Maybe it needs more salt, maybe more sugar, maybe more cumin, maybe just rakishly empty some more fenugreek into it. Finally, if you can’t find canned jackfruit then I would add an extra can of chickpeas but I love their textures together — the gentle fibrousness of the jackfruit with the grainy nuttiness of the chickpeas. Jackfruit is often incorporated into vegan recipes as a meat substitute because of that texture but here I’m not too fussed about whether or not you think it’s chicken, it just tastes really good smothered in sauce. Finally-finally, you may notice that there’s not a lick of chilli in this — feel free to add chilli of your choosing at any and all stages of cooking it. As it is, it’s so creamy and full-bodied and richly sweetly flavoured and comforting, and I think I’m going to be making this a lot over the coming winter. And leftovers are, I assure you, fantastic cold, from the fridge, eaten standing up, out of whatever container you stored them in.

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(Since Ghost the dog has had such a presence in the last few blog posts, I thought it was Ariel the cat’s time to shine.)

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(Come back, Ariel!)

title from: JC, by Sonic Youth. I love its crunchy chewy droning guitars and the sullen urgency in the delivery of its poetic lyrics.

music lately:

Secondo Coro Delle Lavandaie by Roberto De Simone, I heard this during TV Disko’s set at CubaDupa and I have been obsessed ever since, it’s so pulsating and makes me feel like I’m running through a jungle, like, you can feel the pupils of your eyes expanding as you listen to it.

Everything Old Is New Again, by Peter Allen but specifically as it’s used in the film All That Jazz. I read an extraordinary article about Bob Fosse today which got me onto watching this, I’d always known — of course! — how influential he was, but I really wasn’t across how he was a real piece of work. In his film fictionalising his own life, Ann Reinking, his real-life partner at the time, plays the thinly-veiled-Fosse character’s girlfriend and performs with his character’s daughter in this sweetly touching yet expansively leggy piece of classic Fosse choreography. It’s so meta it almost leaves a bad taste in the mouth but nevertheless Reinking was just born to dance, wasn’t she? (Also this film is amazing! Jessica Lange as an angel of death? Leland Palmer? A young John Lithgow? Wallace Shawn? Cliff Gorman playing a thinly-veiled version of Lenny Bruce in a film-within-a-film based on a film that Bob Fosse really did work on starring Dustin Hoffman based on the Broadway play that starred Cliff Gorman? Ben Vereen?!)

30 Century Man, Scott Walker. I already talked about this extensively last week but I’ve nevertheless listened to this song specifically so many times. His Sinatra via, I want to say, Dean Jones voice just slides right into my amygdala like a missing jigsaw piece.

PS: Thank you to those who have been supporting me via Patreon! If you like what I do and want me to be able to do it more, then indeed please consider signing up. A couple of dollars per month from you not only stokes the fires of my ability to write but also gets you exclusive content in return.

bonfires burning bright, pumpkin faces in the night

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I’ve read seventeen books in the last two months which is more than I read in the last year, in fact I could say with neither hesitation nor exaggeration that it’s more than I read in the past four years combined. One of these books was The Idiot by Elif Batuman, I call upon it because partway through this novel there was a passage that absolutely kneecapped me:

Screen Shot 2019-02-22 at 3.19.11 PM

Though I tempered the immediate butter knife that this drove through me by reminding myself that I’d been writing this very blog for eleven years now and have in fact had a cookbook published before; the precision is nevertheless really something, isn’t it, and probably applicable to any vocation that you hold out of your own reach while insisting it’s really external forces standing in the way?

And though this quote dangles in my head like a spider’s legs I’ve done a robust quantity of writing this week to helpfully back up my claim of wanting to write, including the following:

  • I updated my Frasier food blog, covering Episode 18 of Season 1 and a recipe for the Pink Lady Cocktail
  • I updated my Frasier food blog AGAIN, covering Episode 19 and a recipe for homemade Butterfingers

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And I’m writing this, aren’t I! The recipe I made this week – Sticky Roast Balsamic Sumac Butternut Pumpkin and Cashews – came about simply because I was craving those precise qualities – sticky and caramelised and crisp and roasted and a little sour and salty and rich, you know what I mean? To be perfectly honest with you the sumac component came in at the last minute – after having taken the photos of this recipe I finally got to consume a bowlful, and while it was delicious it was lacking a certain top note, sort of like if you listen to a stereo and you’ve accidentally turned down the treble dial, so it’s recognisable but a little lifeless? That was when I thought to add the sumac: it dovetails with the balsamic vinegar, it imparts a kind of lemony ebullience and lightens up the rich, oily heft of the roasted butternut pumpkin and all those cashews.

This combination is just smashingly delicious: the butternut gets all crunchy and almost adhesive to itself in the hot olive oil, the cashews with their brief blast of heat get their mild creamy flavour and crunch deepened, and the drizzle of golden syrup and balsamic vinegar intensifies everything else and ramps up the caramelisation. And the sumac demonstrably saves the day. If you don’t have any of the sour red powder that is sumac, and this is entirely reasonable, I would just squeeze over the juice of a lemon or a lime and furthermore sprinkle over its zest for good measure. Pomegranate molasses or tamarind would have a similar energy but I feel like if you have those you probably also have sumac already and therefore do not require my dupes. On that note; I chose the butternut pumpkin on purpose: it’s buttery and rich, and not only cooks quicker than regular pumpkin it’s also much easier to slice. But consider them fairly interchangeable if you only have the latter.

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Sticky Roast Balsamic Sumac Butternut Pumpkin and Cashews

a recipe by myself

  • 1/2 a large butternut pumpkin
  • (optional) 2 tablespoons plain flour
  • 1/2 teaspoon ground cumin
  • 4 tablespoons or so olive oil
  • 1 cup raw cashews
  • 1/4 cup raw peanuts (or just more cashews if you like)
  • 1 tablespoon balsamic vinegar, plus extra for drizzling
  • 2 teaspoons golden syrup or similar
  • 2 teaspoons sumac
  • coriander leaves to serve, optional
  • lots of salt and pepper

Set your oven to 220C/450F. Pour the oil into a large roasting tray and put the tray into the oven to heat up while you get everything else sorted.

Carefully slice the skin off the pumpkin and dice the flesh into pieces of roughly one inch. Sprinkle the flour over the cubes of pumpkin if you want, this will make it all the more crispy when it roasts but you can leave it out if you want for gluten-avoidance reasons.

Tip the cubes of pumpkin into the roasting dish that’s been heating up and spread them out so they’re all on one layer. Sprinkle over the cumin and drizzle over more oil if it looks like it needs it. Roast for roughly twenty minutes, stirring halfway through – the amount of time will depend on your oven, but don’t be afraid to leave it in there for a while so the pumpkin gets really crispy and browned.

While the butternut pumpkin is in the oven, pile the cashews and peanuts onto your chopping board and roughly chop them into rubble. In a small cup or bowl mix together the golden syrup and balsamic vinegar.

When you’re quite satisfied with the crisp and brown-ness of the cubes of butternut, remove the tray from the oven and drizzle over the balsamic/syrup mixture – it doesn’t have to coat everything evenly – and sprinkle over the chopped nuts. Return the tray to the oven for literally one minute, then turn the oven off. Leave the tray in there for about ten minutes (although check occasionally to make sure the cashews haven’t burnt). Remove the tray from the oven, sprinkle over the sumac and plenty of salt and pepper, and then serve with the coriander leaves sprinkled on top and an extra drizzle of balsamic vinegar for good measure.

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This recipe is one of those neither-here-nor-there ones, but in a really good way – you can serve it as a side during a larger hearty meal; you could stir it through couscous or bulghur wheat (perhaps with some capers and sultanas); or pile it on rice with some other components; you could fold it through some robust salad leaves, I’m thinking a mixture of rocket and cos lettuce; or you could mix it into spaghetti or other long pasta; or you can do what I did and just eat a bowlful of it on its own. The dish shone at any temperature as well: straight from the oven dish before I’d even decamped it to a serving bowl to photograph; at room temperature once it had finished modelling for me; even fridge-cold, the next-day leftovers were spectacularly good, the balsamic sweetness really coming through the wonderfully oily cubes of butternut pumpkin.

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(A Ghost sighting in the wild) (Ghost is the name of the dog by the way)

I’m currently staying with my parents for a bit, and have spent the last two days on the road in a car with my mother and her best friend getting from Wellington to Waiuku (including a three-hour and one-minute journey between the capital and Otaki due to post-Eminem concert-goer traffic – it should normally take around an hour at the most, but it’s all part of the road trip adventure as we optimistically surmised: if there’s one thing Mum and her best friend know how to do, it’s executing a cunning plan and being optimistic about it at every step of the way.) If you remember when I mentioned in my first blog post of the year that Mum suggested I could come home for a bit and frame it as a writer’s retreat, well, like foreshadowing in a prestige television show, that chicken has come home to roost.

title from: Halloween, by Misfits. I love the anxious guitar riff and the abrupt energy and the way lead singer Glenn Danzig slides over his consonants in a muffled, careless manner, much like a young Patti LuPone in, for example, the 1988 Broadway revival of Anything Goes. Let the bodies hit the floor!

music lately:

Survive It, by Ghostpoet. Really beautiful and, well, poetic.

(I Want To See) The Bright Lights, by Julie Covington. She was the first person to record the breakout song Don’t Cry For Me Argentina in the concept album that preceded the musical Evita (when the concept materialised into a musical on the West End the role went to the unsinkable Elaine Paige, and upon its transfer to Broadway the following year, it was none other than the aforementioned Patti LuPone who sang the famous number.) This is from one of her solo albums and is a cover of a Richard and Linda Thompson song, she sounds just gorgeous and the jingle-jangle production is somehow not too dated, and it captures that very British oil-and-water quality of being plaintively melancholy and resiliently upbeat simultaneously.

Sound of Rain, by Solange. She dropped a new album all at once and everything about it, the musicality and her voice and the writing and the production is stunning and she just seems to be in top form. At 39 minutes, When I Get Home is easy to listen to in its entirety but I love this track in particular at the moment.

a cocktail napkin epitaph

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This week we’re briefly pivoting away from food and instead neck deep into alcohol with two cocktail recipes. I would like to caveat you, first by warning you that I’m going to use the word “caveat” as a verb, and secondly by letting you know that I’m going through a rather beastly phase of insomnia at the moment, but also that I’ve finally got a doctor prescription for sleeping pills to counteract it, and half of this was written before and half of this was written after so if there’s any Wiley Wiggins in Waking Life buzz going as you read, that’s why. What will next week’s excuse be, you ask? If it’s still insomnia I’m gonna be so mad but I reckon I’ll try to distract you with whatever the opposite of sublimation is by being all “look at this brilliant writing demonstrably lacking in flaws!”

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A few separate things had to happen for this week’s recipes to come together. First of all, I was like man, I haven’t come up with a new cocktail in ages. I used to do it all the time because my job required it, and though I’m still bartending I just don’t have as much call for it anymore. I really enjoy it, almost as much as inventing a food recipe — it’s all about balance and texture and getting your restrictions to push you into more creative choices. Secondly, it’s now a whole year since Motel, the bar I used to run, closed. Thirdly, I came to realise I had a bottle of prebatched alcohol base from a cocktail I invented for Motel’s closing night (December 31, 2017) under my bed (in January, 2019.)

And then I was like, well, maybe this is a sign that I shouldn’t be allowed to invent things.

But invent things I did! And having re-discovered myself to be in possession of good fortune, I might as well see if it was, in truth, worth universally acknowledging. Or at least…potable. Somewhat unsurprisingly, given the grunty ABV (that’s alcohol by volume) of its contents, it had serenely preserved itself for the entire year under my bed and remained more or less completely unchanged. So I used it to make the cocktail that I served on Motel’s last night and — it was still delicious! So I decided to share it with you today.

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The cocktail is inspired by two things: an existing cocktail — The Rosebud — from Motel’s history, and myself. The Rosebud is pretty well-known in Wellington — it was, in fact, the first one I ever had when I moved to the city in 2006 — and is a smashingly drinkable combination of vanilla vodka, lemon, passionfruit, cranberry and pineapple. Sounds like someone’s just pointing at bottles of juice and saying them out loud, I grant you, but it really is a beautiful drink. I wanted to pay tribute to that drink, but also quite justifiably not-humbly to myself, by using my three favourite ingredients:

  • Fernet Branca, which I would describe as having a bouquet of minty dirt and yet! I just wouldn’t be without it
  • Smith and Cross Navy Strength Jamaican Rum, my very favourite rum, a lush and broad-shouldered overproof
  • Angostura Bitters — that familiar paper-wrapped bottle with the yellow lid filled with strangely aromatic red liquid, normally administered drop by careful drop into, for example, glasses of lemonade to make Lemon Lime and Bitters, very popular in New Zealand — I decided to use an entire half shot of the stuff.

These were the three ingredients in the bottle under my bed, equal parts in a menacing dried-blood red. As I said above, this is a moderately outrageous quantity of bitters to be putting in a drink — normally it’s used a few drops at a time — but as this was a cocktail for the final night of Motel and because I feel most comfortable in excess, I decided to be excessive. However! The drink also had to be balanced, and even more so, it had to taste good.

Balance is a word I bang on about a lot when I start getting riled up about cocktails, but it really is important. Consider the Old Fashioned — one of the most famous classic cocktails, it’s essentially just an ass-ton of bourbon, with a little sugar and bitters, diluted a bit. Like, that’s all it is. So why don’t we choke on them? Balance, people. The sugar makes it richer in body and softer, stirring the drink over ice bevels off the rough edges, the bitters…well, they taste good. Look at the Long Island Iced Tea — it’s got five different types of liquor in it and yet because there’s enough citrus and sugar to take the edge off you can down them like they’re water. I’m honestly pretty sure that with enough sugar and lime juice even plane engine fuel would be, well, no worse than a Long Island Iced Tea.

So with this cocktail, what’s happening? You’ve got that mouth-open-in-a-storm-drain taste of the Fernet Branca, bracing and earthy, you’ve got the rich ripe-to-bursting fruit funk and sweetness of the rum, and you’ve got the clove and cinnamon woody spice of the Angostura bitters. All of this, plus that rip-tide of high alcohol volume, is lifted and brightened by the zingy, sour-sweet passionfruit syrup — and you really do need to use syrup here, the kind they sell in the same aisle as packaged desserts in the supermarket — and mellowed by the sugar content. The pineapple juice softens it but also has overlap in the tropical flavours of the rum and the more floral notes of the bitters and the Fernet. Pineapple juice has this enzyme which, when you shake it up, it goes all fluffy and aerated. So the juice is also bringing body and texture to the cocktail (much as it does to the original Rosebud itself.)

I called it The Final Scene because of this reference to the name Rosebud in the final scene of the film Citizen Kane, and also more obviously because it was Motel’s final scene. And then just over a year later — the present day, I mean — I took the bottle of pre-batch to Laundry, the bar where I now work, and photographed the drink there. (In case you’re all “what is that adorable mise-en-scène going on there,” yeah, it’s not my house.)

And then I was like…Laura. Though being inspired by yourself is a reasonable, even obvious use of your time, this is nevertheless a seriously inaccessible cocktail recipe to be putting on your blog. If I hadn’t found that bottle of prebatch under my bed there’s no way I’d be able to afford these ingredients. You would probably be laughed at if you asked someone to make this in an actual cocktail bar (although the Trinidad Sour cocktail has an entire shot of bitters in it, so my reasoning had its reasons.)

So! I have another recipe to offer you, something incredibly simple that I don’t have a photo of but you could make it yourself in the time it takes to read the instructions. By which I mean: it’s just Lindauer with some peach schnapps in it. It’s also very, very good. I called it the Queen’s Speech because (a) the queen makes a speech on Christmas Day and it was on that day I drank a lot of this, (b) I like how the linguistic structure of the title means it could also be called Queen’s Peach, (c) I got my family to watch a LOT of The Crown on Netflix while I was there at Christmas and (d) I enjoy the juxtaposition of the name’s regnal qualities with its ingredients. Like, I literally went into the alcohol shop and said “what’s your most off-brand peach schnapps” and they were all “sure here’s a 700ml bottle for $14”. And it really is so good! Soft and peachy (obviously, but I’m losing steam in the drinks description faculties of my brain by this point), celebratory in a non-threatening way, a little sweet but not head-achingly so, somehow Christmassy and yet somehow appropriate to any time, be it a cosy dinner party or your parent-teacher interviews; and above all, no effort to make.

The Final Scene

a recipe by myself

  • 15ml Angostura Bitters
  • 15ml Smith and Cross Navy Strength Jamaican Rum
  • 15ml Fernet Branca
  • 30ml passionfruit syrup
  • 45ml pineapple juice

Place everything in a shaker with ice and shake thoroughly. Double strain — using a cocktail strainer and a sieve — into a chilled coupe glass or similar glass. Serve.

Queen’s Speech

a recipe by myself

  • Lindauer or similarly inexpensive sparkling white wine
  • Peach schnapps

If you require measurements, it’s roughly 100ml of the bubbles and 15ml of the schnapps but it’s easier to just do it as follows: fill a champagne flute to about an inch from the top with the sparkling wine and then top with a good hefty splash of schnapps.

Measurement notes: the following are all equal, so apply which one makes the most sense to you.

15ml
1/2 oz
1 tablespoon (eg that you’d use for baking)
half a standard shot

The following are also all equal:

30ml
1 oz
2 tablespoons
1 standard shot

If you’re in America you might be used to ounces whereas if you’ve not bartended ever you may feel more at ease with measuring spoons. It all gets the job done! As for making the thing, if you’ve got actual cocktail shaker tins at home then good for you, otherwise just use a clean jam jar with the lid on to shake it up then tip it through a small sieve. During the earthquake of October 2016, when I was on a “relaxing getaway” (yeah we screwed that up timing-wise) with my best friends Kim and Kate at a bach up the coast, I managed to make us very serviceable tequila sours using lots of tequila, some very old sugar from the jar on the tea tray, and some bottled lemon juice we found in the fridge. I shook it up in a novelty Christmas biscuit tin with the three cubes of ice that were left in the freezer and then tipped it into glasses through an enormous sieve. And I would definitely describe the result as potable.

If you’re on a cocktail-making buzz you may also wish to read other blog posts of mine on this subject, such as the Aperol Spritz, vegan Gin Sours, or a cocktail I invented called Millennial Pink. And if you wish to explore further the prospect of fresh minty dirt flavours, consider my recipe for Fernet Branca ice cream.

title from: Beginner’s Mind, by Bright Eyes, a really nice song, just a classic example of him bright-eyes-ing around.

music lately:

Sharon Van Etten, Seventeen. I’ve been listening to her new album a lot, partly to distract myself from Mitski at Laneway, and well, it’s very good! And this song in particular is spectacular! At first I was like, hmm, it’s a bit Fleetwood Mac, isn’t it…but the rumbling urgency and building piano and melancholy-but-happy mood absolutely decked me. (No, I don’t enjoy Fleetwood Mac, yes, it’s my cross to bear.)

Waiting Room, by Fugazi, grumpy yet melodic.

Berlin, So So Modern. This magical song is the soundtrack to a million years ago, and yet something in its patient relentlessness also feels like I’m hearing it for the first time, every time.

Meadowlark, Liz Callaway. This song is from the fairly unsuccessful Broadway musical The Baker’s Wife but has since itself become something of a standard. I feel Callaway’s is the definitive version — her voice has this intense kindness and sense of hope to it and she does this thing I adore where she heavily emphasises the “r” in each word (so a line like “the one I’m burning for returns” is immensely satisfying to the ears) and honestly, don’t even get me started on the enormous ending of this song, honestly. (Also, did you know? That’s Callaway’s voice you hear in the theme song to the TV show The Nanny, which she sang with her sister Ann Hampton Callaway, who — there’s more! — also wrote the song.)

PS: if you like what you see and you want me to be able to do more of it, then consider becoming a Patreon patron to support my writing. I’m going to be dicking around with it in the next week or so and adding tiers and generally making it clearer for one and all but nevertheless there’s no time like the present!